Hammond, Charlotte ORCID: https://orcid.org/0000-0001-5383-7486
2025.
Longing for Antan Lontan: Madras memories and contemporary postcard visions of the French Caribbean.
Long, J and Welch, Edward, eds.
Seeing in Tongues: Modern Languages and Visual Culture,
Visual Culture 9,
Legenda,
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Hammond, Charlotte ORCID: https://orcid.org/0000-0001-5383-7486
2025.
Pèpè ports: Haitian women’s labour and resistant mobility in Cap-Haïtien’s second-hand clothing trade.
Didur, Jill and Mohabir, Nalini, eds.
(Post)Colonial Ports: Place and (Non)Place in the Ecotone,
Routledge,
pp. 152-172.
(10.4324/9781003363941-11)
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Hammond, Charlotte ORCID: https://orcid.org/0000-0001-5383-7486
2025.
Pepe toupatou - - tout bagay pèpè (Photo essay and installation).
[Photo essay/textile installation].
Anna-Maria and Stephen Kellen Gallery | Parsons School of Design 2 West 13th Street New York NY 10011
, 1 - 22 January 2025.
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Hammond, Charlotte ORCID: https://orcid.org/0000-0001-5383-7486
2025.
Pèpè: Haiti’s second-hand clothing trade.
Toledo, Brenda Mondragón, Gasparini, Mariachiari and Kesson, Anna Arabindan, eds.
Bloomsbury Encyclopedia of World Textiles- Volume 6: Trade and Industry,
Vol. 6.
Bloomsbury,
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Hammond, Charlotte ORCID: https://orcid.org/0000-0001-5383-7486
2024.
Review: Rendering revolution.
Reviews in Digital Humanities
5
(9)
10.21428/3e88f64f.1c0f2f67
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Hammond, Charlotte ORCID: https://orcid.org/0000-0001-5383-7486
2024.
Weaving stories of Wales, textiles and slavery through art.
Crowther, Lily, ed.
British Local History and the Black Atlantic,
Warwick District Council,
pp. 11-20.
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Hammond, Charlotte ORCID: https://orcid.org/0000-0001-5383-7486
2023.
Straw Craft, imperial education and ethnographic exhibitions as tightly braided sites of gender production in Haiti and Curaçao.
Journal of Material Culture
28
(4)
, pp. 515-538.
10.1177/13591835231210689
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Hammond, Charlotte ORCID: https://orcid.org/0000-0001-5383-7486
2023.
Woven histories of Welsh wool and slavery.
[Online].
The Welsh Agenda - Voices:
Institute of Welsh Affairs.
Available at: https://www.iwa.wales/agenda/2023/02/welsh-woollen...
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Hammond, Charlotte ORCID: https://orcid.org/0000-0001-5383-7486, ed.
2023.
Woven histories of Welsh wool and slavery.
Common Threads Press.
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Hammond, Charlotte ORCID: https://orcid.org/0000-0001-5383-7486 and McGregor, Andrew
2021.
O is for Orientalism: the dynamics of the sexual tourist gaze in Laurent Cantet’s Vers le sud/Heading South (2005).
Contemporary French Civilization
46
, pp. 27-47.
10.3828/cfc.2021.2
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Hammond, Charlotte ORCID: https://orcid.org/0000-0001-5383-7486
2020.
Stitching time: artisanal collaboration and slow fashion in post-disaster Haiti.
Fashion Theory
24
(1)
, pp. 33-57.
10.1080/1362704X.2018.1441001
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Hammond, Charlotte ORCID: https://orcid.org/0000-0001-5383-7486
2019.
Le mariage burlesque: Carnival cross-dressing in the French Caribbean.
The Conversation
2019
(Mar 5)
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Hammond, Charlotte ORCID: https://orcid.org/0000-0001-5383-7486
2018.
Entangled otherness: cross-gender fabrications in the Francophone Caribbean.
Contemporary French and Francophone Cultures,
Liverpool:
Liverpool University Press.
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Hammond, Charlotte ORCID: https://orcid.org/0000-0001-5383-7486
2017.
Footnotes to the Ghetto Biennale 2017 / Nòt sou pye a Geto Byenal.
Gordon, Leah, ed.
Ghetto Biennale / Geto Byenal 2009-2015,
Port-au-Prince:
Central Books,
pp. 84-100.
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Hammond, Charlotte ORCID: https://orcid.org/0000-0001-5383-7486
2017.
A cross-dressed Kanaval.
Women and Performance
27
(2)
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Hammond, Charlotte ORCID: https://orcid.org/0000-0001-5383-7486
2016.
Decoding Dress: Vodou, Cloth and Colonial Resistance in Pre- and Postrevolutionary Haiti.
Joseph, Celucien L., Pierre, Shallum, Charles, Asselin and Cleophat, Nixon S., eds.
Vodou in the Haitian Experience: A Black Atlantic Perspective,
Lexington Books,
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Hammond, Charlotte ORCID: https://orcid.org/0000-0001-5383-7486
2012.
"Children" of the gods: Filming the private rituals of Haitian vodou.
Journal of Haitian Studies
18
(2)
, pp. 64-82.
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