Clarke, David ![]() |
Abstract
This article argues that German director Tom Tykwer represents a new type of auteur distinct from the model prevalent in the New German Cinema. His films foreground a personal style and rework a limited number of themes, but lack the critical dimension of the New German Cinema’s Autorenfilm. Instead, it can be argued that his status as auteur is more a performative gesture that seeks to establish a particular and recognizable brand in the domestic and international marketplace. The article shows how Tykwer’s films create a unique and consistently recognizable filmic world that is presented as entirely artificial and that bears only a loose connection to contemporary social reality. It is argued that this self-conscious artificiality constitutes both a key component of Tykwer’s personal style and a foregrounding of the creative presence of the director in his films.
Item Type: | Article |
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Status: | Published |
Schools: | Modern Languages |
ISSN: | 1470-9570 |
Last Modified: | 24 Oct 2022 08:47 |
URI: | https://orca.cardiff.ac.uk/id/eprint/118722 |
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