Cardiff University | Prifysgol Caerdydd ORCA
Online Research @ Cardiff 
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Group by: Creators | Item Type | No Grouping
Number of items: 36.


Cenciarelli, Carlo ORCID: 2016. The limits of operatic deadness. Cambridge Opera Journal 28 (2) , pp. 221-226. 10.1017/S0954586716000276

Chapin, Keith ORCID: 2016. The Secular Commedia: Comic Mimesis in Late Eighteenth-Century Music.By Wye Jamison Allanbrook [Book Review]. Music and Letters 97 (1) , pp. 165-167. 10.1093/ml/gcv111

Leech, Peter 2016. Prince, priest and patron: Cardinal Henry Benedict Stuart and musical patronage in eighteenth-century Rome. Society for Eighteenth-century Music Newsletter 27 , 1, 11-12.

Leech, Peter 2016. Richard Dering, Motets and Anthems, Jonathan P. Wainwright. Music Britannica, 98 (Stainer & Bell), London, 2015.[Book Review]. Music and Letters 97 (2) , pp. 329-332. 10.1093/ml/gcw039

Leech, Peter and Whitehead, Maurice 2016. Clamores omnino atque admirationes excitant: New light on music and musicians at St Omers English Jesuit College, 1658-1714. Tijdschrift van de Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis LXVI (1) , pp. 123-148.

Millar, Stephen R. ORCID: 2016. Irish Republican music and (post)colonial schizophrenia. Popular Music and Society 40 (1) , pp. 75-88. 10.1080/03007766.2016.1229098

Millar, Stephen R. ORCID: 2016. Let the people sing? Irish rebel songs, sectarianism, and Scotland's Offensive Behaviour Act. Popular Music 35 (3) , pp. 297-319. 10.1017/S0261143016000519

Millar, Stephen ORCID: 2016. Kate Horgan.The Politics of Songs in Eighteen-Century Britain, 1723-1795. Poetry and Song in the Age of Revolution Number 4 [Book Review]. Blake: An Illustrated Quarterly 50 (1)

Rowden, Clair ORCID: 2016. Bizet. By Hugh Macdonald. The Bizet Catalogue. By Hugh Macdonald [Review]. Music and Letters 97 (2) , pp. 355-356. 10.1093/ml/gcw024


Beard, David Jason ORCID: and Gloag, Kenneth 2016. Musicology: the key concepts. 2nd edition. Routledge.

Hill, Sarah ORCID: 2016. San Francisco and the long 60s. London: Bloomsbury Academic.

Jones, David Wyn ORCID: 2016. Music in Vienna: 1700, 1800, 1900. Woodbridge: The Boydell Press.

Book Section

Gardner, Cameron 2016. (Re-)Theorising Schubert's 'Reliquie': precedents, the 'Great' Symphony, and narrative. Bryne Bodley, Lorraine and Horton, Julian, eds. Rethinking Schubert, New York: Oxford University Press, pp. 147-172.

Hamilton, Kenneth ORCID: 2016. Mendelssohn: fantasie über "The Last Rose of Summer", op.15. Geuting, Herausgegeben von Matthias, ed. Felix Mendelssohn Bartholdy. Interpretationen seiner Werke, Laaber Verlag,

Jones, Nicholas ORCID: and Warnaby, John 2016. Davies, Peter Maxwell. Oxford Music Online, Oxford: Oxford University Press,

Palidda, Alessandra 2016. Milan and the music of political transitions in the Napoleonic period: the case of Ambrogio Minoja (1752-1825). Jardin, Etienne, ed. Music and War in Europe from the French Revolution to WWI, Brepols, pp. 105-120.

Rae, Caroline ORCID: 2016. Henri Dutilleux and the power of enchantment. BBC Proms 2016: The Official Guide, BBC Proms Guides, London: BBC, pp. 54-57.

Conference or Workshop Item

Hill, Sarah ORCID: 2016. 'An Enticing Experience': Women Listening to Prog. Presented at: Second International Conference of the Progect Network for the Study of Progressive Rock, University of Edinburgh, May 2016.

O'Connell, Joseph ORCID: 2016. 'Practical Dreamers': Red wedge and the British State. Presented at: Music, Political Activism and the State, University of Southampton, 13 April 2016. -.

Rae, Caroline ORCID: 2016. Celebrating the Dutilleux centenary. Presented at: International Dutilleux Symposium, Cardiff University, Cardiff, UK, 28 January 2016.

Rae, Caroline ORCID: 2016. Innovation and invention in Ohana’s Si le jour paraît for 10-string guitar. Presented at: International Guitar Research Conference (IGRC), University of Surrey, 18-23 March 2016.

Rae, Caroline ORCID: 2016. Musical revolutions: The promotion of new music in Machado’s Cuba. Presented at: Music and Nation 1918-1945 – Europe-Americas (II), Royal Northern College of Music, Manchester, UK, 23-24 November 2016.


Cox, Owen 2016. The interpretation of unusual dynamic markings in Beethoven’s string quartet in Bb Major, Op. 130: a study of selected twentieth-century recordings. PhD Thesis, Cardiff University.
Item availability restricted.

Hughes, Gareth Olubunmi 2016. A portfolio of acoustic/electroacoustic music compositions & computer algorithms that investigate the development of polymodality, polyharmony, chromaticism & extended timbre in my musical language. PhD Thesis, Cardiff University.
Item availability restricted.

Llewelyn-Jones, Iwan 2016. Studies in pianistic sonority, nuance and expression: French performance practices in the piano works of Maurice Ravel. PhD Thesis, Cardiff University.
Item availability restricted.


Hamilton, Kenneth ORCID: 2016. Kenneth Hamilton plays Ronald Stevenson, Volume 1. 2016.

Leech, Peter 2016. The Cardinal King - Music for Henry Benedict Stuart in Rome, 1740-91. [CD]. 2016. ID number: TOCC 0300.


Bickerton, Daniel ORCID: 2016. #CONNECT. Daniel Bickerton.

Bickerton, Daniel ORCID: 2016. Even though it's breaking, imagine! [Score].

Faria Gomes, Pedro ORCID: 2016. ELA. [Score]. Pedro Faria Gomes.

Faria Gomes, Pedro ORCID: 2016. Pinguins. [Score]. Pedro Faria Gomes.

Fokkens, Rob ORCID: 2016. On quietude and dancing.

Fokkens, Robert ORCID: 2016. Reaching, falling.

Fokkens, Robert ORCID: 2016. Two songs.

Sierra, Arlene Elizabeth ORCID: 2016. Ritual in transfigured time. [Score]. Cecilian Music.


Rowden, Clair ORCID: 2016. In the power of Venus, yet in union with Christ: Jules Massenet’s ‘comédie lyrique’ Thaïs’, Salzburger Festspiele programme (Austria) [Programme note]. Salzburger Festspiele programme.

This list was generated on Sat Jun 15 20:05:17 2024 BST.