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Number of items: 72.

Tynan, Aidan ORCID:, Milesi, Laurent ORCID: and Muller, Christopher John, eds. 2017. Credo credit crisis: speculations on faith and money. Critical Perspectives on Theory, Culture and Politics, Rowman and Littlefield.

Milesi, Laurent ORCID: 2015. Countertexting one another: conceptual poetics, Flarf and Derridean countersignature. CounterText 1 (2) , pp. 207-231. 10.3366/count.2015.0018

Milesi, Laurent ORCID: 2015. Séance tenante: Deconstruction in (the) place of ethics now. Parallax 21 (1) , pp. 6-25. 10.1080/13534645.2014.988908

Milesi, Laurent ORCID: 2015. O desbravamento da ética: entre força, violência e performadividade? Eyben, Piero and Rodrigues, Fabricia Walace, eds. Cada vez o impossível Derrida, Vinhedo, SP:: Editora Horizonte,

Cixous, Helene 2014. Tomb(e). Translated from the original by Milesi, Laurent ORCID: The French List, Seagull Books.

Milesi, Laurent ORCID: 2013. Sponge Inc. Turner, Lynn, ed. The Animal Question in Deconstruction, Edinburgh University Press, pp. 70-88.

Milesi, Laurent ORCID: 2013. Sero-positives: Belatednesss and affirmation in Joyce, Cixous and Derrida. Mitchell, Andrew J. and Slote, Sam, eds. Derrida and Joyce: Texts and Contexts, SUNY series in Contemporary French Thought, Albany: SUNY Press, pp. 201-212.

Milesi, Laurent ORCID: 2013. St!le in deconstruction. Callus, Ivan, Corby, James and Lauri-Lucente, Gloria, eds. Style in Theory: Between Literature and Philosophy, London: Continuum, pp. 217-248.

Milesi, Laurent ORCID: 2012. (Post-)Heideggerian Hamlet. Herbrechter, Stefan and Callus, Ivan, eds. Posthumanist Shakespeares, Palgrave Shakespeare Studies, Basingstoke: Palgrave Macmillan, pp. 181-193.

Cixous, Helene 2012. Paintings. Segarra, Marta and Maso, Joana, eds. Poetry in Painting: Writings on Contemporary Arts and Aesthetics, The Frontiers of Theory, Translated from the original by Milesi, Laurent ORCID: Edinburgh University Press, pp. 7-19.

Cixous, Helene and Milesi, Laurent ORCID: 2012. Shakespeare ghosting Derrida. Oxford Literary Review 34 (1) , pp. 1-24. 10.3366/olr.2012.0027

Cixous, Helene and Alechinsky, Pierre 2012. First to be astounded? Alechinsky - A contre-vent, Translated from the original by Milesi, Laurent ORCID: Paris: Galerie Lelong, pp. 1-48.

Cixous, Helene 2011. Missexuality: Where come I play? Volleys of Humanity: Essays 1972–2009, Translated from the original by Herbrechter, Stefan and Milesi, Laurent ORCID: Edinburgh University Press, pp. 61-74.

Cixous, Helene 2011. The pleasure reinciple, or paradox lost. Volleys of Humanity: Essays 1972–2009, Translated from the original by Herbrechter, Stefan and Milesi, Laurent ORCID: Edinburgh University Press, pp. 75-84.

Milesi, Laurent ORCID: 2011. Dry Ink: Arguing (to) the Limits. Word and Text: A Journal of Literary Studies and Linguistics 1 (2) , pp. 7-24.

Milesi, Laurent ORCID: 2011. The habitus of language(s) in Finnegans Wake. Bénéjam, V. and Bishop, J., eds. Making Space in the Works of James Joyce, Routledge Studies in Twentieth-Century Literature, vol. 19. London: Routledge, pp. 145-154.

Milesi, Laurent ORCID: and Callus, Ivan 2011. Preliminaries. Word and Text : a Journal of Literary Studies and Linguistics 1 (2) , pp. 5-6.

Milesi, Laurent ORCID: 2010. Geloiopoiesis. Presented at: Méduse en Sorbonne: Hommage à Hélène Cixous essayiste, Paris, France, 23 October 2010. n/a.

Cixous, Hélène 2010. Zero's neighbour: Sam Beckett. Translated from the original by Milesi, Laurent ORCID: Cambridge: Polity.

Milesi, Laurent ORCID: 2010. Joyce's choreo-graphies in Stephen Hero and A Portrait of the Artist as a Young Man. Vichnar, D. and Armand, L., eds. Hypermedia Joyce, Prague: Litteraria Pragensia, pp. 103-109.

Milesi, Laurent ORCID: 2010. La puissance et la vitesse: télécritures cixousiennes à partir de H. C. pour la vie, c'est à dire…. Clément, B. and Segarra, M., eds. Rêver, Croire, Penser Autour d’Hélène Cixous, Paris: Campagne Première, pp. 200-213.

Milesi, Laurent ORCID: 2010. Algébrie à l’irlandaise: Le Voisin de Zéro. Garnier, M. and Masó, J., eds. Cixous Sous X: D’un Coup le Nom, Imaginaire du Texte, Saint-Denis: Presses Universitaires de Vincennes, pp. 149-158.

Milesi, Laurent ORCID: 2010. FUTURUS/FUTUTUS: future perfect and preterition in Finnegans Wake. Bazarnik, K. and Kucala, B., eds. James Joyce and After: Writer and Time, Newcastle upon Tyne: Cambridge Scholars Press, pp. 7-15.

Milesi, Laurent ORCID: 2010. Translation of a fragment from Hélène Cixous’s novel Limonade, tout était si infini and of ‘On Style’. Segarra, Marta, ed. The Portable Cixous, European Perspectives: A Series in Social Thought & Cultural Criticism, New York: Columbia University Press, 107-17, 199.

Milesi, Laurent ORCID: and Ionescu, A. 2010. 'Longest way round is the shortest way home': nostalgias and nostopathies in Joyce. Irimia, M. and Ivana, D., eds. ODISEI (III): Intoarcerea acasă, Bucharest: Editura Universităţii din Bucureşti, pp. 219-233.

Cixous, Helene 2010. Philippines. Translated from the original by Milesi, Laurent ORCID: Cambridge: Polity.

Milesi, Laurent ORCID: 2009. Towards a Cryptanalysis: Genealogies of 'Lit-Crypts' from Poe to the 'Posts'. Parallax 15 (1) , pp. 100-114. 10.1080/13534640802604521

Milesi, Laurent ORCID: 2009. Enunciation of the Absolute and Dialectic of the “I” in Nichita Stănescu’s Poetry. Buletinul Universităţii Petrol-Gaze din Ploieşti 61 (1) , pp. 135-52.

Milesi, Laurent ORCID: 2009. Semiology and Deconstruction: From Sign to Trace. Presented at: Transmodernity: Managing Global Communication - 2nd ROASS Conference, Bacău & Slănic-Moldova, Romania, 23-25 October 2008. Published in: Cmeciu, D. and Stänciulescu, T. D. eds. Transmodernity: Managing Global Communication: proceedings of the 2nd ROASS Conference. Romanian Association of Semiotic Studies (ROASS), pp. 135-146.

Milesi, Laurent ORCID: 2008. Translation of Hélène Cixous, ‘Philippines. Prédelles’ as ‘Philippines. Sweet Prison’. Oxford Literary Review 30 (2) , pp. 257-281. 10.3366/E030514980800031X

Milesi, Laurent ORCID: 2008. Joyce’s English. Momma, H. and Matto, M, eds. A Companion to the History of the English Language, Blackwell Companions to Literature and Culture, Oxford: Wiley-Blackwell, pp. 471-478.

Milesi, Laurent ORCID: 2008. Translation of Hélène Cixous, ‘Pas de cadeau: Serrano fècétieux’ as ‘Shit, No Present: Fecetious Serrrano’. Paris, New York: Andres Serrano exhibition at the Galerie Yvon Lambert.

Milesi, Laurent ORCID: 2008. Translation of Hélène Cixous, ‘Dissidanses de Spero’ as ‘Spero‘s Dissidances’. Nancy Spero. Dissidances, Barcelona: Museu d’Art Contemporani de Barcelona, pp. 131-152.

Milesi, Laurent ORCID: 2008. Saint-Je Derrida. Oxford Literary Review 29 (1-2) , pp. 55-76. 10.3366/E0305149807000089

Milesi, Laurent ORCID: 2008. Introduction and additional notes. Zero's Neighbour, Translated from the original by Milesi, Laurent. Cambridge: Polity, vi-xii.

Milesi, Laurent ORCID: 2007. Almost nothing at the beginning: the technicity of the trace in deconstruction. Cernovský, Pavel and Armand, Louis, eds. Language systems after Prague structuralism, Prague: Litteraria Pragensia, pp. 22-41.

Milesi, Laurent ORCID: 2007. De la déconstruction comme diacritique: Retour sur “La Lettre volée” par Finnegans Wake. Major, René, ed. Derrida pour les temps à venir, Paris: Stock, pp. 463-479.

Milesi, Laurent ORCID: 2007. Entre eux deux: le traductor. Segarra, Marta, ed. L' Événement comme écriture: Cixous et Derrida se lisant, Paris: Campagne Première, pp. 303-314.

Milesi, Laurent ORCID: 2007. Thinking (through) the desert (la pensée du désert) with(in) Jacques Derrida. McQuillan, Martin, ed. The politics of deconstruction: Jacques Derrida and the other of philosophy, Pluto Press, pp. 173-191.

Milesi, Laurent ORCID: 2006. Portrait of H.C. as J.D. and Back. New Literary History 37 (1) , pp. 51-70. 10.1353/nlh.2006.0025

Milesi, Laurent ORCID: 2006. Taste, tastare, tact: a deconstructive touch of digital theory. Armand, Louis and Bradley, Arthur, eds. Technicity, Prague: Litteraria Pragensia, pp. 317-345.

Milesi, Laurent ORCID: 2006. From Logos to Muthos: the philosophy of Pound's and Olson’s mythopoetics. Armand, Louis, ed. Avant-post: the avant-garde under "post-" conditions, Prague: Literaria Pragensia, pp. 215-238.

Derrida, Jacques 2006. H.C. for life, that is to say. Translated from the original by Milesi, Laurent ORCID: and Herbrechter, Stefan. Meridian: Crossing Aesthetics, Stanford, CA, USA: Stanford University Press.

Milesi, Laurent ORCID: and Herbrechter, Stefan 2006. Preface. Derrida, Jacques, ed. H. C. for Life, That Is to Say...,, Meridian: Crossing Aesthetics, Translated from the original by Milesi, Laurent and Herbrechter, Stefan. Stanford: Stanford University Press, ix-xii.

Milesi, Laurent ORCID: and Herbrechter, Stefan 2006. Additional notes. Derrida, Jacques, ed. H. C. for Life, That Is to Say...,, Meridian: Crossing Aesthetics, Translated from the original by Milesi, Laurent and Herbrechter, Stefan. Stanford: Stanford University Press, pp. 161-173.

Milesi, Laurent ORCID: 2004. Joyce, language and languages. Rabaté, Jean-Michel, ed. Palgrave advances in James Joyce studies, Palgrave, pp. 144-161.

Milesi, Laurent ORCID: 2004. Coup(ur)es. Mallet, Marie-Louise and Michaux, Ginette, eds. Cahiers de L'Herne: Jacques Derrida, Paris: L'Herne, pp. 342-347.

Milesi, Laurent ORCID: 2004. French thinking/thinking French: in translation. Herbrechter, Stefan and Callus, Ivan, eds. Discipline and practice: the (ir)resistibility of theory, Lewisburg: Bucknell University Press, pp. 107-122.

Milesi, Laurent ORCID:, ed. 2003. James Joyce and the difference of language. Cambridge: Cambridge University Press.

Milesi, Laurent ORCID: 2001. Promnesia (remembering forward) in Midnight's Children; or Rushdie's Chutney versus Proust's Madeleine. Syrotinski, Michael and Machclachlan, Ian, eds. Sensual Reading: New Approaches to Reading in its Relations to the Senses, Cranbury, NJ: Associated University Presses, pp. 179-212.

Milesi, Laurent ORCID: 1999. Between Barthes, Blanchot, and Mallarmé: skia(photo)-graphies of Derrida. Wolfreys, Julian, Brannigan, John and Robbins, Ruth, eds. The French connections of Jacques Derrida, Albany: State University of New York Press, pp. 175-209.

Milesi, Laurent ORCID: 1999. Zo(o)graphies: "évolutions" darwiniennes de quelques fictions animales. Mallet, Marie-Louise, ed. L'animal autobiographique: autour de Jacques Derrida, La philosophie en effet, Paris: Galilée, pp. 9-46.

Milesi, Laurent ORCID: 1998. ALP in Roumanian (with some notes on Roumanian in Finnegans Wake and in the notebooks). Lawrence, Karen R., ed. Transcultural Joyce, Cambridge: Cambridge University Press, pp. 199-207.

Milesi, Laurent ORCID: 1998. Fumbling for one continuous integument: the poetics of composition of work in progress. Ferrer, Daniel and Jacquet, Claude, eds. Writing Its Own Wrunes For Ever: Essais de génétique joycienne / Essays in Joycean Genetics, Tusson: Du Lérot, pp. 45-81.

Milesi, Laurent ORCID: 1998. Postmodern ana-apocalyptics: Pynchon's v-effect and the end (of our century). Pynchon Notes 42-43 , pp. 213-243.

Milesi, Laurent ORCID: 1998. The poetics of 'The purloined letter' in Finnegans Wake: Narrative foresight and critical afterthought. Frehner, Ruth and Zeller, Ursula, eds. A collideorscape of Joyce: Festschrift for Fritz Senn, Dublin: The Lilliput Press, pp. 306-322.

Milesi, Laurent ORCID: 1997. Inter-textualités: enjeux et perspectives (en guise d'avant-propos). Le Calvez, Éric and Green, Marie Claude Canova, eds. Introduction to Texte(s) et Intertextes, Faux titre, vol. 139. Amsterdam and Atlanta, GA: Rodopi, pp. 7-34.

Milesi, Laurent ORCID: 1997. Joyce's anamorphic mirror in "The sisters". Power, Mary and Schneider, Ulrich, eds. New perspectives on Dubliners, European Joyce studies, vol. 7. Rodopi, pp. 91-113.

Milesi, Laurent ORCID: 1996. Figuring out Ashbery: "The skaters". Revue Française D'Etudes américaines 67 , pp. 45-57.

Milesi, Laurent ORCID: 1996. 'Have you not forgot to wind up the clock?': Tristram Shandy and Jacques le fataliste on the (post?)modern psychoanalytic couch. Pierce, David and de Voogd, Peter, eds. Laurence Sterne in modernism and postmodernism, Rodopi, pp. 179-195.

Milesi, Laurent ORCID: 1996. Finnegans wake: the obliquity of trans-lations. Beja, Morris and Norris, David, eds. Joyce in the Hibernian metropolis: essays, Columbus: Ohio State University Press, pp. 279-289.

Milesi, Laurent ORCID: 1995. Plus d'usure: Dante, Shakespeare, Pound, Derrida. Presented at: Colloque de Tours, organisé par le GRAAT, le CERCA, Tours, Septembre 1993. Published in: Raynaud, Claudine and Vernon, Peter eds. Usure et Rupture = Breaking Points. GRAAT Series (13) Tours: Publications de l'Université, pp. 205-229.

Milesi, Laurent ORCID: 1994. Killing Lewis with Einstein: "Secting time" in Finnegans wake. Treip, Andrew, ed. Finnegans wake: “teems of time”, European Joyce studies, vol. 4. Rodopi, pp. 9-20.

Milesi, Laurent ORCID: 1994. From tropic song and “rhythmus” onwards: Whitman and the (post)modern dance. Camboni, Marina, ed. Utopia in the Present Tense: Walt Whitman and the Language of the New World, International Conference on Walt Whitman, University of Macerata, October 29-30, 1992, Rome: Il Calamo, pp. 213-234.

Milesi, Laurent ORCID: 1994. Italian Studies in Musical Grammar. Jacquet, Claude, ed. James Joyce "Scribble 3". Joyce et l'Italie: textes réunis par Claude Jacquet, Vol. 3. La Revue Des Lettres Modernes, vol. 1173. Paris: Lettres Modernes, pp. 105-153.

Milesi, Laurent ORCID: 1993. The perversions of Aerse and the Anglo-Irish middle voice in Finnegans wake. Joyce Studies Annual

Milesi, Laurent ORCID: 1992. The Signs the Si-rens Seal: Textual Strategies in Joyce's “Sirens”. Ferrer, Daniel, Jacquet, Claude and Topia, André, eds. Ulysse à l'article: Joyce aux marges du roman, Tusson: Du Lérot, pp. 127-141.

Milesi, Laurent ORCID: 1991. La variante joycienne et perecquienne: Etudes contrastives. Ferrer, Daniel and Lebrave, Jean Louis, eds. L'écriture et ses doubles: Genèse et variation textuelle, Paris: Editions du Centre national de la recherche scientifique, pp. 175-213.

Milesi, Laurent ORCID: 1990. Metaphors of the quest in Finnegans Wake. Lernout, Geert, ed. Finnegans Wake: Fifty Years, European Joyce Studies, vol. 2. Amsterdam and Atlanta, GA: Rodopi, pp. 79-107.

Milesi, Laurent ORCID: 1989. Towards a female grammar of sexuality: the de/recomposition of “Storiella as she is syung”. Modern Fiction Studies 35 (3) , pp. 569-586. 10.1353/mfs.0.0343

Milesi, Laurent ORCID: 1988. Vico... Jousse. Joyce.. Langue. Jacquet, Claude, ed. James Joyce 1: «"Scribble" 1: genèse des textes.», Paris: Lettres Modernes, pp. 143-162.

Milesi, Laurent ORCID: 1985. L'idiome babélien de Finnegans Wake: Recherches thématiques dans une perspective génétique. Jacquet, Claude, ed. Genèse de Babel: Joyce et la création, Paris: Editions du Centre national de la recherche scientifique, pp. 155-215.

This list was generated on Mon Sep 25 05:02:59 2023 BST.