ORCA
Online Research @ Cardiff
Browse by Current Cardiff authors
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Up a levelNumber of items: 9.
Dixon, Daisy and Paris, Panos  ORCID: https://orcid.org/0000-0002-2549-1075
2026.
Freedom—nature—Satan: on the beauty of black metal.
Simmons, J. Aaron and McCraw, Benjamin W., eds.
The Heaviest Ideas in the Universe: A Philosophy of Heavy Metal,
[Freedom—Nature—Satan].
John Wiley & Sons,
pp. 158-185.
(10.1002/9781394330775.ch9)
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| Dixon, Daisy 2024. Un-ringing the bell. Fennell, Christopher C., ed. Grappling with Monuments of Oppression, London: Routledge, (10.4324/9781003471936-3) |
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| Dixon, Daisy 2023. Honouring and admiring the immoral: an ethical guide. Drawing the line: what to do with the work of immoral artists from museums to the movies. Philosophical Quarterly 73 (3) , 831–837. 10.1093/pq/pqad021 |
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| Dixon, Daisy 2022. Artistic (counter) speech. Journal of Aesthetics and Art Criticism 80 (4) , pp. 409-419. 10.1093/jaac/kpac038 |
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Dixon, Daisy
2022.
Novel assertions: A reply to Mahon.
British Journal of Aesthetics
62
(1)
, pp. 115-124.
10.1093/aesthj/ayab017
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| Dixon, Daisy 2021. The whole picture: the colonial story of the art in our museums & why we need to talk about it. The British Journal of Aesthetics 61 (3) , 395–399. 10.1093/aesthj/ayaa056 |
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| Dixon, Daisy 2021. The artistic metaphor. Philosophy 96 (1) , pp. 1-25. 10.1017/S0031819120000273 |
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| Dixon, Daisy 2020. Lies in art. Australasian Journal of Philosophy 100 (1) , pp. 25-39. 10.1080/00048402.2020.1844772 |
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Dixon, Daisy
2019.
Alterpieces: Artworks as shifting speech acts.
PhD Thesis,
University of Cambridge.
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