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Number of items: 18.

Villepastour, Amanda V. ORCID: https://orcid.org/0000-0003-1600-3313 2021. The legacy of Ortiz’s Yorubization of Lucumí: translation as transculturation. HAU: Journal of Ethnographic Theory 11 (1) , pp. 153-173. 10.1086/714380
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Villepastour, Amanda ORCID: https://orcid.org/0000-0003-1600-3313 2019. The Cuban lexicon Lucumí and African language Yorùbá: musical and historical connections. Brunn, Stanley D. and Kehrein, Roland, eds. Handbook of the Changing World Language Map, Vol. 4. Dordrecht: Springer, pp. 2575-2602. (10.1007/978-3-030-02438-3_183)

Villepastour, Amanda ORCID: https://orcid.org/0000-0003-1600-3313 2017. Speaking with the body in Nigerian and Cuban Orisha music: musical movements in song, dance and trance. Post, Jennifer C., ed. Ethnomusicology: A Contemporary Reader, Volume II, Vol. 2. Abingdon and New York: Routledge,

Villepastour, Amanda ORCID: https://orcid.org/0000-0003-1600-3313 and Bran, Luis 2017. Transmisión en la Eritá Meta: Ilú Keké,. [CD]. 15 July 2017. ID number: CD MW001.

Villepastour, Amanda ORCID: https://orcid.org/0000-0003-1600-3313 2017. Two heads of the same drum? Musical narratives within a transatlantic religion. Kenney, Elizabeth T, Salenius, Sirpa and Womack Smith, Whitney, eds. Race and Transatlantic Identities, Routledge, pp. 56-75.

Villepastour, Amanda ORCID: https://orcid.org/0000-0003-1600-3313 and Bran, Luis 2017. Transmisión en la Eritá Meta. Music Works NYC.

Villepastour, Amanda ORCID: https://orcid.org/0000-0003-1600-3313 2015. Anthropomorphizing Ayan in transatlantic gender narratives. Villepastour, Amanda, ed. The Yorùbá God of Drumming: Transatlantic Perspectives on the Wood That Talks, University Press of Mississippi, pp. 125-146.

Villepastour, Amanda ORCID: https://orcid.org/0000-0003-1600-3313 2015. "Orin Ibeji": (songs for the twins): sounding the sacred twins of the Yorùbá. Harris, Rachel and Pease, Rowan, eds. Pieces of the Musical World: Sounds and Cultures, Routledge, pp. 169-188.

Ayangbekun, Kawoleyin and Villepastour, Amanda ORCID: https://orcid.org/0000-0003-1600-3313 2015. Divining Ayan: an Orisa priest from Ogbomoso speaks. Villepastour, Amanda ORCID: https://orcid.org/0000-0003-1600-3313, ed. The Yorùbá God of Drumming: Transatlantic Perspectives on the Wood That Talks, University Press of Mississippi, pp. 51-73.

Villepastour, Amanda ORCID: https://orcid.org/0000-0003-1600-3313 2015. Introduction: Asoro Igi (Wood That Talks). Villepastour, Amanda ORCID: https://orcid.org/0000-0003-1600-3313, ed. The Yorùbá God of Drumming: Transatlantic Perspectives on the Wood That Talks, University Press of Mississippi, pp. 3-32.

Villepastour, Amanda ORCID: https://orcid.org/0000-0003-1600-3313, ed. 2015. The Yorùbá god of drumming: Transatlantic perspectives on the wood that talks. University Press of Mississippi.

Villepastour, Amanda ORCID: https://orcid.org/0000-0003-1600-3313 2014. Talking tones and singing speech among the Yorùbá of Southwest Nigeria. Jahrbuch des Phonogrammarchivs der Österreichischen Akademie der Wissenschaften 44 , pp. 29-47.

Villepastour, Amanda ORCID: https://orcid.org/0000-0003-1600-3313 2014. Afro-Cuban music: a bibliographic guide by John Gray [Book Review]. Latin American Music Review 35 (2) , pp. 315-318.

Villepastour, Amanda ORCID: https://orcid.org/0000-0003-1600-3313 2013. Amelia Pedroso: The voice of a Cuban priestess leading from the inside. Hellier, Ruth, ed. Women Singers in Global Contexts: Music, Biography, Identity, Urbana, IL: University of Illinois Press, pp. 54-72.

Villepastour, Amanda ORCID: https://orcid.org/0000-0003-1600-3313 2012. Theory of African Music by Gerhard Kubik [Book Review]. Ethnomusicology 56 (2) , pp. 334-340. 10.5406/ethnomusicology.56.2.0334

Villepastour, Amanda ORCID: https://orcid.org/0000-0003-1600-3313 2010. Ancient text messages of the Yorùbá bàtá drum : cracking the code. SOAS Musicology Series, Farnham: Ashgate.

Villepastour, Amanda ORCID: https://orcid.org/0000-0003-1600-3313 2009. Two heads of the same drum? Musical narratives within a transatlantic religion. Journal of Transatlantic Studies 7 (3) , pp. 343-362. 10.1080/14794010903069185

Villepastour, Amanda ORCID: https://orcid.org/0000-0003-1600-3313 2009. Fiddling in West Africa: Touching the spirit in Fulbe, Hausa, and Dagbamba cultures [Book Review]. Notes 66 (2) , pp. 284-286.

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