Beeston, Alix ![]() |
Abstract
Karen Redrobe's latest book Undead: (Inter)(in)animation, Feminisms, and the Art of War (Univ of California Press, 2025) is a fascinating account of the role of animation in the visual cultures of war. It analyzes works by artists including Yael Bartana, Nancy Davenport, Kelly Dolak and Wazhmah Osman, Gesiye, David Hartt, Helen Hill, Onyeka Igwe, Ibrahim Nasrallah, Mary Reid Kelley, and Patrick Kelley, in which relational and intermedial practices of “(inter)(in)animation” generate aesthetic tactics for reframing war. Like all of Karen's work, Undead is theoretically rich, thoroughly interdisciplinary, and written with clarity as well as urgency. Its mixture of clear-sighted criticality and dogged hopefulness is especially powerful in the times of conflict, cruelty, and destructiveness through which we’re living. In this wide-ranging conversation, Karen speaks with refreshing honesty and vulnerability about how to reimagine scholarly research and writing in line with anti-war feminist politics, what it means to confront the complicity of the university—and of university workers—in cultures of war, and why scholars should embrace being wrong and taking risks.
Item Type: | Audio |
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Date Type: | Publication |
Status: | Published |
Schools: | Schools > English, Communication and Philosophy |
Subjects: | N Fine Arts > N Visual arts (General) For photography, see TR N Fine Arts > NC Drawing Design Illustration N Fine Arts > NX Arts in general T Technology > TR Photography |
Publisher: | New Books Network |
Last Modified: | 25 Jul 2025 11:15 |
URI: | https://orca.cardiff.ac.uk/id/eprint/179976 |
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