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Number of items: 40.

Plasa, Carl ORCID: 2024. Charlotte Brontë’s mythic figures: Prometheus and Medusa in ‘The Death of Napoleon,’ The Professor and Jane Eyre. Wynne, Deborah and Regis, Amber, eds. Edinburgh Companion to the Brontës and the Arts, Edinburgh: Edinburgh University Press,

Plasa, Carl ORCID: 2024. Lost and found: Textual and intertextual retrieval in Dante Gabriel Rossetti's exhumation letters and the 'Willowwood' sonnets. Connotations: A Journal for Critical Debate 33

Plasa, Carl ORCID: 2023. Literature, art and slavery: Ekphrastic visions. Edinburgh: Edinburgh University Press.

Plasa, Carl ORCID: 2021. Race and gender: Inkle, Yarico, intertextual revisions and the problem of female vengeance. Hudson, Nicholas, ed. A Cultural History of Race in the Reformation and Enlightenment, Vol. 4. Bloomsbury Academic, pp. 127-143.

Plasa, Carl ORCID: 2019. Rewriting conjure: routes of revision in Frederick Douglass, Shirley Graham and Jewell Parker Rhodes. Mellis, James, ed. Voodoo, Hoodoo and Conjure in African American Literature: critical essays, Jefferson, NC: McFarland, pp. 31-50.

Plasa, Carl ORCID: 2018. Towards a bigger picture: transatlantic ekphrasis in William B. Patrick's 'The Slave Ship'. The Wenshan Review of Literature and Culture 11 (2) , pp. 27-59. 10.30395/WSR.201806_11(2).0003

Plasa, Carl ORCID: 2017. 'In another light': new intertexts for David Dabydeen's 'Turner'. Connotations: A Journal for Critical Debate 26 , pp. 163-203.

Plasa, Carl ORCID: 2015. Poetry in the archive: reimagining Amistad in Kevin Young's Ardency. Metcalf, Josephine and Spaulding, Carina, eds. African American Culture and Society after Rodney King: Provocations and Protests, Progression and 'Post-Racialism', Farnham: Ashgate, pp. 83-106. (10.4324/9781315565989-11)

Plasa, Carl ORCID: 2015. Ekphrastic poetry and the Middle Passage: recent encounters in the Black Atlantic. Connotations: A Journal for Critical Debate 24 (2) , pp. 290-324.

Plasa, Carl ORCID: 2014. Tim Armstrong, The logic of slavery: debt, technology, and pain in American literature [Book Review]. Review of English Studies 65 (269) , pp. 377-379. 10.1093/res/hgt099

Plasa, Carl ORCID: 2014. Prefigurements and afterlives: Bertha Mason's literary histories. Bronte Studies 39 (1) , pp. 6-13. 10.1179/1474893213Z.00000000091

Plasa, Carl ORCID: 2013. "The object of his craving": loss and compensation in Toni Morrison’s Song of Solomon. Emig, Rainer, ed. Treasure in Literature and Culture, Heidelberg: Universitätsverlag Winter, pp. 117-132.

Plasa, Carl ORCID: 2013. "Mainly story-telling and play-acting": theatricality and the Middle Passage in Barry Unsworth's Sacred Hunger. Gohrisch, Jana and Grünkemeier, Ellen, eds. Postcolonial Studies Across the Disciplines, Amsterdam: Rodopi, pp. 151-166.

Plasa, Carl ORCID: 2013. Black skin, blue books: African Americans and Wales, 1845-1945 by Daniel G. Williams (Cardiff: University of Wales Press, 2012) [Book Review]. New Welsh Review 99 , pp. 89-91.

Plasa, Carl ORCID: 2012. Doing the slave trade in different voices: poetics and politics in Robert Hayden’s first Middle Passage. African American Review 45 (4) , pp. 557-573.

Plasa, Carl ORCID: 2012. "Tangled skeins": Henry Timrod's The Cotton Boll and the slave narratives. Southern Literary Journal 45 (1) , pp. 1-20. 10.1353/slj.2012.0025

Plasa, Carl ORCID: 2012. Simon Gikandi. Slavery and the culture of taste [Book Review]. The Review of English Studies 63 (261) , pp. 705-706. 10.1093/res/hgs009

Plasa, Carl ORCID: 2010. Saccharographies. Emig, Rainer and Lindner, Oliver, eds. Commodifying (Post)Colonialism: Othering, Reification, Commodification and the New Literatures and Cultures in English, Cross/cultures, vol. 127. Amsterdam: Rodopi, pp. 41-61.

Plasa, Carl ORCID: 2009. Slaves to sweetness: British and Caribbean literatures of sugar. Liverpool Studies in International Slavery, vol. 1. Liverpool: Liverpool University Press.

Plasa, Carl ORCID: 2009. Imperialism, reform, and the making of Englishness in Jane Eyre [Book Review]. Women's Writing 16 (2) , pp. 353-355. 10.1080/09699080903016771

Plasa, Carl ORCID: 2008. "Conveying away the trash": sweetening slavery in Matthew Lewis’s Journal of a West India Proprietor, Kept During a Residence in the Island of Jamaica. Romanticism and Victorianism on the Net 50 (8) 10.7202/018150ar

Plasa, Carl ORCID: 2007. "Stained with spots of human blood": sugar, abolition and cannibalism. Atlantic Studies: Literary, Historical and Cultural Perspectives 4 (2) , pp. 225-243. 10.1080/14788810701510860

Plasa, Carl ORCID: 2005. George Eliot's "confectionery business": sugar and slavery in Brother Jacob. LIT: Literature Interpretation Theory 16 (3) , pp. 285-309. 10.1080/10436920500183878

Plasa, Carl ORCID: 2004. Charlotte Brontë. Critical Issues, Basingstoke: Palgrave Macmillan.

Plasa, Carl ORCID:, ed. 2001. Jean Rhys: Wide Sargasso Sea. Readers' Guides to Essential Criticism, Icon.

Plasa, Carl ORCID: 2000. Textual politics from slavery to postcolonialism: race and identification. Basingstoke: Palgrave Macmillan.

Plasa, Carl ORCID:, ed. 2000. Toni Morrison, Beloved: a reader's guide to essential criticism. Icon Reader's Guides to Essential Criticism, Icon.

Plasa, Carl ORCID: 2000. Charlotte Brontë's foreign bodies: slavery and sexuality in The Professor. Journal of Narrative Theory 30 (1) , pp. 1-28.

Plasa, Carl ORCID: 1998. "To whom does he address himself?": Reading Wordsworth in Browning's Pauline. Day, Gary, ed. Varieties of Victorianism: The Uses of a Past, Basingstoke: Palgrave Macmillan, pp. 161-178.

Plasa, Carl ORCID: 1998. Tennyson revised: influence and doubling in Four Quartets. Symbiosis: A Journal of Anglo-American Literary Relations 2 (1) , pp. 56-74.

Plasa, Carl ORCID: 1998. Reading "the geography of hunger" in Tsitsi Dangarembga's Nervous Conditions: from Frantz Fanon to Charlotte Brontë. Journal of Commonwealth Literature 33 (1) , pp. 35-45. 10.1177/002200949803300104

Plasa, Carl ORCID: 1995. Revision and repression in Keats's Hyperion: "pure creations of the poet's brain". Keats-Shelley Journal 44 , pp. 117-146.

Plasa, Carl ORCID: 1995. Fantasias of war: language, intertextuality and gender in Dulce et Decorum Est. Krieg und Literatur / War and Literature 1 , pp. 61-78.

Plasa, Carl ORCID: 1994. "Silent revolt": slavery and the politics of metaphor in Jane Eyre. Plasa, Carl ORCID: and Ring, Betty J., eds. The Discourse of Slavery: Aphra Behn to Toni Morrison, Routledge, pp. 64-93.

Plasa, Carl ORCID: and Ring, Betty J. 1994. Introduction. Plasa, Carl ORCID: and Ring, Betty J., eds. The Discourse of Slavery: Aphra Behn to Toni Morrison, Routledge, xiii-xix.

Plasa, Carl ORCID: and Ring, Betty J., eds. 1994. The discourse of slavery: Aphra Behn to Toni Morrison. Routledge.

Plasa, Carl ORCID: 1993. "Qui est là": race, identity and the politics of fantasy in Wide Sargasso Sea. Gulliver: Deutsch-Englische Jahrbücher , pp. 42-59.

Plasa, Carl ORCID: 1992. "Cracked from side to side": sexual politics in The Lady of Shalott. Victorian Poetry 30 (3/4) , pp. 247-264.

Plasa, Carl ORCID: 1991. Lost in the Post-Miltonic: reading Keats's letters. Prose Studies: History, Theory, Criticism 15 (1) , pp. 30-48. 10.1080/01440359208586457

Plasa, Carl ORCID: 1991. Reading Tennyson in Four Quartets: The example of East Coker. English: The Journal of the English Association 40 (168) , pp. 239-258. 10.1093/english/40.168.239

This list was generated on Mon Jul 15 17:20:55 2024 BST.