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Online Research @ Cardiff

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Number of items: 21.

Wilson, Richard 2012. Too long for a play: Shakespeare and the Wars of Religion. Karremann, C., Zwierlein, C. and Groote, I. M., eds. Forgetting faith? Negotiating confessional conflict in early modern Europe, Berlin: De Gruyter, pp. 41-62.

Wilson, Richard Frank 2011. When Golden time Convents: Shakespeare’s Eastern Promise. Höfele, Andreas and Laqué, Stephan, eds. Humankinds: The Renaissance and its Anthropologies, Berlin: De Gruyter, pp. 109-136.

Wilson, Richard 2011. Nature’s bastards: flower power in Bohemia. Brailowsky, Yan, Crunelle Vanrigh, Anny and Déprats, Jean-Michel, eds. 'A sad tale’s best for winter': Approches Critiques du Conte d'hiver de Shakespeare, Nanterre: Presses universitaires de Paris-Ouest, pp. 53-78.

Wilson, Richard 2011. As the osprey to the fish: Shakespeare and the force of law. Ben-Dor, Oren, ed. Law and Art: Justice, Ethics and Aesthetics, Abingdon: Routledge, pp. 93-113.

Wilson, Richard 2010. When Golden Time Convents: Twelfth Night and Shakespeare's Eastern Promise. Shakespeare 6 (2) , pp. 209-226. 10.1080/17450911003790331

Wilson, Richard 2010. Hamlet in Weimar: Gordon Craig and the Nietzsche Archive. Shakespeare Jahrbuch 146 , pp. 26-48.

Wilson, Richard 2010. "To excel the Golden Age": Shakespeare's voyage to Greece. Lobsien, V., Olk, C. and Münchberg, K., eds. Volkommenheit: Ästhetische Perfektion in Antike, Mittelalter und Früher Neuzeit, Transformationen der Antike, vol. 13. Berlin: De Gruyter, pp. 181-204.

Wilson, Richard 2010. Our good Will: Shakespeare's cameo performance. Berns, Ute, ed. Solo Performances: Staging the Early Modern Self in England, Internationale Forschungen zur Allgemeinen und Vergleichenden Literaturwissenschaft, vol. 132. Amsterdam: Rodopi, pp. 67-88.

Wilson, Richard 2010. Cackling home To Camelot: Shakespeare' Welsh roots. Maley, Willy and Schwyzer, Philip, eds. Shakespeare and Wales: From the Marches to the Assembly, Farnham: Ashgate, pp. 191-210.

Wilson, Richard 2009. Just William: Shakespeare's sentimental education. Bandry-Scubby, Anne, ed. Education, Culture, Littérature, Paris: Orizons, coll. Universités - Domaine littéraire, pp. 219-228.

Wilson, Richard Frank 2008. ‘Another country: Marlowe and the go-between’ (revised and updated). Stanivikovic, G., ed. Remapping the Mediterranean world in Early Modern English writings, Basingstoke: Palgrave, pp. 131-156.

Wilson, Richard Frank 2008. 'All-shaking thunder': King Lear and the Gunpowder Plot. Lemonier, Delphine and Winter, Guillaume, eds. Lectures du 'Roi Lear' de William Shakespeare, Rennes: Presses Universitaires de Rennes, pp. 13-32.

Wilson, Richard Frank 2008. 'Great stage of fools': King Lear and the King’s Men. Drouet, P. and Iselin, P., eds. The true blank of thine eye: approches critiques de 'King Lear', Paris: PU Paris-Sorbonne, pp. 17-37.

Wilson, Richard Frank 2008. Behind the scenes. R. Wilson.

Wilson, Richard 2008. Our bending author: Shakespeare takes a bow. Shakespeare Studies 36 , pp. 67-79.

Meek, R., Rickard, J. and Wilson, Richard Frank, eds. 2008. Shakespeare's book: essays in reading, writing and reception. Manchester: Manchester University Press.

Wilson, Richard Frank 2006. Shakespeare in French theory: King of shadows. London: Routledge.

Wilson, Richard Frank 2004. Shakespeare in Hate: Performing the Virgin Queen. Poetica 36 , pp. 149-167.

Wilson, Richard Frank 2004. Secret Shakespeare: studies in theatre, religion and resistance. Manchester: Manchester University Press.

Wilson, Richard Frank 2002. 'A world elsewhere': Shakespeare's sense of an exit. 2001 Lectures: Proceedings of the British Academy Volume 117, Oxford: Oxford University Press, pp. 165-99.

Wilson, Richard Frank The exception: force of argument in Terry Eagleton's William Shakespeare. Shakespeare 8 (1) , pp. 1-12. 10.1080/17450918.2012.660280

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