Cardiff University | Prifysgol Caerdydd ORCA
Online Research @ Cardiff 
WelshClear Cookie - decide language by browser settings

Browse by Current Cardiff authors

[up] Up a level
Number of items: 20.

Marinetti, Cristina ORCID: https://orcid.org/0000-0002-5877-280X 2025. Translating the ‘city of the eye’: Mapping contemporary Venice between travel writing and residents’ accounts. Text Matters 15 , pp. 227-245. 10.18778/2083-2931.15.12
file

Marinetti, Cristina ORCID: https://orcid.org/0000-0002-5877-280X 2025. Wales: Tourism tax approved to fund Welsh language renaissance. [Online]. Fair Venice. Available at: https://fairvenice.com/galles-approvata-una-tassa-...

De Francisci, Enza and Marinetti, Cristina ORCID: https://orcid.org/0000-0002-5877-280X, eds. 2025. Translation in the performing arts: Embodiment, materiality, and inclusion. Abingdon and New York: Routledge. 10.4324/9781003335573

Madricardo, Alberto, Puppa, Paolo, Rose, Margaret and Marinetti, Cristina ORCID: https://orcid.org/0000-0002-5877-280X 2025. Translation as resistance: theatre, dialect and active citizenship as a response to global tourism. De Francisci, Enza and Marinetti, Cristina, eds. Translation and the Performing Arts, London: Routledge Advances in Translation and Interpreting Studies, (10.4324/9781003335573-13)

Marinetti, Cristina ORCID: https://orcid.org/0000-0002-5877-280X and De Francisci, Enza 2025. Introduction: Translation in the performing arts. De Francisci, Enza and Marinetti, Cristina, eds. Translation in the Performing Arts: Embodiment, Materiality, and Inclusion, Routledge Advances in Translation and Interpreting Studies, London: Routledge, pp. 1-19. (10.4324/9781003335573-1)
Item availability restricted.
file

Marinetti, Cristina ORCID: https://orcid.org/0000-0002-5877-280X and De Francisci, Enza 2022. Introduction: Translation and performance cultures. Translation Studies 15 (3) , pp. 247-257. 10.1080/14781700.2022.2126386
file

Marinetti, Cristina ORCID: https://orcid.org/0000-0002-5877-280X 2022. Doubly invisible: Anna Larpent, Domestic Censorship, and the translation of performance cultures in Georgian Britain. Translation Studies 15 (3) , pp. 258-274. 10.1080/14781700.2022.2120064
file

Marinetti, Cristina ORCID: https://orcid.org/0000-0002-5877-280X 2021. Invisible agents in translation history: Censors and actors in performed drama of 18th century England. Translation Studies 14 (3) , pp. 263-281. 10.1080/14781700.2020.1853600
file

Marinetti, Cristina ORCID: https://orcid.org/0000-0002-5877-280X 2018. Theatre as a 'translation zone': multilingualism, identity and the performing body in the work of Teatro delle Albe. Translator: Studies in Intercultural Communication 24 (2) , pp. 128-146. 10.1080/13556509.2017.1393122
file

Marinetti, Cristina ORCID: https://orcid.org/0000-0002-5877-280X 2018. ‘[We] bend down and trace with our mind’: What is translation? Benham, Jenny and Julian-Jones, Melissa, eds. Translation and Medieval Documents. Voices of Law, Language, Text and Practice, The Leverhulme Trust, pp. 3-8.
file

Marinetti, Cristina ORCID: https://orcid.org/0000-0002-5877-280X 2016. Letter from the multilingual website editor [Editorial]. Target 28 (1) , pp. 1-4. 10.1075/target.28.1.001edi
file

Marinetti, Cristina ORCID: https://orcid.org/0000-0002-5877-280X 2013. Translation and theatre: From performance to performativity. Target: International Journal of Translation Studies 25 (3) , pp. 307-320. 10.1075/target.25.3.01mar

Marinetti, Cristina ORCID: https://orcid.org/0000-0002-5877-280X 2013. Transnational, multilingual and post-dramatic: Rethinking the location of translation in contemporary theatre. Bigliazzi, Silvia and Kofler, Peter, eds. Theatre Translation in Performance, Routledge Advances in Theatre & Performance Studies, London: Routledge, pp. 27-37.

Marinetti, Cristina ORCID: https://orcid.org/0000-0002-5877-280X and Rose, Margaret 2013. Process, practice and landscapes of reception: An ethnographic study of theatre translation. Translation Studies 6 (2) , pp. 166-182. 10.1080/14781700.2013.777258

Marinetti, Cristina ORCID: https://orcid.org/0000-0002-5877-280X 2012. A special case in translation history: European drama on the eighteenth-century London stage. Brilhante, Maria Jo and Carvalho, Manuela, eds. Teatro e Tradução: Palcos de encontro, Colibri, pp. 247-251.

Marinetti, Cristina ORCID: https://orcid.org/0000-0002-5877-280X 2011. Cultural approaches. Gambier, Yves and van Doorslaer, Luc, eds. Handbook of Translation Studies, Vol. 2. John Benjamins, pp. 26-30.

Baines, Roger, Marinetti, Cristina ORCID: https://orcid.org/0000-0002-5877-280X and Perteghella, Manuela, eds. 2010. Staging and performing translation: Text and theatre practice. Basingstoke: Palgrave Macmillan.

Marinetti, Cristina ORCID: https://orcid.org/0000-0002-5877-280X and Rose, Margaret 2010. The translator as cultural promoter : or how Renato Gabrielli's Qualcosa Trilla went on the road as Mobile Thriller. Baines, Roger, Marinetti, Cristina and Perteghella, Manuela, eds. Staging and Performing Translation: Text and Theatre Practice, Basingstoke: Palgrave Macmillan, pp. 139-154.

Marinetti, Cristina ORCID: https://orcid.org/0000-0002-5877-280X 2007. A special case in translation history: European drama on the eighteenth-century London stage. Brilhante, Maria Jo and Carvalho, Manuela, eds. Teatro e Tradução: Palcos de encontro, Colibri, pp. 247-251.

Marinetti, Cristina ORCID: https://orcid.org/0000-0002-5877-280X 2007. The cross-cultural transfer of theatre texts: 'Il servitore di due padroni' in English. Boria, Monica and Rissio, Linda, eds. Laboratorio di Nuova Ricerca: Investigating Gender, Translation and Culture in Italian Studies., Troubador, pp. 217-229.

This list was generated on Tue Oct 28 11:33:22 2025 GMT.


Maintained by Cardiff University IT