Beeston, Alix ![]() |
Abstract
This field-defining collection establishes unfinished film projects—abandoned, interrupted, lost, or open-ended—as rich and underappreciated resources for feminist film and media studies. In a series of deeply researched and creatively conceived chapters, scholars join with film practitioners in approaching the unfinished film as an ideal site for revealing the lived experiences, practical conditions, and institutional realities of women’s film production across historical periods and national borders. Incomplete recovers projects and practices marginalized in film industries and scholarship, while also showing how feminist filmmakers have cultivated incompletion as an aesthetic strategy. Objects of loss and possibility, incomplete films raise profound historiographical and ethical questions about the always-unfinished project of film history, film spectatorship, and film studies.
Item Type: | Book |
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Book Type: | Edited Book |
Date Type: | Publication |
Status: | In Press |
Schools: | Schools > English, Communication and Philosophy |
Subjects: | N Fine Arts > N Visual arts (General) For photography, see TR P Language and Literature > PN Literature (General) P Language and Literature > PN Literature (General) > PN0441 Literary History P Language and Literature > PN Literature (General) > PN1993 Motion Pictures |
Publisher: | University of California Press |
Funders: | American Philosophical Society (Franklin Grant) |
Date of Acceptance: | June 2022 |
Last Modified: | 11 Nov 2022 09:42 |
URI: | https://orca.cardiff.ac.uk/id/eprint/151671 |
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