Mandal, Anthony ORCID: https://orcid.org/0000-0001-5719-6145 1999. Revising the Radcliffean model: Jane Austen’s Northanger Abbey and Regina Maria Roche’s Clermont. Cardiff Corvey: Reading the Romantic Text 3 (3) , Sept 1999. |
Abstract
This paper seeks to consider the influence of Ann Radcliffe’s fiction on the literary scene at the end of the eighteenth century. It will examine two very different responses to the Radcliffean paradigm, through a study of three aspects of her variety of Gothic as developed by Jane Austen and Regina Maria Roche. By contrasting the reactions of these authors to divergent strains which exist within her work, the legacy that Radcliffe bequeathed her contemporaries might be observed in the writings of other significant authors from the Romantic period. As a consequence of this, it might also become clearer how Austen’s own parodic stance can be seen operating within the limits set by the structures of Radcliffe’s romances.
Item Type: | Article |
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Date Type: | Publication |
Status: | Published |
Schools: | English, Communication and Philosophy |
Subjects: | P Language and Literature > PR English literature |
Additional Information: | "Cardiff Corvey: Reading the Romantic Text" is now known as "Romantic Textualities". |
Publisher: | Cardiff University |
ISSN: | 1748-0116 |
Last Modified: | 31 Oct 2022 08:55 |
URI: | https://orca.cardiff.ac.uk/id/eprint/79241 |
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