Cardiff University | Prifysgol Caerdydd ORCA
Online Research @ Cardiff 
WelshClear Cookie - decide language by browser settings

Browse by Current Cardiff authors

Number of items: 26.

Beeston, Alix ORCID: https://orcid.org/0000-0002-6356-7931 and Solomon, Stefan, eds. 2023. Incomplete: The feminist possibilities of the unfinished film. Feminist Media Histories, Los Angeles: University of California Press.

Beeston, Alix ORCID: https://orcid.org/0000-0002-6356-7931 and Solomon, Stefan 2023. Pathways to the feminist incomplete: An introduction, a theory, a manifesto. Beeston, Alix and Solomon, Stefan, eds. Incomplete: The Feminist Possibilities of the Unfinished Film, Feminist Media Histories, Los Angeles: University of California Press,

Beeston, Alix ORCID: https://orcid.org/0000-0002-6356-7931 2023. Kathleen Collins...posthumously. Beeston, Alix and Solomon, Stefan, eds. Incomplete: The Feminist Possibilities of the Unfinished Film, Feminist Media Histories, Los Angeles: University of California Press,

Beeston, Alix ORCID: https://orcid.org/0000-0002-6356-7931 2022. Photography: Gertrude Käsebier and the maternal line of sight. Goody, Alex and Whittington, Ian, eds. Edinburgh Companion to Modernism and Technology, Edinburgh: Edinburgh University Press, pp. 155-174.
Item availability restricted.
file

Beeston, Alix ORCID: https://orcid.org/0000-0002-6356-7931 2022. Blur. Modernism/modernity Print Plus 7 (1)
file

Beeston, Alix ORCID: https://orcid.org/0000-0002-6356-7931 2021. Girl head: feminism and film materiality by Genevieve Yue [Book Review]. JCMS: Journal of Cinema and Media Studies 61 (1) , pp. 193-198. 10.1353/cj.2021.0081

Beeston, Alix ORCID: https://orcid.org/0000-0002-6356-7931 2021. A history of shapes. Book review of "No Document" by Anwen Crawford (2021). Sydney Review of Books
file

Beeston, Alix ORCID: https://orcid.org/0000-0002-6356-7931 2020. A ghost with a camera. Post45
file

Beeston, Alix ORCID: https://orcid.org/0000-0002-6356-7931 2020. Fingers stained with fruit and ink. Rev. of Ellena Savage, Blueberries (Text Publishing/Scribe, 2020). [Online]. https://sydneyreviewofbooks.com: Writing and Society Research Centre. Available at: https://sydneyreviewofbooks.com/review/ellena-sava...
file

Beeston, Alix ORCID: https://orcid.org/0000-0002-6356-7931 2020. The Watch-bitch now: Reassessing the natural woman in Han Kang's The Vegetarian and Charlotte Wood's The Natural Way of Things. Signs: Journal of Women in Culture and Society 45 (3) , pp. 679-702. 10.1086/706472
file

Beeston, Alix ORCID: https://orcid.org/0000-0002-6356-7931, Kingston-Reese, Alexandra and Kindey, Cadence 2020. On Instagram: an intimate, immediate conversation. ASAP/J
file

Beeston, Alix ORCID: https://orcid.org/0000-0002-6356-7931 2019. Working the trap. Introduction to Special Conference Cluster, Modernist #MeToo and the working woman. Feminist Modernist Studies 2 (3) , pp. 304-313. 10.1080/24692921.2019.1668184

Beeston, Alix ORCID: https://orcid.org/0000-0002-6356-7931 2019. Looking like a modernist. Modernism/modernity Print Plus 4 (2)

Beeston, Alix ORCID: https://orcid.org/0000-0002-6356-7931 2019. The sound of loss. Docalogue

Dowling, Sarah, Colesworthy, Rebecca, Rydstrand, Helen and Beeston, Alix ORCID: https://orcid.org/0000-0002-6356-7931 2019. Opening the book, part II. [Online]. Modernism/modernity Print Plus. Available at: https://modernismmodernity.org/forums/posts/openin...

Beeston, Alix ORCID: https://orcid.org/0000-0002-6356-7931 2019. Still Modernism: Photography, Literature, Film by Louise Hornby [Book Review]. Modernism/modernity 26 (1) , pp. 219-222. 10.1353/mod.2019.0010

Beeston, Alix ORCID: https://orcid.org/0000-0002-6356-7931 2018. From early photography to the Instagram age. [Online]. Oxford: Oxford University Press Blog. Available at: https://blog.oup.com/2018/04/women-early-photograp...

Beeston, Alix ORCID: https://orcid.org/0000-0002-6356-7931 2018. The Rock on top: From King Kong to Dwayne Johnson's Skyscraper. [Online]. Los Angeles Review of Books. Available at: https://blog.lareviewofbooks.org/essays/rock-top-k...

Beeston, Alix ORCID: https://orcid.org/0000-0002-6356-7931 2018. Object women: A history of women in photography. [Online]. Instagram. Available at: http://www.instagram.com/objectwomen

Beeston, Alix ORCID: https://orcid.org/0000-0002-6356-7931 2018. Object women: looking again at women in photography. Wales Arts Review

Beeston, Alix ORCID: https://orcid.org/0000-0002-6356-7931 2018. Looking again at women in photography. [Online]. George Eastman Museum. Available at: https://www.eastman.org/looking-again-women-photog...

Beeston, Alix ORCID: https://orcid.org/0000-0002-6356-7931 2018. In and out of sight: Modernist writing and the photographic unseen. Modernist Literature and Culture, Oxford and New York: Oxford University Press.

Beeston, Alix ORCID: https://orcid.org/0000-0002-6356-7931 2017. Icons of depression. Arizona Quarterly 73 (2) , pp. 1-36. 10.1353/arq.2017.0007

Beeston, Alix ORCID: https://orcid.org/0000-0002-6356-7931 2017. Images in crisis: Three Lives's vanishing women. Modernism/modernity 2 (2) 10.26597/mod.0006

Beeston, Alix ORCID: https://orcid.org/0000-0002-6356-7931 2016. A "leg show dance" in a skyscraper: The sequenced mechanics of John Dos Passos's Manhattan Transfer. PMLA 131 (3) , pp. 636-651. 10.1632/pmla.2016.131.3.636

Beeston, Alix ORCID: https://orcid.org/0000-0002-6356-7931 2015. What do we love when we love books by dead authors? The Conversation Australia 2015 (July 2)

This list was generated on Sat Dec 3 04:14:07 2022 GMT.