Heimann, Mary ![]() |
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Abstract
Michael Tomko uses this book to argue that the ‘Catholic question’ which plagued British politics at the end of the eighteenth century has been largely elided from our understanding of romantic-era culture, a mistake which he hopes to rectify here. Tomko provides a reading of the romantic writers which shows that the Catholic question fundamentally permeated romantic-era literature, challenging writers to engage with ideas of British national and religious identity. This book claims that the perceived dangers of Catholicism to “Britishness” (even by pro-emancipation writers such as Byron and Shelley), led to attempts to articulate a via media between religious enthusiasm and superstition.
Item Type: | Article |
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Date Type: | Publication |
Status: | Published |
Schools: | History, Archaeology and Religion |
Subjects: | D History General and Old World > D History (General) > D204 Modern History D History General and Old World > DA Great Britain |
Publisher: | Cambridge University Press |
ISSN: | 2055-7973 |
Date of First Compliant Deposit: | 19 July 2017 |
Date of Acceptance: | 24 April 2013 |
Last Modified: | 06 May 2023 02:24 |
URI: | https://orca.cardiff.ac.uk/id/eprint/102674 |
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