Cardiff University | Prifysgol Caerdydd ORCA
Online Research @ Cardiff 
WelshClear Cookie - decide language by browser settings

Peter Maxwell Davies in the 1950s: a conversation with the composer

Jones, Nicholas ORCID: https://orcid.org/0000-0002-7098-6114 2010. Peter Maxwell Davies in the 1950s: a conversation with the composer. Tempo 64 (254) , pp. 11-19. 10.1017/S0040298210000380

[thumbnail of S0040298210000380a.pdf]
Preview
PDF - Published Version
Download (250kB) | Preview

Abstract

The 1950s was a particularly important decade for Peter Maxwell Davies. It was the period when he established the fundamental elements of his compositional technique; the decade in which he composed his first acknowledged works; and a time, coinciding with his emergence as a composer of substance, when he travelled to Darmstadt, Paris and Rome. It was also the period that witnessed the publication of two of his own articles, and the decade in which his interest in early music – particularly plainchant – and Indian classical music began to influence his own compositional thinking and resulting works.

Item Type: Article
Date Type: Publication
Status: Published
Schools: Lifelong Learning
Subjects: M Music and Books on Music > M Music
Publisher: Cambridge University Press
ISSN: 0040-2982
Date of First Compliant Deposit: 30 March 2016
Last Modified: 02 May 2023 15:51
URI: https://orca.cardiff.ac.uk/id/eprint/62521

Citation Data

Cited 3 times in Scopus. View in Scopus. Powered By Scopus® Data

Actions (repository staff only)

Edit Item Edit Item

Downloads

Downloads per month over past year

View more statistics