Situating the 1960s: popular music - postmodernism - history

Gloag, Kenneth 2001. Situating the 1960s: popular music - postmodernism - history. Rethinking History 5 (3) , pp. 397-410. 10.1080/1364250110078514

Full text not available from this repository.

Abstract

This paper revisits Fredric Jameson's writing on postmodernism and 'periodizing the 1960s' in order to begin to construct a historical framework for popular music of the 1960s, using reference to the Beatles as a case study. As part of this construction, reference is also made to Foucault and the episteme. The central claim is that popular music of the 1960s featured a shift from a common musical language to a more pluralized, differentiated stylistic identity. This shift is seen to mirror the move to a postmodern cultural and critical condition.

Item Type:	Article
Date Type:	Publication
Status:	Published
Schools:	Music
Subjects:	M Music and Books on Music > ML Literature of music
Publisher:	Routledge
ISSN:	1364 2529
Last Modified:	28 Jun 2019 03:00
URI:	https://orca.cardiff.ac.uk/id/eprint/4055

Actions (repository staff only)

Edit Item