| Cowgill, Rachel  ORCID: https://orcid.org/0000-0002-9835-4039
      2012.
      Performance alfresco: Music-making in English pleasure gardens.
       Conlin, Jonathan, ed.
      
      The Pleasure Garden: From Vauxhall to Coney Island,
       
      Penn Studies in Landscape Architecture,
      
      
       
      Philadephia, PA: 
      University of Pennsylvania Press,
      pp. 100-126. | 
|   | 
| Cowgill, Rachel  ORCID: https://orcid.org/0000-0002-9835-4039
      2012.
      'Attitudes with a shawl': performance, femininity, and spectatorship at the Italian opera in early nineteenth-century London.
       Cowgill, Rachel and Poriss, Hilary, eds.
      
      The Arts of the Prima Donna in the Long Nineteenth Century,
       
      
      
      
       
      New York: 
      Oxford University Press,
      pp. 217-251. | 
|   | 
| Cowgill, Rachel  ORCID: https://orcid.org/0000-0002-9835-4039 and Poriss, Hilary, eds.
      2012.
      The arts of the prima donna in the long nineteenth century.
      
      
      
      
      
      
      
      New York:
      Oxford University Press. | 
|   | 
| Cowgill, Rachel  ORCID: https://orcid.org/0000-0002-9835-4039 and Poriss, Hilary
      2012.
      Introduction.
       Cowgill, Rachel and Poriss, Hilary, eds.
      
      The Arts of the Prima Donna in the Long Nineteenth Century,
       
      
      
      
       
      New York: 
      Oxford University Press,
      xxvii-xlvi. | 
|   | 
| Cowgill, Rachel  ORCID: https://orcid.org/0000-0002-9835-4039
      2011.
      
      Canonizing remembrance: Music for Armistice Day at the BBC, 1922–7.
      First World War Studies
      2
      
        (1)
      
      , pp. 75-107.
      
      10.1080/19475020.2011.555499 | 
|   | 
| Cowgill, Rachel  ORCID: https://orcid.org/0000-0002-9835-4039, Cooper, David and Brown, Clive, eds.
      2010.
      Art and ideology in European opera: Essays in honour of Julian Rushton.
      
      
      
      
      
      
      
      Woodbridge:
      Boydell & Brewer. | 
|   | 
| Cowgill, Rachel  ORCID: https://orcid.org/0000-0002-9835-4039
      2010.
      New light and the man of might: revisiting early interpretations of Die Zauberflöte.
       Cowgill, Rachel, Cooper, David and Brown, Clive, eds.
      
      Art and Ideology in European Opera: Essays in Honour of Julian Rushton,
       
      
      
      
       
      Woodbridge: 
      Boydell Press,
      pp. 194-221. | 
|   | 
| Cowgill, Rachel  ORCID: https://orcid.org/0000-0002-9835-4039, Cooper, David and Brown, Clive
      2010.
      Introduction.
       Cowgill, Rachel, Cooper, David and Brown, Clive, eds.
      
      Art and Ideology in European Opera: Essays in Honour of Julian Rushton,
       
      
      
      
       
      Woodbridge: 
      Boydell Press,
      pp. 1-10. | 
|   | 
| Cowgill, Rachel  ORCID: https://orcid.org/0000-0002-9835-4039
      2010.
      The works of Julian Rushton.
       Cowgill, Rachel, Cooper, David and Brown, Clive, eds.
      
      Art and Ideology in European Opera: Essays in Honour of Julian Rushton,
       
      
      
      
       
      Woodbridge: 
      Boydell Press,
      pp. 385-391. | 
|   | 
| Cowgill, Rachel  ORCID: https://orcid.org/0000-0002-9835-4039 and Dideriksen, Gabriella
      2008.
      Opera Orchestras in Georgian and Early Victorian London.
       Jensen, Niels Martin and Piperno, Franco, eds.
      
      The Opera Orchestra in 18th- and 19th Century Europe: Vol. I: The Orchestra in Society,
       
      Musical Life in Europe, 1600-1900: Circulation, Institutions, Representation,
      
      
       
      Berlin: 
      Berliner Wissenschafts-Verlag,
      pp. 259-321. | 
|   | 

 
							

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