ORCA
Online Research @ Cardiff
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Up a levelNumber of items: 7.
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Cenciarelli, Carlo  ORCID: https://orcid.org/0000-0001-7162-9509
2025.
Falstaff in Brixton: The humour and ironies of Opera 'Live in HD'.
Fuchs, Sarah and Zechner, Ingeborg, eds.
Mediality in Music Theatre,
Music and Mediality,
Rombach Wissenschaft,
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Cenciarelli, Carlo ORCID: https://orcid.org/0000-0001-7162-9509
2025.
Spectacular silence and the ends of moviegoing: The cinema as A Quiet Place (c. 2021).
Music, Sound, and the Moving Image
19
(1)
, pp. 1-26.
10.3828/msmi.2025.1
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Faria Gomes, Pedro ORCID: https://orcid.org/0000-0001-9978-659X
2025.
Remember.
[Score].
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Hennemann, Monika ORCID: https://orcid.org/0000-0002-4683-1497
2025.
Papageno in Phnom Penh: "Die Zauberflöte" as adaptive intercultural theatre.
De Francisci, Enza and Marinetti, Cristina, eds.
Translation in the Performing Arts: Embodiment, Materiality, and Inclusion,
Advances in Translation and Interpreting Studies,
New York:
Routledge,
pp. 160-183.
(10.4324/9781003335573-10)
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Jones, Nicholas ORCID: https://orcid.org/0000-0002-7098-6114
2025.
Peter Maxwell Davies: Three Early Pieces for Piano [musical score edition and preface].
Edition Schott (ED 14242).
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Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264
2025.
Boulez and his “useless” contemporaries: From polemics to reconciliations.
Campbell, Edward, ed.
Pierre Boulez in Context,
Cambridge:
Cambridge University Press,
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Shephard, Tim, Doyle, Oliver, O’Flaherty, Ciara, Page, Annabelle and Ştefănescu, Laura
2025.
Sounding the bookshelf 1501.
Open Book Publishers.
10.11647/obp.0473
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