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Number of items: 52.

Beard, David ORCID: https://orcid.org/0000-0003-3892-843X 2024. '"Elective Affinities": Found objects, musical repurposing and concealed meanings in music by Judith Weir'. Presented at: John Bird Music Research Seminar, School of Music, Cardiff University, Cardiff, UK, 11 October 2023.

Beard, David ORCID: https://orcid.org/0000-0003-3892-843X 2023. Sleevenotes from Prima Facie PFCD224 Scenes from Childhood: Piano works by Pedro Faria Gomes. [Online]. RECITATIVE – the Prima Facie Blog: Prima Facie. Available at: https://primafacie.ascrecords.com/blog/2023/11/23/...

Beard, David ORCID: https://orcid.org/0000-0003-3892-843X 2021. Musicology's crises of identity. Radovanovic, Bojana, Bralovic, Milos, Radivojevic, Maja, Lajic Mihajlovic, Danka and Medic, Ivana, eds. Shaping the Present through the Future: Musicology, Ethnomusicology, and Contemporaneity, Institute of Musicology SASA, pp. 13-36.

Beard, David ORCID: https://orcid.org/0000-0003-3892-843X 2019. 'Out of the air': Judith Weir's emergence in 1970s Britain, or interpreting creative self-censorship. Music and Letters 100 (3) , pp. 481-528. 10.1093/ml/gcz002
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Beard, David ORCID: https://orcid.org/0000-0003-3892-843X 2019. Reconceptualising the performer in new music theatre: collaborations with actors, mimes and musicians. Adlington, Robert, ed. New Music Theatre in Europe: Transformations Between 1955–1975, Musical Cultures of the Twentieth Century, Abingdon and New York: Routledge, pp. 227-254. (10.4324/9780429451669-11)

Beard, David ORCID: https://orcid.org/0000-0003-3892-843X 2017. Listening to the river's roar: stance, texture and space in the concertos. Charlton, David, ed. The Music of Simon Holt, Suffolk: Boydell & Brewer, pp. 194-231. (10.1017/9781787440692.012)

Beard, David Jason ORCID: https://orcid.org/0000-0003-3892-843X and Birtwistle, Harrison 2017. Deep Time [Composer note]. Boosey & Hawkes.

Beard, David Jason ORCID: https://orcid.org/0000-0003-3892-843X and Gloag, Kenneth 2016. Musicology: the key concepts. 2nd edition. Routledge.

Beard, David ORCID: https://orcid.org/0000-0003-3892-843X 2015. 'The life of my music': What the sketches tell us. Beard, David, Gloag, Kenneth and Jones, Nicholas, eds. Harrison Birtwistle Studies, Cambridge Composer Studies, Cambridge: Cambridge University Press, pp. 120-174. (10.1017/CBO9781316145326.007)

Beard, David Jason ORCID: https://orcid.org/0000-0003-3892-843X, Gloag, Kenneth and Jones, Nicholas ORCID: https://orcid.org/0000-0002-7098-6114, eds. 2015. Harrison Birtwistle studies. Cambridge Composer Studies, Cambridge: Cambridge University Press.

Beard, David Jason ORCID: https://orcid.org/0000-0003-3892-843X 2015. A selected inventory of Birtwistle manuscripts acquired by the British Library in 2013. Harrison Birtwistle Studies, Cambridge Composer Series, Cambridge: Cambridge University Press, pp. 304-309.

Beard, David Jason ORCID: https://orcid.org/0000-0003-3892-843X 2013. The silk house tattoo [Programme Note for London Sinfonietta]. Arconis International Brass Event: Brass Without Boundaries, Cardiff: St. David's Hall, n/a.

Beard, David Jason ORCID: https://orcid.org/0000-0003-3892-843X 2013. Rites of passage: Harrison Birtwistle, 'Tombeau in memoriam Igor Stravinsky' (1971); 'Nine Settings of Celan' (1989-96); 'Cortege' (2007); 'Secret Theatre' (1984). [Programme essay for Klangforum Wien concert at the Kollegienkirche, Salzburg Festival, 31/7/13]. Salzburg Festival.

Beard, David Jason ORCID: https://orcid.org/0000-0003-3892-843X 2013. Inner spirit: Harrison Birtwistle, 'Trio for violin, cello and piano' (2010); Gabriel Fauré, 'Piano Quartet No. 2 in G minor op. 45'; Birtwistle, 'Bourdon for violin and viola' (2009); Johannes Brahms, 'Piano Quartet No. 1 in G minor op. 25' {Programme essay for Capuçons and Friends in the Mozarteum Grosser Saal, Salzburg Festival, 22/8/13]. Salzburg, Austria: Salzburg Festival.

Beard, David Jason ORCID: https://orcid.org/0000-0003-3892-843X 2013. An introduction to Harrison Birtwistle's music. [Online]. London: Boosey and Hawkes. Available at: http://www.boosey.com/pages/cr/composer/composer_m...

Beard, David Jason ORCID: https://orcid.org/0000-0003-3892-843X 2013. New light on musical masters: Johannes Ockeghem, 'Ut heremita solus' (arranged by Harrison Birtwistle, 1969); Guillaume de Machaut, 'Hoquetus David' (arranged by Harrison Birtwistle,1969); George Benjamin, 'At First Light' (1982); Harrison Birtwistle, 'Bach Measures' (1996), 'Verses for Ensembles' (1968-9). [Programme essay for oenm in the Kollegienkirche, Salzburg Festival, 30/7/13]. Salzburg Festival.

Beard, David Jason ORCID: https://orcid.org/0000-0003-3892-843X 2013. Contrapuntal sublimations: Alberto Ginastera, 'String Quartet No. 1 op. 20' (1948); Johann Sebastian Bach, 'Three Fugues from Die kunst der Fuge BWV 1080' (arranged by Harrison Birtwistle, 2008); Dimitri Shostakovich, 'String Quartet No. 8, in C minor, op. 110' (1960); Maurice Ravel, 'String Quartet in F major' (1902-3; rev. 1910).[Programme essay for the Simon Bolivar String Quartet concert in the Mozarteum Grosser Saal, Salzburg Festival, 5/8/13]. Salzburg, Austria: Salzburg Festival.

Beard, David Jason ORCID: https://orcid.org/0000-0003-3892-843X 2013. 'The Minotaur' in context [Programme Essay]. The Minotaur, London: Royal Opera House, pp. 32-38.

Beard, David Jason ORCID: https://orcid.org/0000-0003-3892-843X 2013. Zurück in Die Zukunft: Gawain. Salzburg: Salzburg Festival.

Beard, David Jason ORCID: https://orcid.org/0000-0003-3892-843X 2012. Harrison Birtwistle's operas and music theatre. Music Since 1900, Cambridge: Cambridge University Press.

Beard, David Jason ORCID: https://orcid.org/0000-0003-3892-843X 2011. La communication des emotions et des affects vocaux et instrumentaux: L'exemple de Punch and Judy. Le point de vue du musicologue. Acto: Le journal du cercle du Grand Théâtre et du Grand Théâtre de Genève 7 , pp. 12-14.

Beard, David Jason ORCID: https://orcid.org/0000-0003-3892-843X 2010. "Batter the doom drum": The music for Peter Hall's 'Oresteia' and other productions of Greek tragedy by Harrison Birtwistle and Judith Weir. Brown, Peter and Ograjensek, Suzana, eds. Ancient Drama in Music for the Modern Stage, Oxford: Oxford University Press, pp. 369-397.

Beard, David Jason ORCID: https://orcid.org/0000-0003-3892-843X 2010. The shadow of opera: dramatic narrative and musical discourse in Gawain. Notley, Margaret, ed. Opera After 1900, Vol. 6. The Ashgate Library of Essays in Opera Studies, Farnham: Ashgate, pp. 319-355.

Beard, David Jason ORCID: https://orcid.org/0000-0003-3892-843X 2009. Taverner: An interpretation. Gloag, Kenneth and Jones, Nicholas, eds. Peter Maxwell Davies Studies, Cambridge Composer Studies, Cambridge: Cambridge University Press, pp. 79-105.

Beard, David Jason ORCID: https://orcid.org/0000-0003-3892-843X 2009. Birtwistle at 75: a continuing radical. BBC Proms Festival: Prom 27, London: BBC, pp. 3-5.

Beard, David Jason ORCID: https://orcid.org/0000-0003-3892-843X 2009. Blurring the boundaries. Geschlechterbeziehungen und Körperbilder in Harrison Birtwistle's The Corridor und Semper Dowland, semper dolens. Berman, Laura, ed. Klang zu Gang Gedanken zur Musik in heutigen Theaterformen, Recherchen 73, Berlin: Theater der Zeit, pp. 37-48.

Beard, David Jason ORCID: https://orcid.org/0000-0003-3892-843X 2009. From "Heroische Bogenstriche" to "Waldeinsamkeit": Gender and genre in Judith Weir's 'Heroic Strokes of the Bow'. Dichotonies. Gender and Music., American Studies - A Monograph Series, Heidelberg: Univesitatsverlag, Winter, pp. 77-96.

Beard, David Jason ORCID: https://orcid.org/0000-0003-3892-843X 2009. Carmen Arcadiae Mechanicae Perpetuum, Silbury Air and Verses for Ensembles (Prom 27). BBC Proms, London: BBC, pp. 6-11.

Beard, David Jason ORCID: https://orcid.org/0000-0003-3892-843X 2008. A Handbook to Twentieth-Century Musical Sketches, eds Patricia Hall and Friedemann Sallis [Book Review]. twentieth-century music 5 (2) , pp. 243-251. 10.1017/S1478572209990077
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Beard, David Jason ORCID: https://orcid.org/0000-0003-3892-843X 2008. Birtwistle's 'Labyrinth' [a preview of the Minotaur]? Opera 59 (4) , pp. 372-381.

Beard, David Jason ORCID: https://orcid.org/0000-0003-3892-843X and Spiric Beard, Danijela 2008. The liminality of song: illusion and reality in the films of Emir Kusturica. Texte und Töne: Zeitschrift zum Kopfschütteln 1 (1) , pp. 50-57.

Beard, David Jason ORCID: https://orcid.org/0000-0003-3892-843X 2008. Opera by number [Programme Essay]. Punch & Judy, London: Royal Opera House, pp. 3-6.

Beard, David Jason ORCID: https://orcid.org/0000-0003-3892-843X 2008. Beauty and the beast: a conversation with Sir Harrison Birtwistle. The Musical Times 149 (1902) , pp. 9-25.

Beard, David Jason ORCID: https://orcid.org/0000-0003-3892-843X 2008. An opera of sinister charms and lyrical conceits: Richard Rodney Bennett's "The Mines of Sulphhur" [Programme Essay]. Wexford Opera Festival, Wexdord Opera, pp. 50-54.

Beard, David Jason ORCID: https://orcid.org/0000-0003-3892-843X 2006. "A face like music": Shaping images into sound in the second Mrs Kong. Cambridge Opera Journal 18 (3) , pp. 273-300. 10.1017/S0954586706002205
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Beard, David Jason ORCID: https://orcid.org/0000-0003-3892-843X 2006. Alison Latham, ed., Sing, Ariel: Essays and Thoughts for Alexander Goehr’s Seventieth Birthday (Aldershot: Ashgate, 2003), ISBN 0 7546 3497 3 (hb) [Book Review]. Twentieth-Century Music 3 (1) , pp. 150-154. 10.1017/S1478572207000370
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Beard, David Jason ORCID: https://orcid.org/0000-0003-3892-843X 2006. Aspects of British Music in the 1990s. Ed. by Peter O’Hagan. pp. xviii + 164. (Ashgate, Aldershot, 2003, £45. ISBN 0-7546-3041-2.) [Book Review]. Music & Letters 87 (1) , pp. 163-166. 10.1093/ml/gci161

Beard, David Jason ORCID: https://orcid.org/0000-0003-3892-843X 2006. Brimful of Asia: Negotiating Ethnicity on the UK Music Scene [Book Review]. Music & Letters 87 (3) , pp. 482-485. 10.1093/ml/gci223

Beard, David Jason ORCID: https://orcid.org/0000-0003-3892-843X 2005. The shadow of opera: Dramatic narrative and musical discourse in Gawain. twentieth-century music 2 (2) , pp. 159-195. 10.1017/S1478572206000259
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Beard, David Jason ORCID: https://orcid.org/0000-0003-3892-843X 2005. Review: Analyzing Popular Music [Book Review]. Music & Letters 86 (2) , pp. 325-328. 10.1093/ml/gci057

Beard, David Jason ORCID: https://orcid.org/0000-0003-3892-843X and Gloag, Kenneth 2005. Musicology: the key concepts. Routledge Key Guides, London: Routledge.

Beard, David Jason ORCID: https://orcid.org/0000-0003-3892-843X 2005. Meta-narratives and multidimensional opera: Harrison Birtwistle's 'The Mask of Orpheus'. Markovic, Tatjana and Mikic, Vesna, eds. Music and Networking: The seventh international conference, Department of Musicology and Ethnomusicology, Faculty of Music, University of Arts, Belgrade., Beograd: Fakultet Muzicke Umetnosti, pp. 143-153.

Beard, David Jason ORCID: https://orcid.org/0000-0003-3892-843X 2004. Britten's ambiguities; Tippett's times; Metzer's borrowings. Journal of the Royal Musical Association 129 (2) , pp. 305-323. 10.1093/jrma/129.2.305

Beard, David Jason ORCID: https://orcid.org/0000-0003-3892-843X 2004. The endless parade: competing narratives in recent Birtwistle studies. Music Analysis 23 (1) , pp. 89-127. 10.1111/j.0262-5245.2004.00196.x

Beard, David Jason ORCID: https://orcid.org/0000-0003-3892-843X 2004. Refrains and choruses [works by Davies and Birtwistle]. Bellingham, Jane, ed. Aldeburgh Music Festival 2004, Aldeburgh: Aldeburgh Productions, pp. 48-50.

Beard, David Jason ORCID: https://orcid.org/0000-0003-3892-843X 2003. Monuments and Miniatures [works by Kurtág, Birtwistle, and Beethoven]. Bellingham, Jane, ed. Aldeburgh Music Festival 2003, Aldeburgh: Aldeburgh Productions, pp. 39-41.

Beard, David Jason ORCID: https://orcid.org/0000-0003-3892-843X 2003. The shadow of night: UK premiere [Programme Note]. BBC Proms Festival: Prom 72, London: BBC, pp. 5-7.

Beard, David Jason ORCID: https://orcid.org/0000-0003-3892-843X 2001. 'From the mechanical to the magical': A pre-compositional plan for Birtwistle's 'Carmen Arcadiae Mechanicae Perpetuum'. Mitteilungen der Paul Sacher Stiftung 14 , pp. 29-33.

Beard, David Jason ORCID: https://orcid.org/0000-0003-3892-843X 2001. Sonance 2000 [Programme Note]. BBC Proms Festival: Prom 64, London: BBC, p. 17.

Beard, David Jason ORCID: https://orcid.org/0000-0003-3892-843X 2001. Tenebrae David: UK premiere [Programme Note]. BBC Proms Festival: Prom 64, London: BBC, pp. 5-6.

Beard, David Jason ORCID: https://orcid.org/0000-0003-3892-843X 2001. Reading pop: approaches to textual analysis in popular music Edited by Richard Middleton Oxford UP (Oxford, 2000); xi, 388pp; L40 / 14.99 pbk. ISBN 0 19 816612 5 / 0 19 816611 7. [Book Review]. The Musical Times 142 (1876) , pp. 70-71.

Beard, David Jason ORCID: https://orcid.org/0000-0003-3892-843X 1993. A 'seven year index' of The Musical Times, 1984-91. The Musical Times 134 (1804)

This list was generated on Mon Feb 10 05:50:45 2025 GMT.


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