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Number of items: 13.

Hammond, Charlotte ORCID: https://orcid.org/0000-0001-5383-7486 2024. Re/assembling the imaginary: Counter-narratives of Haiti’s transnational textile industry. Textile 22 (3) , pp. 547-560. 10.1080/14759756.2023.2242118
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Hammond, Charlotte ORCID: https://orcid.org/0000-0001-5383-7486 2024. Weaving stories of Wales, textiles and slavery through art. Crowther, Lily, ed. British Local History and the Black Atlantic, Warwick District Council, pp. 11-20.

Hammond, Charlotte ORCID: https://orcid.org/0000-0001-5383-7486 2023. Straw Craft, imperial education and ethnographic exhibitions as tightly braided sites of gender production in Haiti and Curaçao. Journal of Material Culture 28 (4) , pp. 515-538. 10.1177/13591835231210689
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Hammond, Charlotte ORCID: https://orcid.org/0000-0001-5383-7486, ed. 2023. Woven histories of Welsh wool and slavery. Common Threads Press.

Hammond, Charlotte ORCID: https://orcid.org/0000-0001-5383-7486 and McGregor, Andrew 2021. O is for Orientalism: the dynamics of the sexual tourist gaze in Laurent Cantet’s Vers le sud/Heading South (2005). Contemporary French Civilization 46 , pp. 27-47. 10.3828/cfc.2021.2
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Hammond, Charlotte ORCID: https://orcid.org/0000-0001-5383-7486 2020. Stitching time: artisanal collaboration and slow fashion in post-disaster Haiti. Fashion Theory 24 (1) , pp. 33-57. 10.1080/1362704X.2018.1441001
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Hammond, Charlotte ORCID: https://orcid.org/0000-0001-5383-7486 2020. “The question was whether to die of hunger or coronavirus”: garment factories reopen in Haiti despite fears. [Online]. haitisupportgroup.org: Available at: https://haitisupportgroup.org/garment-factories-re...

Hammond, Charlotte ORCID: https://orcid.org/0000-0001-5383-7486 2019. Le mariage burlesque: Carnival cross-dressing in the French Caribbean. The Conversation 2019 (Mar 5)

Hammond, Charlotte ORCID: https://orcid.org/0000-0001-5383-7486 2018. Entangled otherness: cross-gender fabrications in the Francophone Caribbean. Contemporary French and Francophone Cultures, Liverpool: Liverpool University Press.

Hammond, Charlotte ORCID: https://orcid.org/0000-0001-5383-7486 2017. Footnotes to the Ghetto Biennale 2017 / Nòt sou pye a Geto Byenal. Gordon, Leah, ed. Ghetto Biennale / Geto Byenal 2009-2015, Port-au-Prince: Central Books, pp. 84-100.

Hammond, Charlotte ORCID: https://orcid.org/0000-0001-5383-7486 2017. A cross-dressed Kanaval. Women and Performance 27 (2)
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Hammond, Charlotte ORCID: https://orcid.org/0000-0001-5383-7486 2016. Decoding Dress: Vodou, Cloth and Colonial Resistance in Pre- and Postrevolutionary Haiti. Joseph, Celucien L., Pierre, Shallum, Charles, Asselin and Cleophat, Nixon S., eds. Vodou in the Haitian Experience: A Black Atlantic Perspective, Lexington Books,

Hammond, Charlotte ORCID: https://orcid.org/0000-0001-5383-7486 2012. "Children" of the gods: Filming the private rituals of Haitian vodou. Journal of Haitian Studies 18 (2) , pp. 64-82.

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