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Number of items: 33.

Morra, Irene ORCID: https://orcid.org/0000-0002-2303-7127 2022. 'Tendernesses of an England Long Past' Opera, elegy, and the music of Alan Hollinghurst. Durkin, Rachael, Dayan, Peter, Englund, Axel and Clausius, Katharina, eds. The Routledge Companion to Music and Modern Literature, Routledge, pp. 177-190. (10.4324/9780367237288-18)

Morra, Irene ORCID: https://orcid.org/0000-0002-2303-7127 2022. English and British national identity in the arts. Stroeher, Vicki P. and Vickers, Justin, eds. Benjamin Britten in Context, Composers in Context, Cambridge: Cambridge University Press, pp. 303-310. (10.1017/9781108634878.035)

Morra, Irene ORCID: https://orcid.org/0000-0002-2303-7127 2021. Music. Kornhaber, David and Loehlin, James N., eds. Tom Stoppard in Context, Literature in Context, Cambridge: Cambridge University Press, pp. 147-154. (10.1017/9781108303736.023)

Morra, Irene ORCID: https://orcid.org/0000-0002-2303-7127 2020. Battering rams at the Bastille: Rewriting "the Drama of the New" in Gordon Bottomley's Gruach. Modern Drama 63 (1) 10.3138/md.1068r
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Morra, Irene ORCID: https://orcid.org/0000-0002-2303-7127 2019. New Elizabethanism: origins and legacies. Morra, Irene and Gossedge, Robert Anthony ORCID: https://orcid.org/0000-0002-3563-8341, eds. The New Elizabethan Age: Culture, Society and National Identity after WWII, London: I.B. Tauris, pp. 17-48. (10.5040/9781350988965.ch-001)

Morra, Irene ORCID: https://orcid.org/0000-0002-2303-7127 2019. History play: people, pageant, and the New Shakespearean Age. Morra, Irene and Gossedge, Robert Anthony ORCID: https://orcid.org/0000-0002-3563-8341, eds. The New Elizabethan Age: Culture, Society and National Identity after WWII, London: I.B. Tauris, pp. 308-336. (10.5040/9781350988965.ch-016)

Morra, Irene ORCID: https://orcid.org/0000-0002-2303-7127 and Gossedge, Robert Anthony ORCID: https://orcid.org/0000-0002-3563-8341 2019. Introduction. Morra, Irene and Gossedge, Robert Anthony, eds. The New Elizabethan Age: Culture, Society and National Identity after WWII, London: I.B. Tauris, pp. 1-14. (10.5040/9781350988965.0006)

Morra, Irene ORCID: https://orcid.org/0000-0002-2303-7127 2016. Gloriana and the new Elizabethan Age. Begam, Richard and Smith, Matthew Wilson, eds. Modernism and Opera, Hopkins Studies in Modernism, Baltimore, MD: Johns Hopkins University Press, pp. 290-314.

Morra, Irene ORCID: https://orcid.org/0000-0002-2303-7127 and Gossedge, Rob ORCID: https://orcid.org/0000-0002-3563-8341, eds. 2016. The New Elizabethan Age: culture, society and national identity after WWII. London: I.B. Tauris.

Morra, Irene ORCID: https://orcid.org/0000-0002-2303-7127 2016. Verse drama in England, 1900-2015: Art, modernity, and the national stage. Critical Companions, London and New York: Bloomsbury Methuen.

Morra, Irene ORCID: https://orcid.org/0000-0002-2303-7127 2015. The spectre on the stair: intertextual chains in 'Great Expectations' and 'The Adventures of Huckleberry Finn'. Literary Imagination 17 (1) , pp. 71-94. 10.1093/litimag/imv002
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Morra, Irene ORCID: https://orcid.org/0000-0002-2303-7127 2014. Britishness, popular music, and national identity: The making of modern Britain. Routledge Studies in Popular Music, Abingdon: Routledge.

Morra, Irene ORCID: https://orcid.org/0000-0002-2303-7127 2014. Maenads and Metatheatre: Tennessee Williams's Suddenly Last Summer as Euripidean myth. The Tennessee Williams Annual Review 14 , pp. 1-25.

Morra, Irene ORCID: https://orcid.org/0000-0002-2303-7127 2013. The habit of art: in the beginning was the word. Modern Drama 56 (3) , pp. 352-373.

Morra, Irene ORCID: https://orcid.org/0000-0002-2303-7127 2010. Outstaring the Sun: Contemporary Opera and the Literary Librettist. Contemporary Music Review 29 (2) , pp. 121-135. 10.1080/07494467.2010.534917

Morra, Irene ORCID: https://orcid.org/0000-0002-2303-7127 2009. Constructing Camelot: Britain and the New World Musical. Contemporary Theatre Review 19 (1) , 22 -34. 10.1080/10486800802661665

Morra, Irene ORCID: https://orcid.org/0000-0002-2303-7127 2007. Twentieth-century British authors and the rise of opera in Britain. Aldershot: Ashgate.

Morra, Irene ORCID: https://orcid.org/0000-0002-2303-7127 2007. Wilkie Collins, George Eliot, and Italian opera. Essays in Criticism 57 (3) , pp. 217-236. 10.1093/escrit/cgm009

Morra, Irene ORCID: https://orcid.org/0000-0002-2303-7127 2007. Drama in England, 1940-2002. Cody, Gabrielle H. and Sprinchorn, Everett, eds. The Columbia Encyclopedia of Modern Drama, New York: Columbia University Press, pp. 409-410.

Morra, Irene ORCID: https://orcid.org/0000-0002-2303-7127 and Sprinchorn, Evert 2007. Ronald Duncan. Cody, Gabrielle H., ed. The Columbia Encyclopedia of Modern Drama, Vol. 1. Columbia University Press, pp. 377-378.

Morra, Irene ORCID: https://orcid.org/0000-0002-2303-7127 2005. Performing the Edwardian ideal: David Mamet and "The Winslow Boy". Modern Drama 48 (4) , pp. 744-757. 10.1353/mdr.2006.0034

Morra, Irene ORCID: https://orcid.org/0000-0002-2303-7127 2004. "Singing like a musical box": musical detection and novelistic tradition. Losseff, Nicky and Fuller, Sophie, eds. The Idea of Music in Victorian Fiction, Music in Nineteenth-Century Britain, Farnham: Ashgate, pp. 151-170.

Morra, Irene ORCID: https://orcid.org/0000-0002-2303-7127 2003. The Importance of Being Earnest [Film Review]. Scope: An Online Refereed Journal of Film Studies 2003 (May) , pp. 35-37.

Morra, Irene ORCID: https://orcid.org/0000-0002-2303-7127 2002. A song not without words: singing "Billy Budd". Meyer, Michael J., ed. Literature and Musical Adaptation, Amsterdam: Rodopi, pp. 7-27.

Morra, Irene ORCID: https://orcid.org/0000-0002-2303-7127 2001. Mansfield Park [Film Review]. Scope: An Online Refereed Journal of Film Studies 2001 (August)

Morra, Irene ORCID: https://orcid.org/0000-0002-2303-7127 2001. Muriel Spark. Reichhardt, Mary, ed. Catholic Women Writers: A Bio-Bibliographical Sourcebook, Greenwood, pp. 357-361.

Morra, Irene ORCID: https://orcid.org/0000-0002-2303-7127 2001. Dorothy L. Sayers. Reichardt, Mary, ed. Catholic Women Writers: A Bio-Bibliographical Sourcebook, Greenwood Press, pp. 338-343.

Morra, Irene ORCID: https://orcid.org/0000-0002-2303-7127 2001. Elizabeth Cary. Reichardt, Mary, ed. Catholic Women Writers: A Bio-Bibliographical Sourcebook, Greenwood, pp. 24-28.

Morra, Irene ORCID: https://orcid.org/0000-0002-2303-7127 2001. Musical biography. Jolly, Margaretta, ed. Encyclopedia of Life Writing: Autobiographical and Biographical Forms, Fitzroy Dearborn, p. 362.

Morra, Irene ORCID: https://orcid.org/0000-0002-2303-7127 2001. Georg Philip Telemann. 18th Century Online Encyclopedia: Enlightenment and Revolution

Morra, Irene ORCID: https://orcid.org/0000-0002-2303-7127 2001. Ludwig van Beethoven. 18th Century Online Encyclopedia: Enlightenment and Revolution

Morra, Irene ORCID: https://orcid.org/0000-0002-2303-7127 2001. Domenico Scarlatti. 18th Century Online Encyclopedia: Enlightenment and Revolution

Morra, Irene ORCID: https://orcid.org/0000-0002-2303-7127 2001. Composers of the Nazi era: eight portraits by Michael H. Kater [Book Review]. University of Toronto Quarterly 71 (1) , pp. 330-332.

This list was generated on Mon Jul 15 14:54:53 2024 BST.