Browse by Current Cardiff authors

Rowden, Clair ORCID: https://orcid.org/0000-0002-0148-7864 2023. Ohé! les p’tits agneaux! A Parisian revue de fin d’année for 185, ed. Richard Sherr [Book Review]. Notes: the Quarterly Journal of the Music Library Association 79 (4) , pp. 651-654.

Rowden, Clair ORCID: https://orcid.org/0000-0002-0148-7864 and San Martín Arbide, Lola 2023. #JeSuisCarmen [Programme Note]. Paris: Opéra-Comique.

Rowden, Clair ORCID: https://orcid.org/0000-0002-0148-7864 2023. ‘¿Por qué eres Romeo?’ [Programme Note]. Bilbao: Bilbao Opera.

Rowden, Clair ORCID: https://orcid.org/0000-0002-0148-7864 2023. ‘Operatic gems: Adelina Patti, prerogative and paste’. Talasniemi, Johanna, Broman-Kananen, Ulla-Britta and Koivisto-Kaasik, Nuppu, eds. “Her creative process”: pathways to music history and performance. Festschrift for Anne Kauppala, DocMus Research Publications, Helsinki: Univeristy of the Arts Helsinki, pp. 79-98.

Rowden, Clair ORCID: https://orcid.org/0000-0002-0148-7864 2023. ‘Anne Charton-Demeur: a “classical” diva’. Berlioz Society Bulletin 219 , pp. 18-35.

Rowden, Clair ORCID: https://orcid.org/0000-0002-0148-7864 2022. Hugh Macdonald, Saint-Saëns and the stage: Operas, plays, pageants, a ballet and a film [Book Review]. Fontes Artis Musicae 69 (1) , pp. 59-63. 10.1353/fam.2022.0002

Rowden, Clair ORCID: https://orcid.org/0000-0002-0148-7864 2022. Catholicism and moral philosophy in nineteenth-century France. Dufetel, Nicolas, ed. Religious Music in Ninteenth-Century France, Turnhout: Brepols,

Rowden, Clair ORCID: https://orcid.org/0000-0002-0148-7864 2022. Hérodias et les Salomé des scènes parisiennes. Reynaud, Cecile and Séginger, Gisele, eds. Berlioz, Flaubert et l’Orient, Paris: Le Passage, pp. 226-237.

Rowden, Clair ORCID: https://orcid.org/0000-0002-0148-7864 2022. Stéphane Leteuré, Croquer Saint-Saëns: Une histoire de la représentation du musicien par la caricature [Book Review]. La Revue de Musicologie 108 (2) , pp. 505-507.

Smith, Richard Langham and Rowden, Clair ORCID: https://orcid.org/0000-0002-0148-7864 2020. 'Carmen' at home and abroad. Carmen Abroad: Bizet's Opera on the Global Stage, Cambridge University Press, pp. 3-25.

Rowden, Clair ORCID: https://orcid.org/0000-0002-0148-7864 and Arbide, Lola San Martin 2020. Final féministe: les défis de la mise en scène au XXIème siècle. #JeSuisCarmen. Lozier, Claire and Marc, Isabelle, eds. Carmen Revisitée / Revisiter Carmen: Nouveaux Visages d'Un Mythe Transversal, Comparatisme Et Société / Comparatism and Society, Peter Lang, pp. 159-174.

Rowden, Clair ORCID: https://orcid.org/0000-0002-0148-7864 2020. Opera and parody in Paris, 1860-1900. Music and Visual Cultures, Brepols.

Rowden, Clair ORCID: https://orcid.org/0000-0002-0148-7864 2020. Charles Gounod, Cantates et musique sacrée - Flemish Radio Choir and the Brussels Philharmonic, Hervé Niquet cond - Includes book of essays in French and English edited by Alexandre Dratwicki - Collection Prix de Rome, vol. 6 - Ediciones Singulares 1030, 2017 (2 CDs: 127 minutes). Nineteenth-Century Music Review 17 (2) , pp. 297-300. 10.1017/S1479409818000605

Smith, Richard Langham and Rowden, Clair ORCID: https://orcid.org/0000-0002-0148-7864, eds. 2020. Carmen abroad: Bizet's opera on the global stage. Cambridge University Press.

Rowden, Clair ORCID: https://orcid.org/0000-0002-0148-7864 2020. 'Carmen' faces Paris and the provinces. Langham Smith, Richard and Rowden, Clair, eds. Carmen Abroad: Bizet's Opera on the Global Stage, Cambridge: Cambridge University Press, pp. 45-63.

Rowden, Clair ORCID: https://orcid.org/0000-0002-0148-7864 2020. The sopranos, Parisian style, 1869. Opera as Institution: Networks and Professions (1730-1917), LIT Verlag, pp. 119-134.

Rowden, Clair ORCID: https://orcid.org/0000-0002-0148-7864 2019. “Le Tétraque se perdait dans un rêve”: concordance between Flaubert’s Hérodias and Hérodiade by Milliet, Grémont and Massenet. Flaubert: Revue Critique et Génétique 21

Rowden, Clair ORCID: https://orcid.org/0000-0002-0148-7864 2019. Carmen: Life and death on stage in the 21st century. Cardiff: Welsh National Opera.

Rowden, Clair ORCID: https://orcid.org/0000-0002-0148-7864 2018. Deferent daisies: Caroline Miolan Carvalho, Christine Nilsson and Marguerite, 1869. Cambridge Opera Journal 30 (2-3) , pp. 237-258. 10.1017/S0954586719000089

Rowden, Clair ORCID: https://orcid.org/0000-0002-0148-7864 2018. Reinventing 'Carmen'. Opera 69 (2) , pp. 139-144.

Rowden, Clair ORCID: https://orcid.org/0000-0002-0148-7864 and Langham Smith, Richard 2018. Carmen abroad: The when and where of Carmen performances, 1875-1945. [Online]. Cardiff University. Available at: http://www.carmenabroad.org/

Rowden, Clair ORCID: https://orcid.org/0000-0002-0148-7864 2017. 'Du grand au petit': Faust on Parisian stages in 1869. Niccolai, Michela and Rowden, Clair, eds. Musical Theatre in Europe 1830-1945, Speculum Musicae, Turnhout: Brepols,

Rowden, Clair ORCID: https://orcid.org/0000-0002-0148-7864 2017. Parodying opera in Paris: Tannhäuser on the popular stage, 1861. Kauppala, Anne, Broman-Kananen, Ulla-Britta and Hesselager, Jens, eds. Tracing Operatic and Theatrical Performances in the Long 19th Century: Practices, Performers, Peripheries, DocMus Research Publications, Helsinki: Sibelius Academy, pp. 43-82.

Niccolai, Michela and Rowden, Clair ORCID: https://orcid.org/0000-0002-0148-7864, eds. 2017. Musical theatre in Europe 1830-1945. Turnhout: Brepols.

Rowden, Clair ORCID: https://orcid.org/0000-0002-0148-7864 and Niccolai, Michela 2017. Introduction. Rowden, Clair and Niccolai, Michela, eds. Musical Theatre in Europe 1830-1945, Brepols,

Rowden, Clair ORCID: https://orcid.org/0000-0002-0148-7864 2016. Bizet. By Hugh Macdonald. The Bizet Catalogue. By Hugh Macdonald [Review]. Music and Letters 97 (2) , pp. 355-356. 10.1093/ml/gcw024

Rowden, Clair ORCID: https://orcid.org/0000-0002-0148-7864 2016. In the power of Venus, yet in union with Christ: Jules Massenet’s ‘comédie lyrique’ Thaïs’, Salzburger Festspiele programme (Austria) [Programme note]. Salzburger Festspiele programme.

Rowden, Clair Sophie ORCID: https://orcid.org/0000-0002-0148-7864 2015. Loie Fuller and Salome: The unveiling of a myth. Lee, Hyunseon and Segal, Naomi, eds. Opera, Exoticism and Visual Culture, Cultural Interactions: Studies in the Relationship between the Arts, vol. 34. Peter Lang, pp. 93-110.

Rowden, Clair ORCID: https://orcid.org/0000-0002-0148-7864 2015. ‘From the fairground to the heights of French art : Opéra comiqueand Le Pré aux clercs’, 64th Wexford Festival Opera 2015 Season programme [Programme notes]. 64th Wexford Festival Opera 2015 Season programme.

Rowden, Clair Sophie ORCID: https://orcid.org/0000-0002-0148-7864 2014. 'Thais': adaptation, degeneration and intermediality. Dix-Neuf 18 (2) , pp. 134-149. 10.1179/1478731814Z.00000000049

Rowden, Clair Sophie ORCID: https://orcid.org/0000-0002-0148-7864 2014. La Dramaturgie de Gustave Charpentier. By Michela Niccolai. Music and Letters 95 (2) , pp. 299-302. 10.1093/ml/gcu025

Bizet, George 2014. Carmen. [Musical Score: Vocal Score]. Edited by Langham Smith, R. and Rowden, Clair Sophie ORCID: https://orcid.org/0000-0002-0148-7864. London: Edition Peters.

Rowden, Clair Sophie ORCID: https://orcid.org/0000-0002-0148-7864 2014. The other 'Salome'. Opera , pp. 1234-1241.

Rowden, Clair Sophie ORCID: https://orcid.org/0000-0002-0148-7864 2014. Memorialisation, commemoration et commercialisation: Massenet et la caricature. Branger, Jean-Christophe and Giroud, Vincent, eds. Massenet aujourd’hui : Héritage et postérité, Publications de l'Universite de Saint-Etienne, pp. 39-64.

Rowden, Clair Sophie ORCID: https://orcid.org/0000-0002-0148-7864 2014. Wilde's 'Salome': a very modern French affair. Wexford Festival Opera.

Rowden, Clair Sophie ORCID: https://orcid.org/0000-0002-0148-7864 2013. Whose/who's Salome? Natalia Trouhanowa, a dancing diva. Rowden, Clair Sophie, ed. Performing Salome, Revealing Stories, Ashgate Interdisciplinary Studies in Opera, Aldershot: Ashgate, pp. 71-98.

Rowden, Clair Sophie ORCID: https://orcid.org/0000-0002-0148-7864 2013. Introduction. Rowden, Clair Sophie, ed. Performing Salome, Revealing Stories, Ashgate Interdisciplinary Studies in Opera, Aldershot: Ashgate, pp. 1-14.

Rowden, Clair Sophie ORCID: https://orcid.org/0000-0002-0148-7864, ed. 2013. Performing Salome, revealing stories. Ashgate Interdisciplinary Studies in Opera, Aldershot: Ashgate.

Rowden, Clair Sophie ORCID: https://orcid.org/0000-0002-0148-7864 2013. Memorialisation, commemoration and commodification: Massenet and caricature. Cambridge Opera Journal 25 (2) , pp. 139-163. 10.1017/S0954586713000049

Rowden, Clair Sophie ORCID: https://orcid.org/0000-0002-0148-7864, Axon, Louise and Varvir Coe, Megan, eds. 2013. Salome. [Online]. Francophone Music Criticism 1789-1914. Available at: http://music.sas.ac.uk/fmc

Rowden, Clair Sophie ORCID: https://orcid.org/0000-0002-0148-7864 2013. Jann Pasler, ed., Camille Saint-Saëns and his world. Princeton and Oxford: Princeton University Press, 2012. [Book Review]. H-France Review 13 (40) , pp. 1-7.

Rowden, Clair Sophie ORCID: https://orcid.org/0000-0002-0148-7864 2013. Choral music and music making in France. Di Grazia, Donna M., ed. Nineteenth-Century Choral Music, Routledge Studies in Musical Genres, Abingdon. Oxon: Routledge, pp. 205-212.

Bizet, George 2013. Carmen. [Musical Score]. Edited by Langham Smith, R. and Rowden, Clair Sophie ORCID: https://orcid.org/0000-0002-0148-7864. Edition Peters.

Rowden, Clair Sophie ORCID: https://orcid.org/0000-0002-0148-7864 2012. The Choral Music of Félicien David, Charles Gounod, and Jules Massenet. Di Grazia, Donna M., ed. Nineteenth-Century Choral Music, Routledge Studies in Musical Genres, London: Routledge,

Rowden, Clair Sophie ORCID: https://orcid.org/0000-0002-0148-7864 2012. La Reception des Pecheurs de Perles [Programme note]. Opera Comique, Paris , pp. 71-76.

Rowden, Clair Sophie ORCID: https://orcid.org/0000-0002-0148-7864 2011. The End of the Fairytale [Programme note]. Cendrillon, London: Royal Opera House, pp. 12-19.

Moore, Rachel and Rowden, Clair Sophie ORCID: https://orcid.org/0000-0002-0148-7864, eds. 2011. Massenet, La Navarraise. Paris premiere. Dossier de presse. [Online]. Francophone Music Criticism, 1789-1914: Institute of Musical Research. Available at: http://music.sas.ac.uk/fmc/collections.html

Moore, Rachel and Rowden, Clair Sophie ORCID: https://orcid.org/0000-0002-0148-7864, eds. 2011. Mascagni, Cavalleria rusticana, Paris premiere. Dossier de presse. [Online]. Francophone Music Criticism, 1789-1914: Institute of Musical Research. Available at: http://music.sas.ac.uk/fmc/collections.html

Rowden, Clair Sophie ORCID: https://orcid.org/0000-0002-0148-7864 2011. Salome and modern opera: a Parisian perspective. Brosche, Günter, May, Jürgen, Internationale Richard Strauss-Gesellschaft, Wien and Richard Strauss-Institut, Garmisch-Partenkirchen, eds. Richard Strauss-Jahrbuch 2011: Richard Strauss im Europäischen Kontext, Tutzing: Hans Schneider, pp. 163-176.

Moore, Rachel, Hamer, Laura and Branger, Aurélie Hibberd, Sarah, Rowden, Clair Sophie ORCID: https://orcid.org/0000-0002-0148-7864 and Everist, Mark, eds. 2011. Complete criticism of Joseph d’Ortigues. [Online]. Francophone Music Criticism 1789-1914: Institute of Musical Research. Available at: http://music.sas.ac.uk/fmc/collections.html

Rowden, Clair Sophie ORCID: https://orcid.org/0000-0002-0148-7864 2011. Annegret Fauser & Mark Everist (eds.), Music, Theater, and Cultural Transfer: Paris 1830-1914 (University of Chicago Press, 2009), 439 pp. ISBN-13: 978-0-226-23926-2. [Book Review]. H: France 11 (99)

Rowden, Clair Sophie ORCID: https://orcid.org/0000-0002-0148-7864 2010. 'Les Pêcheurs' and the Parisian Press [Programme note]. Les Pêcheurs de Perles, London: Royal Opera House, pp. 27-34.

Rowden, Clair Sophie ORCID: https://orcid.org/0000-0002-0148-7864 2010. A Source of Lyricism [Programme note]. Roméo et Juliette, London: Royal Opera House, pp. 32-36.

Rowden, Clair Sophie ORCID: https://orcid.org/0000-0002-0148-7864 2010. Sentiment and Reminiscence [Programme note]. Manon, London: Royal Opera House, pp. 25-31.

Rowden, Clair Sophie ORCID: https://orcid.org/0000-0002-0148-7864 2010. Andreas Giger, Verdi and the French Aesthetic: Verse, Stanza, and Melody in Nineteenth-Century Opera (Cambridge: Cambridge University Press, 2009). x + 294pp. £52.00 [Book Review]. Nineteenth-Century Music Review 7 (2) , pp. 129-132. 10.1017/S1479409800003657

Rowden, Clair Sophie ORCID: https://orcid.org/0000-0002-0148-7864 2010. An Introduction to the Dramatic Works of Giacomo Meyerbeer: Operas, Ballets, Cantatas, Plays. By Robert Ignatius Letellier. [Book Review]. Music and Letters 91 (3) , pp. 441-444. 10.1093/ml/gcq031

Rowden, Clair Sophie ORCID: https://orcid.org/0000-0002-0148-7864 2010. Loïe Fuller et Salomé: Les drames mimés de Gabriel Pierné et de Florent Schmitt. Branger, Jean-Christophe, ed. Musique et Chorégraphie en France de Léo Delibes à Florent Schmitt, Musicologie - Cahiers de l'Esplanade, vol. 6. Saint-Etienne: Publications de l’Université de Saint-Etienne, pp. 215-259.

Rowden, Clair Sophie ORCID: https://orcid.org/0000-0002-0148-7864 2009. Alexandra Wilson, The Puccini Problem: Opera, Nationalism and Modernity (Cambridge: Cambridge University Press, 2007), ISBN 978-0-521-85688-1 (hb) [Book Review]. twentieth-century music 6 (1) , pp. 115-118. 10.1017/S1478572210000083

Rowden, Clair Sophie ORCID: https://orcid.org/0000-0002-0148-7864 2009. Opera, caricature and the unconscious: Massenet’s 'Thaïs', a case study. Music in Art: International Journal for Music Iconography XXXIV (1-2) , pp. 274-289.

Rowden, Clair Sophie ORCID: https://orcid.org/0000-0002-0148-7864 2008. Massenet and the 'Manon' score [Programme note]. Manon, London: Royal Opera House presents The Royal Ballet, pp. 19-24.

Rowden, Clair Sophie ORCID: https://orcid.org/0000-0002-0148-7864 2008. Decentralisation and regeneration at the Théâtre des Arts, Rouen, 1889-1891. Revue de Musicologie 94 (1) , pp. 139-180.

Rowden, Clair Sophie ORCID: https://orcid.org/0000-0002-0148-7864 2008. Berlioz and Debussy: Sources, Contexts and Legacies: Essays in Honour of François Lesure [Book Review]. Musicology Australia 30 (1) , pp. 141-143. 10.1080/08145857.2008.10416750

Rowden, Clair Sophie ORCID: https://orcid.org/0000-0002-0148-7864 2008. French Music Since Berlioz [Book Review]. Musicology Australia 30 (1) , pp. 135-140. 10.1080/08145857.2008.10416749

Rowden, Clair Sophie ORCID: https://orcid.org/0000-0002-0148-7864 2007. Cinderella takes a Roman holiday [programme note]. La Cenerentola, London: Royal Opera House, pp. 9-12.

Rowden, Clair Sophie ORCID: https://orcid.org/0000-0002-0148-7864 2007. Werther, La Navarraise and Verismo: A Matter of Taste. Franco - British Studies: journal of the British Institute in Paris 37 , 3 -34.

Rowden, Clair Sophie ORCID: https://orcid.org/0000-0002-0148-7864 2007. Massenet and 'Thaïs': the religious context [programme note]. Thaïs, London: Royal Opera House, pp. 29-33.

Rowden, Clair Sophie ORCID: https://orcid.org/0000-0002-0148-7864 2006. David Charlton (ed.), The Cambridge Companion to Grand Opera (Cambridge: Cambridge University Press, 2003). 496 pp. $29.99 [Book Review]. Nineteenth-Century Music Review 3 (1) , pp. 122-125. 10.1017/S1479409800000380

Rowden, Clair Sophie ORCID: https://orcid.org/0000-0002-0148-7864 2006. L'amour sacré et le sacre de l'amour: l'homme saint chez Massenet. Ramaut, Alban and Branger, Jean-Christophe, eds. Opéra et Religion sous la IIIe République, Travaux, vol. 129. Saint-Etienne: Publications de l’Université de Saint-Etienne, pp. 257-284.

Rowden, Clair Sophie ORCID: https://orcid.org/0000-0002-0148-7864 2004. 'The island’s full of noises, sounds and voices': l’écriture vocale de Thomas Adès [Programme note]. Avant-Scène Opéra: Thomas Adès 'The Tempest', vol. 222. Paris: Avant-Scène Opéra, pp. 80-83.

Rowden, Clair Sophie ORCID: https://orcid.org/0000-0002-0148-7864 2004. 'Werther' at home and abroad [programme note]. Werther, London: Royal Opera House, pp. 43-48.

Rowden, Clair Sophie ORCID: https://orcid.org/0000-0002-0148-7864 2004. Meyerbeer [Book Review]. Nineteenth-Century Music Review 1 (2) , pp. 139-141. 10.1017/S1479409800001506

Rowden, Clair Sophie ORCID: https://orcid.org/0000-0002-0148-7864 2004. Julian Rushton, The Music of Berlioz (Oxford: Oxford University Press, 2001). xv + 363pp. £50 (hb) £21.99 (pb) [Book Review]. Nineteenth-Century Music Review 1 (2) , pp. 112-115. 10.1017/S1479409800001415

Rowden, Clair Sophie ORCID: https://orcid.org/0000-0002-0148-7864 2004. Republican morality and Catholic tradition in opera: Massenet's Hérodïade and Thaïs. Etudes sur l'opéra français du XIXème siècle, vol. 6. Weinsberg: Musik-Edition Lucie Galland.

Rowden, Clair Sophie ORCID: https://orcid.org/0000-0002-0148-7864 2004. Paris – Londres : 'La Navarraise' face à la presse. Branger, Jean-Christophe and Ramaut, Alban, eds. Le Naturalisme sur la scène lyrique, Musicologie - Cahiers de L'Esplanade, vol. 3. Saint-Etienne: Publications de l’Université de Saint-Etienne, pp. 106-128.

Rowden, Clair Sophie ORCID: https://orcid.org/0000-0002-0148-7864 2003. Explosive Opera: 'La Navarraise' face à la critique londonienne [Programme note]. Avant-Scène Opéra: Massenet 'Sapho', 'La Navarraise', Paris: Avant-Scène Opéra, pp. 80-81.

Rowden, Clair Sophie ORCID: https://orcid.org/0000-0002-0148-7864 2003. Hérodiade [Dictionary entry]. Fauquet, Joël-Marie, ed. Dictionnaire de la musique en France au XIXe siècle, Paris: Fayard,

Rowden, Clair Sophie ORCID: https://orcid.org/0000-0002-0148-7864 2003. Thais [Dictionary entry]. Fauquet, Joël-Marie, ed. Dictionnaire de la musique en France au XIXe siècle, Paris: Fayard,

Rowden, Clair Sophie ORCID: https://orcid.org/0000-0002-0148-7864 2003. Cendrillon [Dictionary entry]. Fauquet, Joël-Marie, ed. Dictionnaire de la musique en France au XIXe siècle, Paris: Fayard,

Rowden, Clair Sophie ORCID: https://orcid.org/0000-0002-0148-7864 2003. Grisélidis [Dictionary entry]. Fauquet, Joël-Marie, ed. Dictionnaire de la musique en France au XIXe siècle, Paris: Fayard,

Rowden, Clair Sophie ORCID: https://orcid.org/0000-0002-0148-7864 2003. La Navarraise [Dictionary entry]. Fauquet, Joël-Marie, ed. Dictionnaire de la musique en France au XIXe siècle, Paris: Fayard,

Rowden, Clair Sophie ORCID: https://orcid.org/0000-0002-0148-7864 2003. Le Jongleur de Notre-Dame [Dictionary article]. Fauquet, Joël-Marie, ed. Dictionnaire de la musique en France au XIXe siècle, Paris: Fayard,

Rowden, Clair Sophie ORCID: https://orcid.org/0000-0002-0148-7864 2003. Chérubin [Dictionary entry]. Fauquet, Joël-Marie, ed. Dictionnaire de la musique en France au XIXe siècle, Paris: Fayard,

Rowden, Clair Sophie ORCID: https://orcid.org/0000-0002-0148-7864 2003. Review: Reading Critics Reading: Opera and Ballet Criticism in France from the Revolution to 1848 [Book Review]. Music and Letters 84 (2) , pp. 300-302. 10.1093/ml/84.2.300

Rowden, Clair Sophie ORCID: https://orcid.org/0000-0002-0148-7864 2002. 'Hérodiade': Church, State and the Feminist Movement. Presented at: Tenth International Conference on Nineteenth-Century Music, Bristol, UK, July 1998. Published in: Samson, Jim and Zon, Bennett eds. Nineteenth-Century Music: Selected Proceedings of the Tenth International Conference. London: Ashgate, pp. 250-278.

Rowden, Clair Sophie ORCID: https://orcid.org/0000-0002-0148-7864, ed. 2000. Jules Massenet, Thaïs: dossier de presse parisienne (1894). Critiques de l'opéra français du XIXe siècle, Heilbronn: Musik-Edition Lucie Galland.

Rowden, Clair Sophie ORCID: https://orcid.org/0000-0002-0148-7864 1998. 'Hérodiade': anticlerical, imperial or republican opera? British Postgraduate Musicology 2 , pp. 2-15.