ORCA
Online Research @ Cardiff
Browse by Current Cardiff authors
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Up a levelNumber of items: 42.
Beeston, Alix  ORCID: https://orcid.org/0000-0002-6356-7931
2026.
Nella Larsen's faces.
Journal of World Literature
11
(1)
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Beeston, Alix ORCID: https://orcid.org/0000-0002-6356-7931 and Goble, Mark
2025.
Downtime: The twentieth century in slow motion [Interview with Mark Goble].
[Podcast].
15 September 2025.
Available at: https://newbooksnetwork.com/downtime
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Beeston, Alix ORCID: https://orcid.org/0000-0002-6356-7931 and Anger, Jiří
2025.
Interview with Jiří Anger, Towards a Film Theory from Below: Archival Film and the Aesthetics of the Crack-Up.
[Podcast].
12 August 2025.
Available at: https://newbooksnetwork.com/towards-a-film-theory-...
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Beeston, Alix ORCID: https://orcid.org/0000-0002-6356-7931 and Redrobe, Karen
2025.
Interview with Karen Redrobe, Undead: (Inter)(in)animation, Feminisms, and the Art of War.
[Podcast].
New Books in Film
16 July 2025.
Available at: https://newbooksnetwork.com/undead
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Beeston, Alix ORCID: https://orcid.org/0000-0002-6356-7931 and Solomon, Stefan
2025.
The multiplying pathways of the feminist incomplete.
[Online].
UC Press.
Available at: https://www.ucpress.edu/blog-posts/the-multiplying...
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Beeston, Alix ORCID: https://orcid.org/0000-0002-6356-7931
2025.
Kathleen Collins's "Blue Obstacles": scenes from an unfinished novel.
ASAP/Journal
Item availability restricted. |
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Beeston, Alix ORCID: https://orcid.org/0000-0002-6356-7931
2025.
Images dreamed from the inside: The ethics of encounter in feminist photography studies.
Feminist Media Histories
11
(4)
Item availability restricted. |
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Beeston, Alix ORCID: https://orcid.org/0000-0002-6356-7931, Dabashi, Pardis, Masters, Jess and Ross, Stephen J.
2024.
Five years of visualities.
[Online].
Modernism Modernity.
Available at: https://modernismmodernity.org/forums/posts/five-y...
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Beeston, Alix ORCID: https://orcid.org/0000-0002-6356-7931
2024.
This probably shouldn't be a film...But it is.
[Online].
Public Books:
Available at: https://www.publicbooks.org/this-probably-shouldnt...
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Beeston, Alix ORCID: https://orcid.org/0000-0002-6356-7931
2024.
One with Another. Alix Beeston on Gail Jones' strange relations [Book Review].
Sydney Review of Books
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Beeston, Alix ORCID: https://orcid.org/0000-0002-6356-7931 and Lloyd, Robert
2024.
Occluded Wales: The haunted ground of Joanna Hogg's The Eternal Daughter.
Senses of Cinema
(109)
, May 2024.
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Beeston, Alix ORCID: https://orcid.org/0000-0002-6356-7931
2024.
Selfie Aesthetics: Seeing Trans Feminist Futures in Self-Representational Art by Nicole Erin Morse [Book Review].
Journal of American Studies
58
(1)
, pp. 159-162.
10.1017/S0021875824000070
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Beeston, Alix ORCID: https://orcid.org/0000-0002-6356-7931, Dabashi, Pardis, Cheng, Anne Anlin, Groo, Katherine, Lenssen, Anneka and Thaggert, Miriam
2024.
Judging by its cover, Part 1.
[Online].
Modernism/modernity.
Available at: https://modernismmodernity.org/forums/posts/judgin...
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Beeston, Alix ORCID: https://orcid.org/0000-0002-6356-7931
2023.
A history of shapes.
Menzies-Pike, Catriona, ed.
Critic Swallows Book: Ten Years of the Sydney Review of Books,
Sydney:
Giramondo,
pp. 292-307.
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Beeston, Alix ORCID: https://orcid.org/0000-0002-6356-7931
2023.
Kathleen Collins...posthumously.
Beeston, Alix and Solomon, Stefan, eds.
Incomplete: The Feminist Possibilities of the Unfinished Film,
Feminist Media Histories,
Los Angeles:
University of California Press,
pp. 245-269.
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Beeston, Alix ORCID: https://orcid.org/0000-0002-6356-7931 and Solomon, Stefan
2023.
Pathways to the feminist incomplete: An introduction, a theory, a manifesto.
Beeston, Alix and Solomon, Stefan, eds.
Incomplete: The Feminist Possibilities of the Unfinished Film,
Feminist Media Histories,
Los Angeles:
University of California Press,
pp. 1-38.
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Beeston, Alix ORCID: https://orcid.org/0000-0002-6356-7931 and Solomon, Stefan, eds.
2023.
Incomplete: The feminist possibilities of the unfinished film.
Feminist Media Histories,
Los Angeles:
University of California Press.
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Beeston, Alix ORCID: https://orcid.org/0000-0002-6356-7931
2022.
An untimely cinema: Mariam Ghani's what we left unfinished.
Image Works: Research and Practice in Visual Culture.
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Beeston, Alix ORCID: https://orcid.org/0000-0002-6356-7931, Solomon, Stefan, Hamad, Hannah ORCID: https://orcid.org/0000-0002-8949-7206, Redrobe, Karen and Rouxel, Mathilde
2022.
Unfinished: Women Filmmakers in Process (catalogue).
Cardiff:
Image Works: Research and Practice in Visual Culture.
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Beeston, Alix ORCID: https://orcid.org/0000-0002-6356-7931
2022.
Photography: Gertrude Käsebier and the maternal line of sight.
Goody, Alex and Whittington, Ian, eds.
Edinburgh Companion to Modernism and Technology,
Edinburgh:
Edinburgh University Press,
pp. 155-174.
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Beeston, Alix ORCID: https://orcid.org/0000-0002-6356-7931
2022.
Blur.
Modernism/modernity Print Plus
7
(1)
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Beeston, Alix ORCID: https://orcid.org/0000-0002-6356-7931
2021.
Girl head: feminism and film materiality by Genevieve Yue [Book Review].
JCMS: Journal of Cinema and Media Studies
61
(1)
, pp. 193-198.
10.1353/cj.2021.0081
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Beeston, Alix ORCID: https://orcid.org/0000-0002-6356-7931
2021.
A history of shapes. Book review of "No Document" by Anwen Crawford (2021).
Sydney Review of Books
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Beeston, Alix ORCID: https://orcid.org/0000-0002-6356-7931
2020.
A ghost with a camera.
Post45
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Beeston, Alix ORCID: https://orcid.org/0000-0002-6356-7931
2020.
Fingers stained with fruit and ink. Rev. of Ellena Savage, Blueberries (Text Publishing/Scribe, 2020).
[Online].
Sydney:
Writing and Society Research Centre.
Available at: https://sydneyreviewofbooks.com/review/ellena-sava...
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Beeston, Alix ORCID: https://orcid.org/0000-0002-6356-7931
2020.
The Watch-bitch now: Reassessing the natural woman in Han Kang's The Vegetarian and Charlotte Wood's The Natural Way of Things.
Signs: Journal of Women in Culture and Society
45
(3)
, pp. 679-702.
10.1086/706472
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Beeston, Alix ORCID: https://orcid.org/0000-0002-6356-7931, Kingston-Reese, Alexandra and Kindey, Cadence
2020.
On Instagram: an intimate, immediate conversation.
ASAP/J
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Beeston, Alix ORCID: https://orcid.org/0000-0002-6356-7931
2019.
Working the trap. Introduction to Special Conference Cluster, Modernist #MeToo and the working woman.
Feminist Modernist Studies
2
(3)
, pp. 304-313.
10.1080/24692921.2019.1668184
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Beeston, Alix ORCID: https://orcid.org/0000-0002-6356-7931
2019.
Looking like a modernist.
Modernism/modernity Print Plus
4
(2)
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Beeston, Alix ORCID: https://orcid.org/0000-0002-6356-7931
2019.
The sound of loss.
Docalogue
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Dowling, Sarah, Colesworthy, Rebecca, Rydstrand, Helen and Beeston, Alix ORCID: https://orcid.org/0000-0002-6356-7931
2019.
Opening the book, part II.
[Online].
Modernism/modernity Print Plus.
Available at: https://modernismmodernity.org/forums/posts/openin...
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Beeston, Alix ORCID: https://orcid.org/0000-0002-6356-7931
2019.
Still Modernism: Photography, Literature, Film by Louise Hornby [Book Review].
Modernism/modernity
26
(1)
, pp. 219-222.
10.1353/mod.2019.0010
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Beeston, Alix ORCID: https://orcid.org/0000-0002-6356-7931
2018.
From early photography to the Instagram age.
[Online].
Oxford:
Oxford University Press Blog.
Available at: https://blog.oup.com/2018/04/women-early-photograp...
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Beeston, Alix ORCID: https://orcid.org/0000-0002-6356-7931
2018.
The Rock on top: From King Kong to Dwayne Johnson's Skyscraper.
[Online].
Los Angeles Review of Books.
Available at: https://blog.lareviewofbooks.org/essays/rock-top-k...
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Beeston, Alix ORCID: https://orcid.org/0000-0002-6356-7931
2018.
Object women: looking again at women in photography.
Wales Arts Review
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Beeston, Alix ORCID: https://orcid.org/0000-0002-6356-7931
2018.
Object women: A history of women in photography.
[Online].
Instagram.
Available at: http://www.instagram.com/objectwomen
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Beeston, Alix ORCID: https://orcid.org/0000-0002-6356-7931
2018.
Looking again at women in photography.
[Online].
George Eastman Museum.
Available at: https://www.eastman.org/looking-again-women-photog...
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Beeston, Alix ORCID: https://orcid.org/0000-0002-6356-7931
2018.
In and out of sight: Modernist writing and the photographic unseen.
Modernist Literature and Culture,
Oxford and New York:
Oxford University Press.
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Beeston, Alix ORCID: https://orcid.org/0000-0002-6356-7931
2017.
Icons of depression.
Arizona Quarterly
73
(2)
, pp. 1-36.
10.1353/arq.2017.0007
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Beeston, Alix ORCID: https://orcid.org/0000-0002-6356-7931
2017.
Images in crisis: Three Lives's vanishing women.
Modernism/modernity
2
(2)
10.26597/mod.0006
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Beeston, Alix ORCID: https://orcid.org/0000-0002-6356-7931
2015.
What do we love when we love books by dead authors?
The Conversation Australia
2015
(July 2)
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