Browse by Current Cardiff authors

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2025. Boulez and his “useless” contemporaries: From polemics to reconciliations. Campbell, Edward, ed. Pierre Boulez in Context, Cambridge: Cambridge University Press,

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2024. Fanny Waterman. Cannadine, David, ed. Oxford Dictionary of National Biography, Oxford University Press,

Branger, Jean-Christophe, Moron, Nicolas, Pimentel, Juliana and Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264, eds. 2024. Claude Debussy, d’hier à aujourd’hui. Paris: Société française de musicologie.

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2024. Marius-François Gaillard and his pianistic contemporaries: Interpretation and style in the 78-rpm recordings of Debussy’s piano works. Branger, Jean-Christophe, Moron, Nicolas, Pimentel, Juliana and Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264, eds. Claude Debussy, d'hier à aujourd'hui, Paris: Société française de musicologie,

de Médicis, François, Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 and Trottier, Danick, eds. 2024. Stravinsky and France: Reception, interactions and legacy. University of Rochester Press.

Campbell, Edward and Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2024. Debussy’s influence since 1945: French compositional descendancies. Code, David and Kelly, Barbara L., eds. Debussy Studies 2, Cambridge: Cambridge University Press,

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2024. Echoes of the rite: Jolivet, Ohana and the style incantatoire. de Médicis, François, Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 and Trottier, Danick, eds. Stravinsky and France: Reception, interactions and legacy, Rochester NY: University of Rochester Press,

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2023. Pianism and virtuosity in Messiaen’s Vingt regards sur l’enfant-Jésus. Sholl, Robert, ed. Messiaen in Context, Cambridge: Cambridge University Press, pp. 207-220.

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2023. Revitalising the spiritual: Messiaen and La Jeune France. Sholl, Robert, ed. Messiaen in Context, Cambridge: Cambridge University Press, pp. 103-118.

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2020. Jolivet reassessed. Presented at: Université de Montréal Research Seminar, Université de Montréal [via Zoom], 14 October 2020.

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2020. Forging identities: Latin Americans in Paris and the musical interactions of Miguel Angel Asturias and Alejo Carpentier. Huebner, Steven and Lazzaro, Federico, eds. Artistic Migration and Identity: Paris 1870-1940, Bern, New York, Oxford: Peter Lang, pp. 153-166. (10.3726/b14353)

Branger, Jean-Christophe, Moron, Nicolas, Pimentel, Juliana and Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264, eds. 2020. Claude Debussy d’hier à aujourd’hui. Paris: Société française de musicologie.

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2019. Catalysing Latin American identities: Alejo Carpentier’s music criticism as a Cuban case study. Dingle, Christopher, ed. The Cambridge History of Music Criticism, The Cambridge History of Music, Cambridge: Cambridge University Press, pp. 484-501.

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2019. Mussorgsky and his French compositional descendants. London: Signum Classics, SIGCD-566.

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2019. Jolivet and the visual arts: Interactions and influences. Rae, Caroline, ed. André Jolivet: Music, Art and Literature, Music and Literature, Abingdon and New York: Routledge, pp. 107-131.

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264, Anderson, Julian and Potter, Caroline 2019. The incantatory and the divine: new perspectives on the music of André Jolivet. Presented at: Guildhall School of Music and Drama Research Seminar (ResearchWorks series), Guildhall School of Music and Drama, 18 November 2019.

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2019. Poulenc at the BBC: composer of the month. BBC Music Magazine Novemb , pp. 66-70.

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2019. Expressing the incantatory: performing Jolivet's Cinq églogues (1967) for solo viola. Presented at: Public Research Seminar, Royal Birmingham Conservatoire, 29 October 2019.

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2019. Proportioning the divine: Jolivet and the golden section. Presented at: Public Research Seminar, University of Aberdeen, 24 October 2019.

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2019. Sourcing Jolivet’s compositional aesthetic: Literary influences and his library. Rae, Caroline, ed. André Jolivet: Music, Art and Literature, Music and Literature, Abingdon: Routledge, pp. 194-213.

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2019. Introduction: Jolivet in context. Rae, Caroline, ed. André Jolivet: Music, Art and Literature, Music and Literature, Abingdon: Routledge, pp. 1-12.

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2019. Chronology of Jolivet’s life and works. Rae, Caroline, ed. André Jolivet: Music, Art and Literature, Music and Literature, Abingdon: Routledge, xxii-xxxix.

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2018. Marius-François Gaillard’s Debussy: Controversies and pianistic legacy. de Médicis, François and Huebner, Steven, eds. Debussy's Resonance, Eastman Studies in Music, Rochester, NY: University of Rochester Press, pp. 562-580.

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264, ed. 2018. André Jolivet: music, art and literature. Music and Literature, London: Routledge. 10.4324/9780429429255

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2018. Marius-François Gaillard et ses enregistrements de Debussy: exécution, style et esthétique pianistique. Presented at: Colloque international Claude Debussy, Université de Lorraine, Cité Musicale, Metz, 25-26 September 2018.

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2018. From a foreign correspondent: the Parisian chronicles of Alejo Carpentier. Kelly, Barbara L. and Moore, Christopher, eds. Music Criticism in France, 1918-1939: Authority, Advocacy, Legacy, Woodbridge: Boydell Press, pp. 193-218. (10.1017/9781787442573.009)

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2018. Debussy's Violin Sonata. [BBC Radio Podcast]. June 2018.

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2018. André Jolivet, Antonin Artaud and Alejo Carpentier: Redefining the surreal. Presented at: Surrealism and Music in France 1924-1952: Interdisciplinary and International Contexts, Senate House, London, UK, 8 June 2018.

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2018. Exploring Debussy’s legacy: Maurice Ohana’s 'Tombeau de Claude Debussy'. Presented at: Claude Debussy in 2018: a Centenary Celebration, Manchester and Glasgow, UK, 19-23 March 2018.

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2018. Exploring Marius-François Gaillard’s Debussy recordings. Presented at: Debussy Day: Commemorating the 100th Anniversary of Debussy's Death, University of Bangor, Wales, UK, 12 March 2018.

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2018. Marius-François Gaillard and his Debussy recordings [CD Booklet article]. UK: Appian Publications and Recordings, APR 6025.

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2017. Aspects of colour and timbre in Julian Anderson’s Incantesimi: Exploring French connections. Presented at: Julian Anderson Symposium – Julian Anderson Total Immersion Weekend, Barbican Centre and Guildhall School of Music and Drama, London, 20-21 October 2017.

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2016. Musical revolutions: The promotion of new music in Machado’s Cuba. Presented at: Music and Nation 1918-1945 – Europe-Americas (II), Royal Northern College of Music, Manchester, UK, 23-24 November 2016.

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2016. Henri Dutilleux and the power of enchantment. BBC Proms 2016: The Official Guide, BBC Proms Guides, London: BBC, pp. 54-57.

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2016. Celebrating the Dutilleux centenary. Presented at: International Dutilleux Symposium, Cardiff University, Cardiff, UK, 28 January 2016.

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2016. Innovation and invention in Ohana’s Si le jour paraît for 10-string guitar. Presented at: International Guitar Research Conference (IGRC), University of Surrey, 18-23 March 2016.

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2014. Dr. Caroline Rae discusses the War of the Romantics. [Website (BBC Radio 3)]. BBC iWonder Guide-Brahms: BBC. Available at: https://www.bbc.co.uk/programmes/p0282nxf

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 and Potter, Caroline, eds. 2014. City of light: Paris 1900-1950. London: Philharmonia Orchestra, Philharmonia Limited.

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2014. BBC Symphony Orchestra rehearsal performance of Ravel's Bolero, conducted by Lionel Bringuier, with commentary by Dr Caroline Rae. [Film video]. London: BBC Radio 3. Available at: https://www.bbc.co.uk/programmes/p01t693d

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 and Potter, Caroline 2014. City of light: the French musical milieu. Rae, Caroline and Potter, Caroline, eds. City of Light: Paris 1900-1950 Festival Programme Book, London: Philharmonia Orchestra, pp. 12-19.

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2014. The magic of timbre: French orchestral sound. Rae, Caroline and Potter, Caroline, eds. City of Light: Paris 1900-1950 Festival Programme Book, London: Philharmonia Orchestra, pp. 23-26.

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2013. Messiaen and Ohana: parallel preoccupations or anxiety of influence? Dingle, Christopher and Fallon, Robert, eds. Messiaen perspectives 2: Techniques, influence and reception, Farnham: Ashgate, pp. 153-174.

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2013. Messiaen and the romantic gesture: Contemplations on his piano music and pianism. Dingle, Christopher and Fallon, Robert, eds. Messiaen perspectives 1: Sources and influences, Farnham: Ashgate, pp. 235-256.

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2013. Dutilleux and Lutosławski: Franco-Polish connections. Mantzourani, Eva, ed. Polish Music since 1945, Krakow: Musica Iagellonica, pp. 147-162.

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2012. Marius-François Gaillard’s Debussy: performances and recordings – controversy and legacy. Presented at: L'héritage de Claude Debussy: du rêve pour les générations futures, Université de Montréal, Canada, 29 February - 3 March 2012.

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2011. From a foreign correspondent: Alejo Carpentier’s Parisian Chronicles. Presented at: Music Criticism in France in the Interwar Period (1918-1939), University of Ottawa, Canada, 4-6 November 2011.

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2011. Debussyist, Modernist, Exoticist: Marius-François Gaillard rediscovered. The Musical Times 152 (1916) , pp. 59-80.

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2010. Beyond boundaries: Dutilleux's foreign leavening. Contemporary Music Review 29 (5) , pp. 431-446. 10.1080/07494467.2010.589123

Potter, Caroline and Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2010. Dutilleux at 95: Preface. Contemporary Music Review 29 (5) , pp. 429-430. 10.1080/07494467.2010.589122

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2009. Piano music of Africa and the African Diaspora. Ethnomusicology 53 (1) , pp. 146-151.

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2008. In Havana and Paris: The musical activities of Alejo Carpentier. Music and Letters 89 (3) , pp. 373-395. 10.1093/ml/gcn033

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2008. The Works of Messiaen's Final Years. Sherlaw Johnson, Robert and Rae, Caroline, eds. Messiaen, London: Omnibus Press, pp. 196-208.

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2007. The musical collaborations of Alejo Carpentier: Afrocubanism and the quest for spiritual renewal. Bulletin of Spanish Studies: Hispanic Studies and Researches on Spain, Portugal and Latin America 84 (7) , pp. 905-929. 10.1080/14753820701560519

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2007. Erinnerungen, Träume, Gedanken: Lieder des Zwanzigsten Jahrhunderts. Programmbuch zum Europäischen Musikfest Stuttgart , pp. 232-239.

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2007. Alejo Carpentier: music and magic realism. Presented at: Centre for Interdisciplinary Music Research (CIMR), Roehampton University, London, 13 October 2007.

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2006. Alejo Carpentier and the promotion of new music in Machado's Cuba. Presented at: Royal Musical Association Conference, Nottingham University, July 2006.

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2006. Jolivet on Jolivet: an interview with the composer’s daughter. Musical Times 147 (1894) , pp. 5-22.

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2005. Maurice Ohana: From the Garden of the Hesperides [CD booklet article]. Warner Classics.

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2005. Alexandre Tansman and his Symphonies [CD booklet article]. Chandos.

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2004. Myth and mysticism in Jolivet: musical magic realism? Cahiers rémois de musicologie 2 , pp. 139-171.

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2004. Alejo Carpentier and the magic of music: a Centenary retrospective. Presented at: Alejo Carpentier Centenary Lecture, Taylor Institution, Oxford University, 23 November 2004.

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2004. Maurice Ohana and the Debussyian descendency: an exploration of the music for piano. Performed at Lecture-Recital [Elder Conservatorium University of Adelaide, 28 July 2004].

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2004. André Jolivet: The Erato recordings [CD booklet article]. Warner Classics.

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2004. Lutoslawski Studies [Book Review]. Music and Letters 85 (1) , pp. 127-132. 10.1093/ml/85.1.127

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2004. Irish Music in the Twentieth Century [Book Review]. Music and Letters 85 (4) , pp. 666-669. 10.1093/ml/85.4.666

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2001. Maurice Ohana's 'Livre des Prodiges', 'Anneau du Tamarit' and 'Synaxis'. Tempo (216) , pp. 55-58.

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2001. Tansman, Alexandre. The New Grove Dictionary of Music and Musicians 2nd Edition, Grove Music Online, Oxford University Press, (10.1093/gmo/9781561592630.article.27479)

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2001. Ohana, Maurice. The New Grove Dictionary of Music and Musicians 2nd Edition, Grove Music Online, Oxford University Press, (10.1093/gmo/9781561592630.article.20292)

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2001. Delaistier, Maurice. Grove Music Online, Oxford University Press, (10.1093/gmo/9781561592630.article.44410)

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2001. Constant, Marius. The New Grove Dictionary of Music and Musicians 2nd Edition, Grove Music Online, Oxford University Press, (10.1093/gmo/9781561592630.article.06329)

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2001. Boutry, Roger. The New Grove Dictionary of Music and Musician 2nd Edition, Grove Music Online, Oxford University Press, (10.1093/gmo/9781561592630.article.03741)

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2000. Ohana’s 'In Dark and Blue', 'Sorgin-Ngo' and other music for strings. Notes 57 (2) , pp. 464-468.

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2000. Henri Dutilleux and Maurice Ohana: victims of an exclusion zone? Tempo 212 (212) , pp. 22-30. 10.1017/s0040298200007580

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2000. Maurice Ohana’s 'Office des Oracles' and 'Messe' [Music Review]. Tempo (212) , pp. 55-57. 10.1017/S0040298200007683

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2000. The music of Maurice Ohana. Aldershot: Ashgate.

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 1999. Magic and music - Alejo Carpentier and Maurice Ohana: cross-connections in Twentieth Century French music and the South Americas. Barbiche, Jean-Paul, ed. Des Amériques: impressions et expressions, Paris: L'Harmattan,

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 1995. The piano music of Maurice Ohana. Revista Musica 6 (12) , pp. 44-74.

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 1994. La magie musicale de Maurice Ohana. Le Monde de la musique (2) , pp. 16-17.

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 1994. Debussy et Ohana: allusions et références. Cahiers Debussy (17-18) , pp. 103-120.

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 1994. L'improvisation dans l’oeuvre de Maurice Ohana. Presented at: l'improvisation Musicale En Question: Actes du Colloque International, Rouen, France, 16-18 March 1992. Published in: Dambricourt, Jean-Pierre ed. l'improvisation Musicale En Question: Actes du Colloque International Tenu à l'Université de Rouen les 16, 17 et 18 Mars 1992. Rouen: Université, Centre d'étude et de diffusion des langues artistiques, pp. 73-85.

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 1992. Honegger: a centenary reappraisal. The Musical Times 133 (1789) , pp. 118-121.

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 1992. Ohana, Maurice. Morton, Brian and Collins, Pamela, eds. Contemporary Composers, St James Press, pp. 703-705.

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 1992. Le symbolisme et l’archétype du mythe européen dans l’oeuvre de Maurice Ohana. 'Musique et Europe' Cahiers du CIREM (Centre international de recherche aesthétique musicale) (24-5) , pp. 115-130.

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 1992. La Célestine. Sadie, Stanley, ed. The New Grove Dictionary of Opera, Vol. 1. Macmillan, p. 795.

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 1992. Ohana, Maurice. Sadie, Stanley, ed. The New Grove Dictionary of Opera, Vol. 3. Macmillan, pp. 659-600.

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 1991. Maurice Ohana: iconoclast or individualist? The Musical Times , pp. 69-74.

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 1988. La Célestine: Maurice Ohana's Oper in Paris. Die neue Zeitschrift für Musik 149 (10) , pp. 35-36.