Dixon, Daisy 2020. Lies in art. Australasian Journal of Philosophy 100 (1) , pp. 25-39. 10.1080/00048402.2020.1844772 |
Official URL: https://doi.org/10.1080/00048402.2020.1844772
Abstract
This paper aims to show that any account of how artworks lie must acknowledge (I) that artworks can lie at different levels of their content—what I call ‘surface’ and ‘deep’—and (II) that, for an artwork to lie at a given level, a norm of truthful communication such as Grice’s Maxim of Quality must apply to it. A corollary is that it’s harder than you might think for artworks to lie: Quality is not automatically ‘switched on’ during our engagement with art. However, I show how a work’s curation and genre-membership can ‘switch on’ Quality, allowing artworks to lie at different levels.
Item Type: | Article |
---|---|
Date Type: | Published Online |
Status: | Published |
Schools: | English, Communication and Philosophy |
Publisher: | Taylor and Francis Group |
ISSN: | 0004-8402 |
Date of Acceptance: | 4 October 2020 |
Last Modified: | 21 Nov 2023 13:00 |
URI: | https://orca.cardiff.ac.uk/id/eprint/163864 |
Citation Data
Cited 5 times in Scopus. View in Scopus. Powered By Scopus® Data
Actions (repository staff only)
Edit Item |