Browse by Schools (by year)

Article

Beard, David Jason ORCID: https://orcid.org/0000-0003-3892-843X 2008. Beauty and the beast: a conversation with Sir Harrison Birtwistle. The Musical Times 149 (1902) , pp. 9-25.

Beard, David Jason ORCID: https://orcid.org/0000-0003-3892-843X 2008. Birtwistle's 'Labyrinth' [a preview of the Minotaur]? Opera 59 (4) , pp. 372-381.

Beard, David Jason ORCID: https://orcid.org/0000-0003-3892-843X 2008. A Handbook to Twentieth-Century Musical Sketches, eds Patricia Hall and Friedemann Sallis [Book Review]. twentieth-century music 5 (2) , pp. 243-251. 10.1017/S1478572209990077

Beard, David Jason ORCID: https://orcid.org/0000-0003-3892-843X and Spiric Beard, Danijela 2008. The liminality of song: illusion and reality in the films of Emir Kusturica. Texte und Töne: Zeitschrift zum Kopfschütteln 1 (1) , pp. 50-57.

Chapin, Keith ORCID: https://orcid.org/0000-0001-8220-7344 2008. Scheibe’s mistake: sublime simplicity and the criteria of classicism. Eighteenth-Century Music 5 (2) , pp. 165-177. 10.1017/S1478570608001474

Gardner, Cameron 2008. Franz Schubert (1797-1828) The Unauthorized Piano Duos. Volume 2: The Gahy Friendship. Trio in B-Flat, D. 898, Sonata in A Minor, D. 821, arranged for piano duet by Josef Von Gahy Anthony Goldstone and Caroline Clemmow, piano duet. Divine Art Record Co. 25039, 2006; 70 minutes [CD Review]. Eighteenth-Century Music 5 (1) , pp. 132-134. 10.1017/S1478570608001309

Gardner, Cameron 2008. Schubert in the European imagination: Fin-de-siècle Vienna, vol. 2 by Scott Messing [Book Review]. Eighteenth-Century Music 5 (2) , pp. 247-250. 10.1017/S1478570608001528

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2008. In Havana and Paris: The musical activities of Alejo Carpentier. Music and Letters 89 (3) , pp. 373-395. 10.1093/ml/gcn033

Rowden, Clair Sophie ORCID: https://orcid.org/0000-0002-0148-7864 2008. Berlioz and Debussy: Sources, Contexts and Legacies: Essays in Honour of François Lesure [Book Review]. Musicology Australia 30 (1) , pp. 141-143. 10.1080/08145857.2008.10416750

Rowden, Clair Sophie ORCID: https://orcid.org/0000-0002-0148-7864 2008. Decentralisation and regeneration at the Théâtre des Arts, Rouen, 1889-1891. Revue de Musicologie 94 (1) , pp. 139-180.

Rowden, Clair Sophie ORCID: https://orcid.org/0000-0002-0148-7864 2008. French Music Since Berlioz [Book Review]. Musicology Australia 30 (1) , pp. 135-140. 10.1080/08145857.2008.10416749

Book

Leech, Peter, ed. 2008. The Selosse Manuscript - Seventeenth Century Jesuit keyboard music. Launton: Edition HH.

Gloag, Kenneth 2008. Nicholas Maw: Odyssey. Landmarks in Music since 1950, Aldershot: Ashgate.

Hamilton, Kenneth ORCID: https://orcid.org/0000-0001-9831-4849 2008. After the Golden Age: Romantic pianism and modern performance. Oxford: Oxford University Press. 10.1093/acprof:oso/9780195178265.001.0001

Book Section

Beard, David Jason ORCID: https://orcid.org/0000-0003-3892-843X 2008. Opera by number [Programme Essay]. Punch & Judy, London: Royal Opera House, pp. 3-6.

Beard, David Jason ORCID: https://orcid.org/0000-0003-3892-843X 2008. An opera of sinister charms and lyrical conceits: Richard Rodney Bennett's "The Mines of Sulphhur" [Programme Essay]. Wexford Opera Festival, Wexdord Opera, pp. 50-54.

Cowgill, Rachel ORCID: https://orcid.org/0000-0002-9835-4039 and Dideriksen, Gabriella 2008. Opera Orchestras in Georgian and Early Victorian London. Jensen, Niels Martin and Piperno, Franco, eds. The Opera Orchestra in 18th- and 19th Century Europe: Vol. I: The Orchestra in Society, Musical Life in Europe, 1600-1900: Circulation, Institutions, Representation, Berlin: Berliner Wissenschafts-Verlag, pp. 259-321.

Gardner, Cameron 2008. Distancing the heroic: Schubert's Piano Sonata in D major (D. 850). Reul, Barbara M. and Bodley, Lorraine Bryne, eds. The Unknown Schubert, Ashgate, pp. 177-99.

Hamilton, Kenneth ORCID: https://orcid.org/0000-0001-9831-4849 2008. Mendelssohn and the piano. Reichwald, Siegwart, ed. Mendelssohn in Performance, Bloomington, IN: Indiana University Press, pp. 19-40.

Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818 2008. Cerddoriaeth Boblogaidd yng Nghymru ers 1945. Gwyddoniadur Cymru yr Academi Gymreig, University of Wales Press,

Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818 2008. Popular music in Wales since 1945. Davies, John, Jenkins, Nigel, Baines, Menna and Lynch, Peredur I., eds. The Welsh Academy Encyclopaedia of Wales, Cardiff: University of Wales Press,

Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818 2008. Record companies in Wales. Davies, John, Jenkins, Nigel, Baines, Menna and Lynch, Peredur I., eds. The Welsh Academy Encyclopaedia of Wales, Cardiff: University of Wales Press,

O'Connell, John Morgan ORCID: https://orcid.org/0000-0002-9035-4843 2008. War of the Waves: Cypriot Broadcasting in Great Britain. Hemetek, Ursula and Sağlam, Hande, eds. Music from Turkey in the Diaspora, Klanglese, vol. 5. Vienna: Institut für Volksmusikforschung und Ethnomusikologie, pp. 119-130.

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2008. The Works of Messiaen's Final Years. Sherlaw Johnson, Robert and Rae, Caroline, eds. Messiaen, London: Omnibus Press, pp. 196-208.

Rowden, Clair Sophie ORCID: https://orcid.org/0000-0002-0148-7864 2008. Massenet and the 'Manon' score [Programme note]. Manon, London: Royal Opera House presents The Royal Ballet, pp. 19-24.

Conference or Workshop Item

Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818 2008. The sound of San Francisco? The Grateful Dead, urban hippies and the memory of the 60s. Presented at: 29th Annual Southwest Texas Popular Culture and American Culture Association, Albuquerque, NM, 13-16 February 2008.

Thesis

Green, Julian Jay 2008. Frames of reference: three late-modernist case studies in music composed after painting. PhD Thesis, Cardiff University.

Composition

Bickerton, Daniel ORCID: https://orcid.org/0000-0003-1997-5847 2008. The Court Jester. Daniel Bickerton.

Bickerton, Daniel ORCID: https://orcid.org/0000-0003-1997-5847 2008. A Suite of Eastern Expression. Daniel Bickerton.

Faria Gomes, Pedro ORCID: https://orcid.org/0000-0001-9978-659X 2008. Drive. [Score]. Pedro Faria Gomes.

Faria Gomes, Pedro ORCID: https://orcid.org/0000-0001-9978-659X 2008. Epigrama. [Score]. Pedro Faria Gomes.

Faria Gomes, Pedro ORCID: https://orcid.org/0000-0001-9978-659X 2008. Thanatos. [Score]. Pedro Faria Gomes.

Faria Gomes, Pedro ORCID: https://orcid.org/0000-0001-9978-659X and Costa, Luiz 2008. Poema. [Score]. AvA Musical Editions.

Fokkens, Robert ORCID: https://orcid.org/0000-0003-4645-0616 2008. Cycling to Langa (for alto/bass quarter-tone flutes and electronics). [Score and performance]. Composer.

Fokkens, Robert ORCID: https://orcid.org/0000-0003-4645-0616 2008. "Tracing Lines" for violin and cello. [Score and performance]. Composer.

Sierra, Arlene Elizabeth ORCID: https://orcid.org/0000-0003-3067-7533 2008. Colmena. [Score]. Cecilian Music.

Sierra, Arlene Elizabeth ORCID: https://orcid.org/0000-0003-3067-7533 2008. Hearing things. [Score]. Cecilian Music.

Other

Jones, Nicholas ORCID: https://orcid.org/0000-0002-7098-6114 2008. Madonna as pop diva [Chapter in Book 1 of AA100 The Arts Past and Present]. The Open University.

Jones, Nicholas ORCID: https://orcid.org/0000-0002-7098-6114 2008. Seaside music: The Beach Boys and The Who [Chapter in Book 4 of AA100 The Arts Past and Present]. The Open University.