Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818
2019.
1968: Mythology matters.
Twentieth-Century Music
16
(1)
, pp. 165-168.
10.1017/S147857221900015X
|
|
Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818
2018.
Bois y Blacbord.
Ap Siôn, Pwyll and Thomas, Wyn, eds.
Cydymaith i Gerddoriaeth Cymru,
United Kingdom:
Y Lolfa,
p. 54.
|
|
Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818
2018.
Bois y Frenni.
Ap Siôn, Pwyll and Thomas, Wyn, eds.
Cydymaith i Gerddoriaeth Cymru,
United Kingdom:
Y Lolfa,
pp. 54-55.
|
|
Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818 and Gower, Jon
2018.
Max Boyce.
Ap Siôn, Pwyll and Thomas, Wyn, eds.
Cydymaith i Gerddoriaeth Cymru,
United Kingdom:
Y Lolfa,
p. 56.
|
|
Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818
2018.
Catatonia.
Ap Siôn, Pwyll and Thomas, Wyn, eds.
Cydymaith i Gerddoriaeth Cymru,
United Kingdom:
Y Lolfa,
pp. 74-75.
|
|
Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818
2018.
Datblygu.
Ap Siôn, Pwyll and Thomas, Wyn, eds.
Cydymaith i Gerddoriaeth Cymru,
United Kingdom:
Y Lolfa,
p. 131.
|
|
Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818 and Gower, Jon
2018.
Davies, Ryan.
Ap Siôn, Pwyll and Thomas, Wyn, eds.
Cydymaith i Gerddoriaeth Cymru,
United Kingdom:
Y Lolfa,
pp. 141-142.
|
|
Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818
2018.
Ffa Coffi Pawb.
Ap Siôn, Pwyll and Thomas, Wyn, eds.
Cydymaith i Gerddoriaeth Cymru,
United Kingdom:
Y Lolfa,
pp. 179-180.
|
|
Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818
2018.
Gorky's Zygotic Mynci.
Ap Siôn, Pwyll and Thomas, Wyn, eds.
Cydymaith i Gerddoriaeth Cymru,
United Kingdom:
Y Lolfa,
pp. 194-195.
|
|
Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818 and Ap Siôn, Pwyll
2018.
Hergest.
Ap Siôn, Pwyll and Thomas, Wyn, eds.
Cydymaith i Gerddoriaeth Cymru,
United Kingdom:
Y Lolfa,
pp. 234-235.
|
|
Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818
2018.
Hogia Llandegai.
Ap Siôn, Pwyll and Thomas, Wyn, eds.
Cydymaith i Gerddoriaeth Cymru,
United Kingdom:
Y Lolfa,
pp. 237-238.
|
|
Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818
2018.
Hogia'r Gogledd.
Ap Siôn, Pwyll and Thomas, Wyn, eds.
Cydymaith i Gerddoriaeth Cymru,
United Kingdom:
Y Lolfa,
p. 238.
|
|
Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818
2018.
Hogia'r Wyddfa.
Ap Siôn, Pwyll and Thomas, Wyn, eds.
Cydymaith i Gerddoriaeth Cymru,
United Kingdom:
Y Lolfa,
pp. 238-239.
|
|
Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818
2018.
Hopkin, Mary.
Ap Siôn, Pwyll and Thomas, Wyn, eds.
Cydymaith i Gerddoriaeth Cymru,
United Kingdom:
Y Lolfa,
pp. 239-240.
|
|
Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818
2018.
Bara Menyn, Y.
Thomas, Wyn and Ap Sion, Pwyll, eds.
Cydymaith i Gerddoriaeth Cymru,
United Kingdom:
Y Lolfa,
pp. 45-46.
|
|
Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818 and Ap Siôn, Pwyll
2018.
Iwan, Dafydd.
Ap Siôn, Pwyll and Thomas, Wyn, eds.
Cydymaith i Gerddoriaeth Cymru,
United Kingdom:
Y Lolfa,
pp. 251-253.
|
|
Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818 and Ap Siôn, Pwyll
2018.
Jarman, Geraint.
Ap Siôn, Pwyll and Thomas, Wyn, eds.
Cydymaith i Gerddoriaeth Cymru,
United Kingdom:
Y Lolfa,
pp. 257-259.
|
|
Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818
2018.
Williams, Margaret.
Sion, Pwyll ap and Thomas, Wyn, eds.
Cydymaith i Gerddoriaeth Cymru,
Y Lolfa,
p. 432.
|
|
Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818
2018.
Super Furry Animals.
Sion, Pwyll ap and Thomas, Wyn, eds.
Cydymaith i Gerddoriaeth Cymru,
Y Lolfa,
pp. 390-391.
|
|
Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818 and Sion, Pwyll ap
2018.
Stevens, Meic.
Sion, Pwyll ap and Thomas, Wyn, eds.
Cydymaith i Gerddoriaeth Cymru,
Y Lolfa,
pp. 389-390.
|
|
Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818
2018.
Squires, Dorothy.
Sion, Pwyll ap and Thomas, Wyn, eds.
Cydymaith i Gerddoriaeth Cymru,
Y Lolfa,
pp. 386-387.
|
|
Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818
2018.
Rhys, Gruff.
Ap Siôn, Pwyll and Thomas, Wyn, eds.
Cydymaith i Gerddoriaeth Cymru,
United Kingdom:
Y Lolfa,
pp. 378-379.
|
|
Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818
2018.
Roberts, Robert (Bob Tai'r Felin).
Ap Siôn, Pwyll and Thomas, Wyn, eds.
Cydymaith i Gerddoriaeth Cymru,
United Kingdom:
Y Lolfa,
p. 369.
|
|
Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818
2018.
Pope, Mal.
Sion, Pwyll ap and Thomas, Wyn, eds.
Cydymaith i Gerddoriaeth Cymru,
Y Lolfa,
pp. 352-353.
|
|
Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818 and Herbert, Trevor
2018.
Poblogaidd, Cerddoriaeth.
Sion, Pwyll ap and Thomas, Wyn, eds.
Cydymaith i Gerddoriaeth Cymru,
Y Lolfa,
pp. 348-352.
|
|
Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818
2018.
Pelydrau, Y.
Ap Siôn, Pwyll and Thomas, Wyn, eds.
Cydymaith i Gerddoriaeth Cymru,
United Kingdom:
Y Lolfa,
p. 343.
|
|
Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818
2018.
Le Bon, Cate.
Ap Siôn, Pwyll and Thomas, Wyn, eds.
Cydymaith i Gerddoriaeth Cymru,
United Kingdom:
Y Lolfa,
pp. 294-295.
|
|
Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818
2018.
Jones, Tom.
Ap Siôn, Pwyll and Thomas, Wyn, eds.
Cydymaith i Gerddoriaeth Cymru,
United Kingdom:
Y Lolfa,
pp. 288-289.
|
|
Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818 and Ap Glyn, Sion
2018.
Jones, Heather.
Ap Siôn, Pwyll and Thomas, Wyn, eds.
Cydymaith i Gerddoriaeth Cymru,
United Kingdom:
Y Lolfa,
pp. 281-282.
|
|
Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818 and Ap Siôn, Pwyll
2018.
Jess.
Ap Siôn, Pwyll and Thomas, Wyn, eds.
Cydymaith i Gerddoriaeth Cymru,
United Kingdom:
Y Lolfa,
pp. 271-272.
|
|
Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818
2018.
James, Richard.
Ap Siôn, Pwyll and Thomas, Wyn, eds.
Cydymaith i Gerddoriaeth Cymru,
United Kingdom:
Y Lolfa,
pp. 255-256.
|
|
Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818
2018.
Un Naw Chwech Wyth.
Journal of Communication Inquiry
42
(3)
, pp. 300-305.
10.1177/0196859918776506
|
|
Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818
2017.
Peripheral identities on Desert Island Discs and Beti a'I Phobol.
Brown, Julie, Cook, Nicholas and Cottrell, Stephen, eds.
Defining the Discographic Self: Desert Island Discs in Context,
Proceedings of the British Academy,
Oxford:
Oxford University Press,
pp. 189-212.
|
|
Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818
2017.
A historiography of pop historiography.
Presented at: RMA 53rd Annual Conference,
Liverpool, UK,
7-9 September 2017.
|
|
Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818
2017.
'If you can remember the 60s...'.
Presented at: Summer of Love Conference: Revisiting the Summer of Love, Rethinking the Counterculture,
San Francisco, CA, USA,
27-29 July 2017.
|
|
Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818, O'Connell, Joseph ORCID: https://orcid.org/0000-0002-1306-8456 and Thomas, Isabel
2017.
One weekend in October: The Swn Festival, Cardiff.
Presented at: CHIME Conference 2017: Music, Festivals, Heritage,
Siena , Italy,
25-28 May 2017.
|
|
Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818
2017.
Explosion of deferred dreams: musical renaissance and social revolution in San Francisco, 1965-1975 [Book Review].
The Sixties
10
(1)
, pp. 113-114.
10.1080/17541328.2017.1310438
|
|
Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818
2017.
Celtic music in Wales.
Horn, David, Shepherd, John and Prato, Paolo, eds.
Bloomsbury Encyclopedia of Popular Music of the World, Volume 11: Genres: Europe,
London:
Bloomsbury,
|
|
Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818
2017.
O'r Bae i'r Bala: Dylanwad Haf Hir 1967.
O'r Pedwar Gwynt
4
|
|
|
Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818
2017.
Teaching popular music and protest from the 1960s.
Presented at: Revolution in the Air,
Université de Rouen, France,
Mar 2017.
|
|
Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818
2016.
San Francisco and the long 60s.
London:
Bloomsbury Academic.
|
|
Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818
2016.
'An Enticing Experience': Women Listening to Prog.
Presented at: Second International Conference of the Progect Network for the Study of Progressive Rock,
University of Edinburgh,
May 2016.
|
|
Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818
2015.
Connecting the dots: pop historiography since one chord wonders.
Presented at: 30 Years of One Chord Wonders,
Sellis Benney Theatre, Brighton, UK,
17 Oct 2015.
|
|
Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818
2014.
Psychedelic aesthetic and progressive impulse: A Tale of Two Cities.
Presented at: First International Conference of the ACADPROG Network,
Dijon, France,
10-12 December 2014.
|
|
Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818
2013.
Desert Island Discs, Beti a'i Phobol, and Britishness.
Presented at: Desert Island Discs and the Discographic Self,
London, UK,
5-6 November 2013.
|
|
Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818
2013.
Choreographing In C.
Presented at: 4th International Conference on Music and Minimalism,
Long Beach, CA, USA,
3-6 October 2013.
|
|
Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818
2013.
The heritage of failure: Marginal Welsh pop in the capital city.
Presented at: IASPM 17th Biennial Conference: Bridge Over Troubled Waters: Challenging Orthodoxies,
Oviedo, Spain,
24-28 June 2013.
|
|
Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818
2013.
Ending it all: Genesis and revelation.
Popular Music
32
(2)
, pp. 197-221.
10.1017/S0261143013000044
|
|
|
Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818
2013.
"This is my country": American popular music and political engagement in 1968.
Kutschke, Beate and Norton, Barley, eds.
Music and Protest in 1968,
Music since 1900,
Cambridge:
Cambridge University Press,
pp. 46-63.
|
|
Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818
2013.
Book Review. Alice Echols, hot stuff: disco and the remaking of American culture.
Popular Music
32
(1)
, pp. 133-135.
10.1017/S0261143012000657
|
|
Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818
2013.
Desert Island Discs, Beti a'i Phobol, and Britishness.
Presented at: Desert Island Discs and the Discographic Self,
London, UK,
5-6 November 2013.
|
|
Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818
2013.
Choreographing 'In C'.
Presented at: Left Coast Minimalism: 4th International Conference on Minimalist Music,
Long Beach, CA,
3-6 October 2013.
|
|
Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818
2013.
The Heritage of failure: marginal Welsh Pop in the capital city.
Presented at: Bridge Over Troubled Waters: Challenging Orthodoxies: 17th IASPM International Conference,
Oviedo, Spain,
24-28 June 2013.
|
|
Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818
2012.
A night at the Avalon.
Presented at: Biennial IASPM-UK/Ireland conference: Imagining Communities Musically: Putting Popular Music in its Place,
Salford, Manchester, UK,
5-7 September 2012.
|
|
Hill, Sarah Susan ORCID: https://orcid.org/0000-0002-6738-8818
2012.
From the new Jerusalem to the secret world: Peter Gabriel and the shifting self.
Drewett, Michael, Hill, Sarah Susan and Kärki, Kimi, eds.
Peter Gabriel: From Genesis to Growing Up,
Ashgate Popular and Folk Music Series,
Farnham:
Ashgate,
pp. 15-30.
|
|
Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818
2012.
Mapio Canu Pop Cymraeg / Mapping Welsh Pop.
Presented at: 11th Conference of the Centre for Advanced Welsh Musical Studies,
Aberystwyth, UK,
February 2012.
|
|
Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818
2012.
Minority language, majority canon.
Popular Music History
7
(3)
, pp. 283-300.
|
|
Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818
2012.
A Night at the Avalon.
Presented at: Imagining Communities Musically: Putting Popular Music in its Place: IASPM-UK/Ireland Conference,
Salford, UK,
5-7 September 2012.
|
|
Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818
2011.
Psychedelia and Its high other in 1960s San Francisco.
Presented at: 7th International Conference on Music Since 1900 / Lancaster University Music Analysis Conference (LancMAC),
University of Lancaster, UK,
28-31 July 2011.
|
|
Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818
2011.
Mary Hopkin and the deep throat of culture.
Laurie, Stras, ed.
She's So Fine: Reflections on Whiteness, Femininity, Adolescence and Class in 1960s Music,
Surrey:
Ashgate,
pp. 163-182.
|
|
Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818
2011.
Psychedelia and its high other in 1960s San Francisco.
Presented at: 7th International Conference on Music Since 1900 / Lancaster University Music Analysis Conference (LancMAC),
Lancaster, UK,
28-31 July 2011.
|
|
Drewett, Michael, Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818 and Kärki, Kimi, eds.
2010.
Peter Gabriel, from Genesis to growing up.
Ashgate Popular and Folk Music Series,
Abingdon:
Ashgate.
|
|
Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818
2010.
Book Review. Mina Yang, California Polyphony.
twentieth-century music
7
(1)
, pp. 122-127.
10.1017/S1478572211000089
|
|
Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818
2009.
Book Review. David W. Bernstein, ed., The San Francisco Tape Music Center: 1960s Counterculture and the Avant-Garde.
Popular Music
28/3
, pp. 433-434.
10.1017/S026114300999016X
|
|
Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818
2009.
Hippies, Inc.: San Francisco and the commodification of the 60s.
Presented at: 15th Biennial IASPM Conference: Popular Music Worlds, Popular Music Histories,
Liverpool, UK,
13-17 July 2009.
|
|
Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818
2009.
Book Review. Olivier Julien, ed., Sgt Pepper and the Beatles: It was forty years ago today.
Ethnomusicology
53
(2)
, pp. 329-331.
10.2307/25653072
|
|
Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818
2009.
Hippies Inc.: San Francisco and the commodification of the 60s.
Presented at: Popular Music Worlds, Popular Music Histories: 15th Biennial IASPM Conference,
Liverpool, UK,
13-17 July 2009.
|
|
Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818
2008.
Popular music in Wales since 1945.
Davies, John, Jenkins, Nigel, Baines, Menna and Lynch, Peredur I., eds.
The Welsh Academy Encyclopaedia of Wales,
Cardiff:
University of Wales Press,
|
|
Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818
2008.
Record companies in Wales.
Davies, John, Jenkins, Nigel, Baines, Menna and Lynch, Peredur I., eds.
The Welsh Academy Encyclopaedia of Wales,
Cardiff:
University of Wales Press,
|
|
Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818
2008.
Cerddoriaeth Boblogaidd yng Nghymru ers 1945.
Gwyddoniadur Cymru yr Academi Gymreig,
University of Wales Press,
|
|
Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818
2008.
The sound of San Francisco? The Grateful Dead, urban hippies and the memory of the 60s.
Presented at: 29th Annual Southwest Texas Popular Culture and American Culture Association,
Albuquerque, NM,
13-16 February 2008.
|
|
Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818
2007.
Book Review. Monte Dutton, true to the roots: American music revealed.
Music and Letters
88
(4)
, pp. 708-709.
10.1093/ml/gcm039
|
|
Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818
2007.
A taste of summer.
[Radio].
9 October 2007.
|
|
Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818
2007.
'Blerwytirhwng?' The place of Welsh pop music.
Ashgate Popular and Folk Music Series,
Aldershot:
Ashgate.
|
|
Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818
2006.
Beyond borders: the female Welsh pop voice.
Radical Musicology
1
(17 May)
|
|
Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818
2006.
When deep soul met the love crowd: Otis Redding at the Monterey pop festival, June 16-18, 1967.
Performance and Popular Music History, Place and Time,
Ashgate,
28 - 40.
|
|
Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818
2006.
When deep soul met the love crowd: Otis Redding at the Monterey Pop Festival, June 16-18, 1967.
Inglis, Ian, ed.
Performance and Popular Music: History, Place and Time,
Ashgate Popular and Folk Music Series,
Abingdon:
Ashgate,
pp. 28-40.
|
|
Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818 and Dai, Griffiths
2005.
Postcolonial music in contemporary Wales: hybridities and weird geographies.
Jane, Aaron and Chris, Williams, eds.
Postcolonial Wales,
Cardiff:
University of Wales Press,
pp. 215-233.
|
|
Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818
2004.
Ending it all: Genesis and Revelation.
Presented at: SIMS 2004: Symposium of the International Musicological Society,
Melbourne, Australia,
11-16 July 2004.
|
|
Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818
2003.
'All directions were forward from there': The Grateful Dead, San Francisco, and the memory of the 60s.
Presented at: 39th Annual RMA Conference: Music Historiography,
Cardiff, UK,
12-14 September 2003.
|
|
Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818
2003.
From the new Jerusalem to the secret world: Peter Gabriel and the shifting self.
Presented at: Practising Popular Music: 12th Biennial IASPM Conference,
Montreal, QC, Canada,
3-7 July 2003.
|
|
Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818
2003.
Book Review. Stan Hawkins, settling the pop score.
Popular Music
22
(2)
, pp. 251-253.
10.1017/S026114300323316X
|
|
Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818 and Griffiths, Dai
2002.
What did 'Welsh' mean for Welsh pop in the 1990s?
Presented at: Postcolonial Wales,
Treforest, Wales, UK,
13 July 2002.
|
|
Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818
2001.
Welsh popular music in the 1960s: The roots of an identity.
Presented at: Looking Back, Looking Ahead: Popular Music Studies 20 Years Later: 11th Biennial IASPM Conference,
Turku, Finland,
6-10 July 2001.
|
|
Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818
2001.
Britpop: Syllu ar Fogail Lloegr.
Tu Chwith
, pp. 37-44.
|
|
Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818
2000.
Welsh popular music in the Anglo-American market.
Presented at: Popular Music and National Culture: IASPM Slovenia Conference,
Ljubljana, Slovenia,
22-25 November 2000.
|
|
Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818
2000.
Conference Review. Identities in Action: Gregynog, 10-12 December 1999.
Popular Music
19
(3)
, pp. 394-395.
|
|
Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818
2000.
Families of resemblance: Welsh popular music and other marginalia.
Welsh Music History
4
, pp. 138-147.
|
|
Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818
1999.
Families of resemblance: Welsh popular music and other marginalia.
Presented at: University of Wales Centre for Advanced Welsh Musical Studies Conference,
Bangor, UK,
29 July -1 August 1999.
|
|
Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818
1999.
O'r Barrio i'r Byd: Marchnata'r Iaith Ryngwladol yn Ninas yr Engylion.
Tu Chwith
Gwanwy
, pp. 100-105.
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