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Number of items: 45.

B

Bickerton, Daniel ORCID: https://orcid.org/0000-0003-1997-5847 2020. As Alive As Ever. Daniel Bickerton.

Bickerton, Daniel ORCID: https://orcid.org/0000-0003-1997-5847 2020. Breaker of Stones. Daniel Bickerton.

Bickerton, Daniel ORCID: https://orcid.org/0000-0003-1997-5847 2020. Breaking down barriers to online music-making. Presented at: Music Mark Annual Conference, Online, 22 October 2020.

Bickerton, Daniel ORCID: https://orcid.org/0000-0003-1997-5847 2020. Call me to you: for solo oboe. Ty Cerdd.

Bickerton, Daniel ORCID: https://orcid.org/0000-0003-1997-5847 2020. Ensemble music-making: responding to the challenges of COVID-19 for performers and composers. Presented at: MusicHE 2020, Online, 3 July 2020.

Bickerton, Daniel ORCID: https://orcid.org/0000-0003-1997-5847 2020. Roots. Orchestras For All.

Bickerton, Daniel ORCID: https://orcid.org/0000-0003-1997-5847 2020. We will dance again. Cardiff University.

Bickerton, Daniel ORCID: https://orcid.org/0000-0003-1997-5847 2020. What heights of love: for violin and piano. Daniel Bickerton.

Bickerton, Daniel ORCID: https://orcid.org/0000-0003-1997-5847 2020. Wild Water. Orchestras for All.

Bickerton, Daniel ORCID: https://orcid.org/0000-0003-1997-5847 2020. Wires Crossed. Clarcon.

Bickerton, Daniel ORCID: https://orcid.org/0000-0003-1997-5847 2020. Yearning. Ty Cerdd.

Bromley, Matthew 2020. Formations – Music from rocks: New approaches to systematic composition. PhD Thesis, Cardiff University.
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C

Calo, Francesca, Steiner, Artur, Millar, Stephen ORCID: https://orcid.org/0000-0002-8247-0529 and Teasdale, Simon 2020. The impact of a community‐based music intervention on the health and well‐being of young people: A realist evaluation. Health and Social Care in the Community 28 (3) , pp. 988-997. 10.1111/hsc.12931
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Chapin, Keith ORCID: https://orcid.org/0000-0001-8220-7344 2020. Beethoven's nature: idealism and sovereignty from an ecocritical perspective. Chapin, Keith and Jones, David Wyn, eds. Beethoven Studies 4, Cambridge Composer Studies, Cambridge: Cambridge University Press, pp. 103-120.

Charuprakorn, Poumpak 2020. The use of registral spacing and rhythmic density as musical trajectories in a portfolio of original compositions - Volume 1 of 2: Portfolio of original compositions. PhD Thesis, Cardiff University.
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Charuprakorn, Poumpak 2020. The use of registral spacing and rhythmic density as musical trajectories in a portfolio of original compositions - Volume 2 of 2: Academic Commentary. PhD Thesis, Cardiff University.
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F

Faria Gomes, Pedro ORCID: https://orcid.org/0000-0001-9978-659X 2020. Pedro Faria Gomes: chamber works (Performed by Miguel Fernandes, Nancy Johnson, Saul Picado, Carla Santos and Sarah Thurlow). [CD]. 31 January 2020. ID number: 8.579029. Available at: https://www.naxos.com/catalogue/item.asp?item_code...

H

Hamilton, Kenneth ORCID: https://orcid.org/0000-0001-9831-4849 2020. Après une Lecture du Czerny? Liszt’s creative virtuosity. Doran, Robert, ed. Liszt and Virtuosity, Eastman Studies in Music, New York: University of Rochester Press, pp. 41-92. (10.2307/j.ctvxhrkq3.6)

Hamilton, Kenneth ORCID: https://orcid.org/0000-0001-9831-4849 2020. Do they still hate Horowitz?: The "last romantic" revisited. Journal of Musicological Research 39 (2-3) , pp. 246-271. 10.1080/01411896.2020.1774755
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Hamilton, Kenneth ORCID: https://orcid.org/0000-0001-9831-4849 2020. More preludes to Chopin: nocturnes, waltzes and other works. 2020.

Hillyard, Joseph 2020. Tremulous images: An original portfolio of compositions based on and informed by static visual art. PhD Thesis, Cardiff University.
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J

Jones, David Wyn ORCID: https://orcid.org/0000-0003-3185-9195 2020. Shared identities and thwarted narratives: Beethoven and the Austrian Allgemeine musikalische Zeitung, 1817-1824. Chapin, Keith and Jones, David Wyn, eds. Beethoven Studies 4, Cambridge Composer Studies, Cambridge: Cambridge University Press, pp. 166-188. (10.1017/9781108552813.009)

Jones, Nicholas ORCID: https://orcid.org/0000-0002-7098-6114 2020. Landscape and place. Jones, Nicholas and McGregor, Richard, eds. The Music of Peter Maxwell Davies, Woodbridge: Boydell & Brewer, pp. 251-302. (10.1017/9781787446823.008)

Jones, Nicholas ORCID: https://orcid.org/0000-0002-7098-6114 2020. Manchester Resonances: Peter Maxwell Davies’s Juvenilia. Presented at: 2020 North American British Music Studies Association Conference, Illinois State University [virtual conference], 21–26 July 2020.

Jones, Nicholas ORCID: https://orcid.org/0000-0002-7098-6114 and McGregor, Richard 2020. The music of Peter Maxwell Davies. Boydell & Brewer.

L

Lawford, Roderick Charles 2020. Roma as alien: Music and identity of the Roma in Romania. PhD Thesis, Cardiff University.
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Leech, Peter 2020. Gaudeamus omnes: Catholic liturgical music for St Thomas Becket in the British Isles, continental Europe and the venerable English college, Rome, c.1170-2020. Whitehead, Maurice, ed. Memory, Martyrs, and Mission: Essays to Commemorate the 850th Anniversary of the Martyrdom of St Thomas Becket (c.1118-1170), Gangemi Editore, pp. 95-128.

Long, Ashley John 2020. The creative application of extended techniques for double bass in improvisation and composition - Volume 1. PhD Thesis, Cardiff University.
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Long, Ashley John 2020. The creative application of extended techniques for double bass in improvisation and composition - Volume 2. PhD Thesis, Cardiff University.
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M

Millar, Stephen R. ORCID: https://orcid.org/0000-0002-8247-0529 2020. Sounding dissent: rebel songs, resistance, and Irish republicanism. Music and Social Justice, Ann Arbor: University of Michigan Press. 10.3998/mpub.11393212

Millar, Stephen ORCID: https://orcid.org/0000-0002-8247-0529 2020. Popular music as a weapon: Irish rebel songs and the onset of the Northern Ireland troubles. Mangaoang, Áine, O'Flynn, John and Ó Briain, Lonán, eds. Made in Ireland: Studies in Popular Music, New York: Routledge, pp. 130-141.

O

O'Connell, Joe ORCID: https://orcid.org/0000-0002-1306-8456 2020. 'Caught in a culture crossover!' Rock against racism and Alien Kulture. Arnold, Gina and McKay, George, eds. The Oxford Handbook of Punk Rock, Oxford Handbooks Online, Oxford University Press, (10.1093/oxfordhb/9780190859565.013.20)

O'Connell, John M. ORCID: https://orcid.org/0000-0002-9035-4843 2020. Sound bites: music as violence. Transposition 9 (2) 10.4000/transposition.4524
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O'Connell, John Morgan ORCID: https://orcid.org/0000-0002-9035-4843 2020. E pluribus unum. Querelles d’hymnes dans l’Empire ottoman, 1908-1918. Gradhiva 31 , pp. 56-73. 10.4000/gradhiva.4967

P

Payne, Emma 2020. The essence of femininity: The subversive potential of the music video aesthetic in perfume advertisement. Sonic Scope: New Approaches to Audiovisual Culture 10.21428/66f840a4.0cbdf606
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Power, Martin J., Widdop, Paul, Parnell, Dan, Carr, James and Millar, Stephen R. ORCID: https://orcid.org/0000-0002-8247-0529 2020. Football and politics: the politics of football. Managing Sport and Leisure 25 (1-2) , pp. 1-5. 10.1080/23750472.2020.1723437
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R

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2020. Forging identities: Latin Americans in Paris and the musical interactions of Miguel Angel Asturias and Alejo Carpentier. Huebner, Steven and Lazzaro, Federico, eds. Artistic Migration and Identity: Paris 1870-1940, Bern, New York, Oxford: Peter Lang, pp. 153-166. (10.3726/b14353)

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2020. Jolivet reassessed. Presented at: Université de Montréal Research Seminar, Université de Montréal [via Zoom], 14 October 2020.

Rowden, Clair ORCID: https://orcid.org/0000-0002-0148-7864 2020. 'Carmen' faces Paris and the provinces. Langham Smith, Richard and Rowden, Clair, eds. Carmen Abroad: Bizet's Opera on the Global Stage, Cambridge: Cambridge University Press, pp. 45-63.

Rowden, Clair ORCID: https://orcid.org/0000-0002-0148-7864 2020. Charles Gounod, Cantates et musique sacrée - Flemish Radio Choir and the Brussels Philharmonic, Hervé Niquet cond - Includes book of essays in French and English edited by Alexandre Dratwicki - Collection Prix de Rome, vol. 6 - Ediciones Singulares 1030, 2017 (2 CDs: 127 minutes). Nineteenth-Century Music Review 17 (2) , pp. 297-300. 10.1017/S1479409818000605
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Rowden, Clair ORCID: https://orcid.org/0000-0002-0148-7864 2020. Opera and parody in Paris, 1860-1900. Music and Visual Cultures, Brepols.

Rowden, Clair ORCID: https://orcid.org/0000-0002-0148-7864 2020. The sopranos, Parisian style, 1869. Opera as Institution: Networks and Professions (1730-1917), LIT Verlag, pp. 119-134.

Rowden, Clair ORCID: https://orcid.org/0000-0002-0148-7864 and Arbide, Lola San Martin 2020. Final féministe: les défis de la mise en scène au XXIème siècle. #JeSuisCarmen. Lozier, Claire and Marc, Isabelle, eds. Carmen Revisitée / Revisiter Carmen: Nouveaux Visages d'Un Mythe Transversal, Comparatisme Et Société / Comparatism and Society, Peter Lang, pp. 159-174.

S

Smith, Richard Langham and Rowden, Clair ORCID: https://orcid.org/0000-0002-0148-7864 2020. 'Carmen' at home and abroad. Carmen Abroad: Bizet's Opera on the Global Stage, Cambridge University Press, pp. 3-25.

W

Williams, Annika 2020. ‘Curious sola’s’ The solo sonata in Restoration Britain. PhD Thesis, Cardiff University.
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This list was generated on Mon Feb 10 11:29:24 2025 GMT.


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