O'Connell, John Morgan ![]() |
Abstract
The music of Tajikistan has received surprisingly little attention. While a number of scholars have conducted fieldwork in different parts of the country, they have tended to focus upon the expressive culture of minority groups, the shashmaqom tradition among Uzbeks in the northern province of Khujand and the madoh tradition among Pamiris in the south-eastern province of Badakhshan being featured in the scholarly literature. Spinetti has sought to redress this imbalance, conducting research (2002-4) among musicians in the southern province of Kulob, recording a wide variety of styles characteristic of different contexts. In this recording, he presents an excellent overview of musical genres from the region, taking care to embrace both urban and rural styles and to include both traditional and contemporary forms. Consisting of two compact discs and accompanied by an extended commentary, Falak: The Voice of Destiny represents an important addition to the extant archival sources on Tajik music.
Item Type: | Article |
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Date Type: | Publication |
Status: | Published |
Schools: | Music |
Subjects: | M Music and Books on Music > M Music |
Publisher: | Taylor & Francis |
ISSN: | 1741-1912 |
Last Modified: | 21 Oct 2022 07:03 |
URI: | https://orca.cardiff.ac.uk/id/eprint/99048 |
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