Watt, Sophie
2020.
Thompson, Céline and Tavernier: An Historical Echo Chamber of Western Imperial Ideology.
New Readings
17
(2)
, pp. 105-123.
10.18573/newreadings.117
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Abstract
Bertrand Tavernier’s film Coup de torchon (1981) in dialogue with Jim Thompson’s novel Pop . 1280 (1964) and Louis-Ferdinand Céline’s Voyage au bout de la nuit (1932) produces an historical echo chamber around racial violence which is rooted in layers of historical practices and discourses with transatlantic ramifications. This article argues that racial violence resonates across historical periods and functions as a metonymic narrative thread between the texts, bringing together the history of slavery, racial segregation, colonial violence and neo-colonial power as an integral part of Western culture and identity. This article analyses this historical convergence as a form of multiple enunciation, creating a metatextual space which allows for the articulation of a strong critique of Western imperial violence and thought systems.
Item Type: | Article |
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Date Type: | Publication |
Status: | Published |
Schools: | Modern Languages |
Subjects: | J Political Science > JV Colonies and colonization. Emigration and immigration. International migration P Language and Literature > PN Literature (General) P Language and Literature > PN Literature (General) > PN0080 Criticism P Language and Literature > PQ Romance literatures P Language and Literature > PS American literature |
Publisher: | Cardiff University Press |
ISSN: | 2634-6850 |
Date of First Compliant Deposit: | 15 January 2021 |
Date of Acceptance: | 12 February 2020 |
Last Modified: | 05 May 2023 07:32 |
URI: | https://orca.cardiff.ac.uk/id/eprint/138015 |
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