|
Cray, Josie
2025.
Surrealist experimentation in the work of Anaïs Nin.
PhD Thesis,
Cardiff University.
Item availability restricted. |
|
PDF
- Accepted Post-Print Version
Restricted to Repository staff only until 12 January 2027 due to copyright restrictions. Download (2MB) |
|
|
PDF
- Supplemental Material
Restricted to Repository staff only Download (137kB) |
Abstract
This thesis examines Anaïs Nin’s often overlooked encounters with surrealism. Rather than attempting to answer the question ‘Is Nin a Surrealist’, I examine how her experimentation with surrealist aesthetics and concerns develops over the course of her writing career. To do so, I argue for a reconsideration of the role of the Diaries as a key component of Nin’s literary method. Using the idea of the encounter, I place Nin’s engagement with surrealist aesthetics and concerns in dialogue with work by Dorothea Tanning, Frida Kahlo and Leonor Fini. The work of these artists, which challenges, subverts and rejects masculine surrealist treatments of women and their bodies, provides a useful starting point to unpack Nin’s surrealist experiments with space, maternity and motherhood, and costume. In the first chapter I turn to Waste of Timelessness and Other Early Stories (1977) to argue that the roots of her idea of ‘psychological reality’ and surrealist experiments can be found in her earliest short stories. In the second chapter I explore Nin’s evolving construction of non-domestic, alternative dwellings in relation to Tanning’s depictions of space. I trace a shift from spaces characterised by the threat of stasis to places of potential transformation and rebirth. The third chapter investigates maternity and motherhood in Nin’s and Kahlo’s work, focusing on their reimagining of the surrealist Mother figure as a maternal subject. The final chapter explores how costume becomes a tool to explore the multiplicity of self in Nin’s work, placing her in dialogue with Fini to unpack ideas of performance, shock, and refashioning the surrealist treatment of women’s bodies. By focusing on these themes, I tease out new readings of Nin’s work through a surrealist lens to reveal her experiments with recentring the female body, the multiplicity of self, and her development of a ‘psychological reality’.
| Item Type: | Thesis (PhD) |
|---|---|
| Date Type: | Completion |
| Status: | Unpublished |
| Schools: | Schools > English, Communication and Philosophy |
| Subjects: | P Language and Literature > PR English literature |
| Funders: | Sir Richard Stapley Education Trust, The Reid Trust |
| Date of First Compliant Deposit: | 12 January 2026 |
| Last Modified: | 12 Jan 2026 14:31 |
| URI: | https://orca.cardiff.ac.uk/id/eprint/183749 |
Actions (repository staff only)
![]() |
Edit Item |




Download Statistics
Download Statistics