Millar, Stephen R. ![]() ![]() |
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Official URL: http://dx.doi.org/10.1080/03007766.2016.1229098
Abstract
Northern Ireland remains part of the United Kingdom, yet its postcolonial position is subject to fierce debate among British loyalists and Irish republicans. Using Tommy Skelly’s 1972 “Go on Home British Soldiers” as its central focus, this article unpicks the various (post)colonial narratives played out through republican music in the North of Ireland, challenging the parameters of the postcolonial, and demonstrating how Irish rebel songs continue to function as a form of political engagement and cultural resistance within and against the British state.
Item Type: | Article |
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Date Type: | Published Online |
Status: | Published |
Schools: | Music |
Publisher: | Taylor & Francis |
ISSN: | 0300-7766 |
Funders: | Leverhulme Trust |
Date of First Compliant Deposit: | 17 September 2018 |
Date of Acceptance: | 16 March 2016 |
Last Modified: | 21 Nov 2024 21:45 |
URI: | https://orca.cardiff.ac.uk/id/eprint/114834 |
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