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Number of items: 17.

Hennemann, Monika ORCID: https://orcid.org/0000-0002-4683-1497 2025. Papageno in Phnom Penh: "Die Zauberflöte" as adaptive intercultural theatre. De Francisci, Enza and Marinetti, Cristina, eds. Translation in the Performing Arts: Embodiment, Materiality, and Inclusion, Advances in Translation and Interpreting Studies, New York: Routledge, pp. 160-183.

Hennemann, Monika ORCID: https://orcid.org/0000-0002-4683-1497 2024. “The woman for the new era?”: Johanna Kinkel’s musical exile in London. Celenza, Anna and Uhde, Katharina, eds. Unity in Variety Essays in Musicology for R. Larry Todd, Hollitzer, pp. 189-200.

Hennemann, Monika ORCID: https://orcid.org/0000-0002-4683-1497 2024. Die 'Nichtdeutsche Schule': Franz Liszt und die Zensur an der Metropolitan Opera im Ersten Weltkrieg. Flamm, Christoph, ed. Ost-West-Kontakte: Festschrift fur Dorothea Redepenning zum 70. Geburtstag, Heidelberg: Universitätsverlag Winter, pp. 121-136.

Hennemann, Monika ORCID: https://orcid.org/0000-0002-4683-1497 2020. Felix Mendelssohn Bartholdys Opernprojekte im kulturellen Kontext der deutschen Opern- und Librettogeschichte, 1820-1850. Wehrhahn.

Hennemann, Monika ORCID: https://orcid.org/0000-0002-4683-1497 2014. Operatorio? Greenwald, Helen M., ed. The Oxford Handbook of Opera, Oxford Handbooks, Oxford University Press, pp. 73-91. (10.1093/oxfordhb/9780195335538.013.004)

Hennemann, Monika ORCID: https://orcid.org/0000-0002-4683-1497 2013. "A most extraordinary mania": Händel und die englische Aufführungspraxis des 19. Jahrhunderts. Birtel, Wolfgang and Mahling, Chr.-H., eds. Händels Weg von Rom nach London, Are, pp. 85-110.

Hennemann, Monika ORCID: https://orcid.org/0000-0002-4683-1497 2012. The phantom of Mendelssohn's opera: fictional accounts and posthumous propaganda. Grimes, Nicole and Mace, Angela R., eds. Mendelssohn Perspectives, Ashgate, pp. 177-196.

Hennemann, Monika ORCID: https://orcid.org/0000-0002-4683-1497 2011. Musikalische Souvenirs von Mendelssohns Schottlandreise (1829). Mahling, Christoph-Hellmut, ed. Musiker auf Reisen: Beiträge zum Kulturtransfer im 18. und 19. Jahrhundert,, Wissner, pp. 187-203.

Hennemann, Monika ORCID: https://orcid.org/0000-0002-4683-1497 2011. Los "Lieder" de Liszt. Quodlibet: Rivista de especializacion Musical 51 , pp. 72-88.

Hennemann, Monika ORCID: https://orcid.org/0000-0002-4683-1497 2010. Much Ado about The Tempest: London opera politics, intercultural incomprehension and Felix Mendelssohn. Journal of Musicological Research 29 (2-3) , pp. 86-118. 10.1080/01411896.2010.482511

Hennemann, Monika ORCID: https://orcid.org/0000-0002-4683-1497 2009. Anton Weberns Bühnenspiel _Tot_ als Schlüssel zu seinen Kompositionen. Schweiger, Dominik and Urbanek, Nikolaus, eds. webern_21, Böhlau, pp. 117-134.

Hennemann, Monika ORCID: https://orcid.org/0000-0002-4683-1497 2008. From drawing room to theatre: performance traditions of Mendelssohn's stage works. Reichwald, Siegwart, ed. Mendelssohn in Performance, Indiana University Press, pp. 115-146.

Hennemann, Monika ORCID: https://orcid.org/0000-0002-4683-1497 2005. Liszt’s Lieder. Hamilton, Kenneth, ed. The Cambridge Companion to Liszt, Cambridge University Press, pp. 192-205.

Hennemann, Monika ORCID: https://orcid.org/0000-0002-4683-1497 2004. Mendelssohn's works for the stage: from Liederspiel to Lorelei. Mercer-Taylor, Peter, ed. The Cambridge Companion to Mendelssohn, Vol. 332. Cambridge University Press, pp. 206-229.

Hennemann, Monika ORCID: https://orcid.org/0000-0002-4683-1497 2003. 'Ritter Berlioz' und 'Prophet Mendelssohn' in der Rezeption ihres Zeitgenossen Griepenkerl. Duhring, Sieghart, Jakobshagen, Arnold and Braam, Gunther, eds. Berlioz, Wagner und die Deutschen, Dohr, pp. 271-287.

Hennemann, Monika ORCID: https://orcid.org/0000-0002-4683-1497 2002. 'So kann ich es nicht componiren': Mendelssohn, opera, and the libretto problem. Cooper, John Michael and Brandi, Julie, eds. The Mendelssohns?Their Music in History, Oxford University Press, pp. 181-201.

Hennemann, Monika ORCID: https://orcid.org/0000-0002-4683-1497 1997. Mendelssohn and Byron: two songs almost without words. Mendelssohn Studien 10 , pp. 131-156.

This list was generated on Mon Mar 10 05:35:08 2025 GMT.


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