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Number of items: 48.

Prout, Ryan 2021. Smouldering village beliefs: gender, disability, and the persistence of metaphor in critical interpretation and adaptation of Thomas Hardy’s ‘The Withered Arm’. In: Checa, Julio ed. Representación de la diversidad funcional desde la perspectiva de género en las artes escénicas, audiovisuales, virtuales, y en la literatura, Bern: Peter Lang,

Prout, Ryan 2021. Gated reverb: queering the pitch in trade queen.

Prout, Ryan 2020. V for vivienda, V for viñeta: Housing policy and spaces for living in Spanish comics and graphic novels. Bulletin of Spanish Visual Studies 10.1080/24741604.2020.1827611
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Prout, Ryan 2020. Still waters run deep: Disability counter currents in La piscina (2012). Inclusión, integración, diferenciación: la diversidad funcional en la literatura, el cine y las artes escénica, Berlin: Peter Lang, pp. 275-291.

Prout, Ryan 2020. Profit, loss, and collateral damage: disability and the bomb in Doctor Fischer of Geneva. In: García, Alba Gómez, Juan, David Navarro and Álvarez, Javier Velloso eds. Discapacidad y los límites de la ficción, Bern: Peter Lang, Berlin, pp. 165-186. (10.3726/b18755)

Prout, Ryan 2019. A small and silent revolution. Short Film Studies 9 (2) , pp. 153-156. 10.1386/sfs.9.2.153_1
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Prout, Ryan 2019. Invisible, unseeing, alienated: Mexico and William S. Burroughs in Bernardo Fernández’s Uncle Bill. International Journal of Comic Art 21 (2) , pp. 91-114.
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Prout, Ryan 2018. Tangents of pain, cuerpos en carne viva: disability, disorder, and reflexivity in Insensibles and La herida. In: Hartwig, Susanne and Checa Puerta, Julio Enrique eds. ¿Discapacidad?: Literatura, teatro y cine hispánicos vistos desde los disability studies, Images of Disability. Literature, Scenic, Visual, and Virtual Arts, Berlin, Bern, Bruxelles, New York, Oxford, Warszawa, Wien: Peter Lang,

Prout, Ryan 2018. Falling between the cracks (gentrification and diversification in Luis Prieto's Bamboleho). Short Film Studies 8 (2) , pp. 143-147. 10.1386/sfs.8.2.143_1
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Prout, Ryan and Bartual, Roberto 2018. Wrinkles, furrows, and laughter lines: Paco Roca in conversation at the Lakes International Comic Art Festival. International Journal of Comic Art 20 (1) , pp. 510-23.
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Prout, Ryan 2017. Canine colloquium: skeuomorphism and the transitional dog in 'La Criatura', 'Solas', and 'Recuerdos de perrito de mierda'. Bulletin of Spanish Studies 1 (1) , pp. 65-93. 10.1080/24741604.2017.1301351
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Prout, Ryan 2017. Otras competencias: Ethnobotany, the Badianus codex, and metaphors of Mexican memory loss and disability in Las buenas hierbas (2010). In: Antebi, Susan and Jörgensen, Beth E. eds. Libre Acceso: Critical Disability Studies in Latin American Literature and Film, SUNY series in Latin American and Iberian Thought and Culture, Albany, NY: State University of New York Press (SUNY Press), pp. 83-102.
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Prout, Ryan 2017. Within, against, inside, out: Ian Padrón, Fuera de liga, Habanastation, and music video. In: Baron, Guy, Stock, Ann Marie and Álvarez Pitaluga, Antonio eds. The Cinema of Cuba: Contemporary Film and the Legacy of Revolution, London: I. B. Tauris, pp. 195-219.

Prout, Ryan 2016. Piensa diferente: Rethinking neurodiversity in Spanish and Latin American visual cultures. London: IGRS.

Prout, Ryan 2015. À la recherche du chien perdu: Watch Dogs, Memory, and Mourning in Recuerdos de perrito de mierda (Shitty Little Dog Memories). International Journal of Comic Art 17 (2) , pp. 82-97.

Prout, Ryan 2014. From boom to bubble and bust: comical economics in Aleix Salós Troika Trilogy. International Journal of Comic Art 16 (1) , pp. 458-476.

Prout, Ryan 2013. Mapping neuro-diverse alterity in 'social and sensitive' comics from Spain. International Journal of Comic Art 15 (1) , pp. 84-99.

Prout, Ryan 2013. Films and finality. JG Cinema: Cinema and Globalization

Prout, Ryan 2013. Coming out in stereo city: the GDR and the eschatology of the closet. JG Cinema: Cinema and Globalization

Grant, Barry Keith, Prout, Ryan and Radomski, Marcin 2012. Around the circuit. Film International 10 (6) , pp. 86-96. 10.1386/fiin.10.6.86_7

Prout, Ryan 2012. Between automoción patria and maternal combustion: Driving through change in Sor Citroën (1967). International Journal of Iberian Studies 24 (2) , pp. 109-127. 10.1386/ijis.24.2.109_1

Prout, Ryan 2012. Critical condition: Alzheimer's and identity in Carla Subirana's 'Nedar' (2008). Journal of Iberian and Latin American Studies 18 (2-3) , pp. 245-263. 10.1080/14701847.2012.795692

Prout, Ryan and Kramer, Gary M. 2011. Fourth Iris Prize Festival Report and Interview with Magnus Mork, director of Samaritan (Norway, 2010). Film International 9 (4) , pp. 84-91. 10.1386/fiin.9.4.84

Prout, Ryan 2011. Exploding Anonymity: The Romance and Risk of Derailment. Short Film Studies 1 (2) , pp. 239-243. 10.1386/sfs.1.2.239_1

Prout, Ryan and Altenberg, Tilmann, eds. 2011. Seeing in Spanish: From Don Quixote to Daddy Yankee - 22 essays on Hispanic visual cultures. Newcastle upon Tyne: Cambridge Scholars Publishing.

Prout, Ryan and Altenberg, Tilmann 2011. Introduction. In: Prout, Ryan and Altenberg, Tilmann eds. Seeing in Spanish: From Don Quixote to Daddy Yankee - 22 Essays on Hispanic Visual Cultures, Newcastle upon Tyne: Cambridge Scholars Publishing, xiv-xxv.

Prout, Ryan 2011. River, rain, pool: Envisioning adoptive identity in three women’s narratives from contemporary Spain. In: Prout, Ryan and Altenberg, Tilmann eds. Seeing in Spanish: From Don Quixote to Daddy Yankee - 22 Essays on Hispanic Visual Cultures, Newcastle upon Tyne: Cambridge Scholars Publishing, pp. 91-104.

Prout, Ryan 2010. La teta asustada: Golden Bears, Amulets, and Old Wives' Tales? [Film review]. JGCinema.com: cinema and globalization
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Prout, Ryan 2010. Speaking Up / Coming Out: Regions of Authenticity in Juan Pinzás's Gay Galician Dogma Trilogy. Galicia 21 (B) , pp. 68-91.

Prout, Ryan 2010. Festival Report: 52nd International Leipzig Festival for Documentary and Animated Film. [Online]. Film International.
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Prout, Ryan 2009. An interview with Till Kleinert, winner of 2008 Iris Prize for LGBT short film. Film International 2009 (1 May)

Prout, Ryan 2009. Cradling the nation: Asha Miró's autoethnographies, discourses of international adoption, and the construction of Spanishness. Bulletin of Spanish Studies 86 (4) , pp. 493-512. 10.1080/14753820902938019

Prout, Ryan 2008. 'Inmenso estrecho: obstacles to achieving post-inmigration identity change in Spanish short fiction'. Tejuelo: Didactics of Langauge and LiIterature. Education 2 , pp. 66-77.

Prout, Ryan 2008. Cryptic Triptych: (Re)Reading Disabilility in Spanish Film 1960-2003: "El cochecito", "El jardín de las delicias", and "Planta cuarta". Arizona Journal of Hispanic Cultural Studies 12 , pp. 165-187.

Prout, Ryan 2007. Entrevista con la escritora Mexicana Rosamaría Roffiel. Journal of Iberian and Latin American Studies 10 (1) , pp. 85-95. 10.1080/1470184042000236305

Prout, Ryan 2007. Straitened circumstances: spanishness, psychogeography, and the borderline personality. In: Sánchez-Conejero, C ed. Spanishness in the Spanish Novel and Cinema of the 20th-21st Century, Cambridge Scholars Publishing, pp. 215-226.

Prout, Ryan 2006. Fortress Europe in Recent Spanish Film. Third Text 20 (6) , pp. 723-731. 10.1080/09528820601072809

Prout, Ryan 2005. El Diputado/The Congressman. In: Mira, A ed. 24 Frames; The Cinema of Spain and Portugal, Wallflower Press, pp. 159-167.

Prout, Ryan 2005. Marcelino pan y vino: The miracle of Marcelino. In: Mira, Alberto and Gubern, Roman eds. 24 Frames: The Cinema of Spain and Portugal, Wallflower Press, pp. 71-77.

Prout, Ryan 2005. Cria cuervos: raise ravens. In: Mira, Alberto and Gubern, Roman eds. 24 Frames: The Cinema of Spain and Portugal, Wallflower Press, pp. 149-158.

Prout, Ryan 2004. All about Spain: transplant and identity in La flor de mi secreto and Todo sobre mi madre. Studies in Hispanic Cinemas 1 (1) , pp. 43-62. 10.1386/shci.1.1.43/0

Prout, Ryan 2002. A load of bull: cultural patrimony, machismo, and merchandise. In: Godsland, Shelley and White, Anne M. eds. Cultura Popular: Studies in Spanish and Latin American Popular Culture, Peter Lang, pp. 113-128.

Prout, Ryan 2000. Cosmic Weddings and a Funeral: Sexuality, Techno-science, and the National Romance in Laura Esquivel's La ley del amor. Journal of Iberian and Latin American Studies 6 (1) , pp. 43-54. 10.1080/13507490050020941

Prout, Ryan 2000. Sects and secularity: Another cinema, another Spain. In: Jordan, Barry and Morgan-Tamosunas, Rikki eds. Contemporary Spanish Cultural Studies, Arnold, pp. 123-133.

Prout, Ryan 2000. Femme foetal: The triple terror of the young Basque woman in 'Pasajes'. In: Jordan, Barry and Morgan-Tamosunas, Rikki eds. Contemporary Spanish Cultural Studies, Arnold, pp. 283-294.

Prout, Ryan 2000. Greenery blues: Synaesthesia, landscape, and Lorca's Lassitude in Vermont. Bulletin of Hispanic Studies 77 (3) , pp. 393-441.

Prout, Ryan 1999. Jail-house Rock: Cuba, AIDS, and the Incorporation of Dissent in Bengt Norborg's Socialism or Death. Bulletin of Latin American Research 18 (4) , pp. 423-436. 10.1111/j.1470-9856.1999.tb00143.x

Prout, Ryan 1993. Textuality transcendent: Juan Goytisolo's 'La cuarentena' and the politics of eschatology. Journal of Hispanic Research 2 , pp. 307-324.

This list was generated on Tue Dec 7 04:40:03 2021 GMT.