Beautiful monsters: sickness, disability, and the extraordinary body

Pugh, Catherine 2019. Beautiful monsters: sickness, disability, and the extraordinary body. Studies in Gothic Fiction 6 (1) , pp. 53-63. 10.18573/sgf.19

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Abstract

This essay builds on work by disability scholars such as Rosemarie Garland-Thomson and Kate Ellis to discuss the progression of the physically disabled body into the extraordinary body in horror films, including Alien: Resurrection (1997), Planet Terror (2007), and A Quiet Place (2018). Applying disability studies research in parallel with theories about the non-normative Gothic body, it argues that contemporary horror builds on the subversive Gothic; avoiding physiognomical prejudices, which suggest that external physical difference is caused by deviance within. This work draws from practitioners such as Fred Botting, Susan Sontag, Joshua David Bellin, Sharon Snyder, and David Mitchell, as well as director Breck Eisner, developing theories such as the transgressive – sometimes dangerous – figures of the supercripple and the hyper alive, before going on to discuss the fear of sickness underlining metamorphic monster narratives. The transgressive nature of the Gothic aligns with the metamorphic properties of sickness and disability, disrupting the healthy/sick, human/monster binaries. Therefore, this work argues that the key to characters with disabilities surviving – or even thriving – in horror and science fiction is to accept and create a symbiotic relationship with their disability, transforming the non-normative body into the extraordinary one.

Item Type:	Article
Date Type:	Publication
Status:	Published
Subjects:	P Language and Literature > PN Literature (General) > PN1993 Motion Pictures
Publisher:	Cardiff University Press
ISSN:	2156-2407
Date of First Compliant Deposit:	17 June 2025
Date of Acceptance:	1 May 2018
Last Modified:	24 Jun 2025 08:39
URI:	https://orca.cardiff.ac.uk/id/eprint/179129

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