Allan, Stuart ![]() |
Abstract
This chapter’s examination of the evolving dynamics of photo-reportage concerned with the US-led coalition’s invasion of Afghanistan war identifies and interrogates tensions in contrasting visual repertoires in its early months. In delving into the ‘mythological power’ of imagery – to borrow Kennicott’s (2021) phrase – I shall prioritise for elucidation the conditions of possibility and prohibition for photojournalistic evidence-seeking over this initial phase of the military campaign. In so doing, this chapter poses the question: To what extent is it possible to discern inscriptive relations of un/seeing in photojournalism, that is, habitual, taken-for-granted value affirmations – reportorial, moral and affective – inviting particular perceptions of conflict and its human consequences over and above alternatives?
Item Type: | Book Section |
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Date Type: | Publication |
Status: | Published |
Schools: | Journalism, Media and Culture |
Subjects: | H Social Sciences > H Social Sciences (General) |
Publisher: | Routledge |
ISBN: | 9781032005850 |
Last Modified: | 17 Jan 2024 10:45 |
URI: | https://orca.cardiff.ac.uk/id/eprint/154389 |
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