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Number of items: 34.

Beeston, Alix ORCID: https://orcid.org/0000-0002-6356-7931, Dabashi, Pardis, Masters, Jess and Ross, Stephen J. 2024. Five years of visualities. [Online]. Modernism Modernity. Available at: https://modernismmodernity.org/forums/posts/five-y...

Beeston, Alix ORCID: https://orcid.org/0000-0002-6356-7931 2024. This probably shouldn't be a film...But it is. [Online]. Public Books: Available at: https://www.publicbooks.org/this-probably-shouldnt...

Beeston, Alix ORCID: https://orcid.org/0000-0002-6356-7931 2024. One with Another. Alix Beeston on Gail Jones' strange relations [Book Review]. Sydney Review of Books

Beeston, Alix ORCID: https://orcid.org/0000-0002-6356-7931 and Lloyd, Robert 2024. Occluded Wales: The haunted ground of Joanna Hogg's The Eternal Daughter. Senses of Cinema (109) , May 2024.

Beeston, Alix ORCID: https://orcid.org/0000-0002-6356-7931 2024. Selfie Aesthetics: Seeing Trans Feminist Futures in Self-Representational Art by Nicole Erin Morse [Book Review]. Journal of American Studies 58 (1) , pp. 159-162. 10.1017/S0021875824000070
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Beeston, Alix ORCID: https://orcid.org/0000-0002-6356-7931, Dabashi, Pardis, Cheng, Anne Anlin, Groo, Katherine, Lenssen, Anneka and Thaggert, Miriam 2024. Judging by its cover, Part 1. [Online]. Modernism/modernity. Available at: https://modernismmodernity.org/forums/posts/judgin...

Beeston, Alix ORCID: https://orcid.org/0000-0002-6356-7931 2023. A history of shapes. Menzies-Pike, Catriona, ed. Critic Swallows Book: Ten Years of the Sydney Review of Books, Sydney: Giramondo, pp. 292-307.

Beeston, Alix ORCID: https://orcid.org/0000-0002-6356-7931 2023. Kathleen Collins...posthumously. Beeston, Alix and Solomon, Stefan, eds. Incomplete: The Feminist Possibilities of the Unfinished Film, Feminist Media Histories, Los Angeles: University of California Press, pp. 245-269.

Beeston, Alix ORCID: https://orcid.org/0000-0002-6356-7931 and Solomon, Stefan 2023. Pathways to the feminist incomplete: An introduction, a theory, a manifesto. Beeston, Alix and Solomon, Stefan, eds. Incomplete: The Feminist Possibilities of the Unfinished Film, Feminist Media Histories, Los Angeles: University of California Press, pp. 1-38.

Beeston, Alix ORCID: https://orcid.org/0000-0002-6356-7931 and Solomon, Stefan, eds. 2023. Incomplete: The feminist possibilities of the unfinished film. Feminist Media Histories, Los Angeles: University of California Press.

Beeston, Alix ORCID: https://orcid.org/0000-0002-6356-7931, Solomon, Stefan, Hamad, Hannah ORCID: https://orcid.org/0000-0002-8949-7206, Redrobe, Karen and Rouxel, Mathilde 2022. Unfinished: Women Filmmakers in Process (catalogue). Cardiff: Image Works: Research and Practice in Visual Culture.
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Beeston, Alix ORCID: https://orcid.org/0000-0002-6356-7931 2022. Photography: Gertrude Käsebier and the maternal line of sight. Goody, Alex and Whittington, Ian, eds. Edinburgh Companion to Modernism and Technology, Edinburgh: Edinburgh University Press, pp. 155-174.
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Beeston, Alix ORCID: https://orcid.org/0000-0002-6356-7931 2022. Blur. Modernism/modernity Print Plus 7 (1)
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Beeston, Alix ORCID: https://orcid.org/0000-0002-6356-7931 2021. Girl head: feminism and film materiality by Genevieve Yue [Book Review]. JCMS: Journal of Cinema and Media Studies 61 (1) , pp. 193-198. 10.1353/cj.2021.0081

Beeston, Alix ORCID: https://orcid.org/0000-0002-6356-7931 2021. A history of shapes. Book review of "No Document" by Anwen Crawford (2021). Sydney Review of Books
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Beeston, Alix ORCID: https://orcid.org/0000-0002-6356-7931 2020. A ghost with a camera. Post45
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Beeston, Alix ORCID: https://orcid.org/0000-0002-6356-7931 2020. Fingers stained with fruit and ink. Rev. of Ellena Savage, Blueberries (Text Publishing/Scribe, 2020). [Online]. https://sydneyreviewofbooks.com: Writing and Society Research Centre. Available at: https://sydneyreviewofbooks.com/review/ellena-sava...
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Beeston, Alix ORCID: https://orcid.org/0000-0002-6356-7931 2020. The Watch-bitch now: Reassessing the natural woman in Han Kang's The Vegetarian and Charlotte Wood's The Natural Way of Things. Signs: Journal of Women in Culture and Society 45 (3) , pp. 679-702. 10.1086/706472
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Beeston, Alix ORCID: https://orcid.org/0000-0002-6356-7931, Kingston-Reese, Alexandra and Kindey, Cadence 2020. On Instagram: an intimate, immediate conversation. ASAP/J
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Beeston, Alix ORCID: https://orcid.org/0000-0002-6356-7931 2019. Working the trap. Introduction to Special Conference Cluster, Modernist #MeToo and the working woman. Feminist Modernist Studies 2 (3) , pp. 304-313. 10.1080/24692921.2019.1668184

Beeston, Alix ORCID: https://orcid.org/0000-0002-6356-7931 2019. Looking like a modernist. Modernism/modernity Print Plus 4 (2)

Beeston, Alix ORCID: https://orcid.org/0000-0002-6356-7931 2019. The sound of loss. Docalogue

Dowling, Sarah, Colesworthy, Rebecca, Rydstrand, Helen and Beeston, Alix ORCID: https://orcid.org/0000-0002-6356-7931 2019. Opening the book, part II. [Online]. Modernism/modernity Print Plus. Available at: https://modernismmodernity.org/forums/posts/openin...

Beeston, Alix ORCID: https://orcid.org/0000-0002-6356-7931 2019. Still Modernism: Photography, Literature, Film by Louise Hornby [Book Review]. Modernism/modernity 26 (1) , pp. 219-222. 10.1353/mod.2019.0010

Beeston, Alix ORCID: https://orcid.org/0000-0002-6356-7931 2018. From early photography to the Instagram age. [Online]. Oxford: Oxford University Press Blog. Available at: https://blog.oup.com/2018/04/women-early-photograp...

Beeston, Alix ORCID: https://orcid.org/0000-0002-6356-7931 2018. The Rock on top: From King Kong to Dwayne Johnson's Skyscraper. [Online]. Los Angeles Review of Books. Available at: https://blog.lareviewofbooks.org/essays/rock-top-k...

Beeston, Alix ORCID: https://orcid.org/0000-0002-6356-7931 2018. Object women: looking again at women in photography. Wales Arts Review

Beeston, Alix ORCID: https://orcid.org/0000-0002-6356-7931 2018. Object women: A history of women in photography. [Online]. Instagram. Available at: http://www.instagram.com/objectwomen

Beeston, Alix ORCID: https://orcid.org/0000-0002-6356-7931 2018. Looking again at women in photography. [Online]. George Eastman Museum. Available at: https://www.eastman.org/looking-again-women-photog...

Beeston, Alix ORCID: https://orcid.org/0000-0002-6356-7931 2018. In and out of sight: Modernist writing and the photographic unseen. Modernist Literature and Culture, Oxford and New York: Oxford University Press.

Beeston, Alix ORCID: https://orcid.org/0000-0002-6356-7931 2017. Icons of depression. Arizona Quarterly 73 (2) , pp. 1-36. 10.1353/arq.2017.0007

Beeston, Alix ORCID: https://orcid.org/0000-0002-6356-7931 2017. Images in crisis: Three Lives's vanishing women. Modernism/modernity 2 (2) 10.26597/mod.0006

Beeston, Alix ORCID: https://orcid.org/0000-0002-6356-7931 2016. A "leg show dance" in a skyscraper: The sequenced mechanics of John Dos Passos's Manhattan Transfer. PMLA 131 (3) , pp. 636-651. 10.1632/pmla.2016.131.3.636

Beeston, Alix ORCID: https://orcid.org/0000-0002-6356-7931 2015. What do we love when we love books by dead authors? The Conversation Australia 2015 (July 2)

This list was generated on Sat Feb 8 06:16:06 2025 GMT.


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