A small and silent revolution

Prout, Ryan ORCID: https://orcid.org/0000-0003-1058-7741 2019. A small and silent revolution. Short Film Studies 9 (2) , pp. 153-156. 10.1386/sfs.9.2.153_1

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Abstract

Through explicitation of Roquet’s aesthetics—including echoes and reflections of Erice, Hammershøi, and Martel—this article argues that The Goodbye harnesses intertextuality concisely to question how class, language, gender, servitude, and race intersect. It addresses the role of grief in illuminating the indignities of deeply entrenched power relations.

Item Type:	Article
Date Type:	Publication
Status:	Published
Schools:	Modern Languages
Subjects:	G Geography. Anthropology. Recreation > GT Manners and customs H Social Sciences > HQ The family. Marriage. Woman H Social Sciences > HT Communities. Classes. Races H Social Sciences > HV Social pathology. Social and public welfare N Fine Arts > N Visual arts (General) For photography, see TR N Fine Arts > ND Painting P Language and Literature > PC Romance languages
Uncontrolled Keywords:	Servitude, Grief, Vilhelm Hammershøi, Víctor Erice, Care-giving, Diglossia
Language other than English:	Catalan
Publisher:	Intellect
ISSN:	2042-7824
Date of First Compliant Deposit:	26 September 2018
Date of Acceptance:	26 September 2018
Last Modified:	27 Nov 2024 09:00
URI:	https://orca.cardiff.ac.uk/id/eprint/114618

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