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Group by: Creators | Item Type | No Grouping
Number of items: 37.


Cenciarelli, Carlo 2016. The limits of operatic deadness. Cambridge Opera Journal 28 (2) , pp. 221-226. 10.1017/S0954586716000276

Chapin, Keith 2016. The Secular Commedia: Comic Mimesis in Late Eighteenth-Century Music.By Wye Jamison Allanbrook [Book Review]. Music and Letters 97 (1) , pp. 165-167. 10.1093/ml/gcv111

Leech, Peter 2016. Prince, priest and patron: Cardinal Henry Benedict Stuart and musical patronage in eighteenth-century Rome. Society for Eighteenth-century Music Newsletter 27 , 1, 11-12.

Leech, Peter 2016. Richard Dering, Motets and Anthems, Jonathan P. Wainwright. Music Britannica, 98 (Stainer & Bell), London, 2015.[Book Review]. Music and Letters 97 (2) , pp. 329-332. 10.1093/ml/gcw039

Leech, Peter and Whitehead, Maurice 2016. Clamores omnino atque admirationes excitant: New light on music and musicians at St Omers English Jesuit College, 1658-1714. Tijdschrift van de Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis LXVI (1) , pp. 123-148.

Millar, Stephen 2016. Kate Horgan.The Politics of Songs in Eighteen-Century Britain, 1723-1795. Poetry and Song in the Age of Revolution Number 4 [Book Review]. Blake: An Illustrated Quarterly 50 (1)

Millar, Stephen R. 2016. Irish Republican music and (post)colonial schizophrenia. Popular Music and Society 40 (1) , pp. 75-88. 10.1080/03007766.2016.1229098

Millar, Stephen R. 2016. Let the people sing? Irish rebel songs, sectarianism, and Scotland's Offensive Behaviour Act. Popular Music 35 (3) , pp. 297-319. 10.1017/S0261143016000519

Rowden, Clair 2016. Bizet. By Hugh Macdonald. The Bizet Catalogue. By Hugh Macdonald [Review]. Music and Letters 97 (2) , pp. 355-356. 10.1093/ml/gcw024


Beard, David Jason and Gloag, Kenneth 2016. Musicology: the key concepts. 2nd edition. Routledge.

Hill, Sarah 2016. San Francisco and the long 60s. London: Bloomsbury Academic.

Jones, David Wyn 2016. Music in Vienna: 1700, 1800, 1900. Woodbridge: The Boydell Press.

Book Section

Barlow, Rachelle Louise 2016. Land of my mothers? Clara Novello Davies as 'Mam' and musician. In: Hartmann, Martha Joy Rose and Ross, Lynda eds. Music and Motherhood, Demeter Press,

Gardner, Cameron 2016. (Re-)Theorising Schubert's 'Reliquie': precedents, the 'Great' Symphony, and narrative. In: Bryne Bodley, Lorraine and Horton, Julian eds. Rethinking Schubert, New York: Oxford University Press, pp. 147-172.

Hamilton, Kenneth 2016. Mendelssohn: fantasie über "The Last Rose of Summer", op.15. In: Geuting, Herausgegeben von Matthias ed. Felix Mendelssohn Bartholdy. Interpretationen seiner Werke, Laaber Verlag,

Jones, Nicholas and Warnaby, John 2016. Davies, Peter Maxwell. Oxford Music Online, Oxford: Oxford University Press,

Palidda, Alessandra 2016. Milan and the music of political transitions in the Napoleonic period: the case of Ambrogio Minoja (1752-1825). In: Jardin, Etienne ed. Music and War in Europe from the French Revolution to WWI, Brepols, pp. 105-120.

Rae, Caroline 2016. Henri Dutilleux and the power of enchantment. BBC Proms 2016: The Official Guide, BBC Proms Guides, London: BBC, pp. 54-57.

Conference or Workshop Item

Hill, Sarah 2016. 'An Enticing Experience': Women Listening to Prog. Presented at: Second International Conference of the Progect Network for the Study of Progressive Rock, University of Edinburgh, May 2016.

O'Connell, Joseph 2016. 'Practical Dreamers': Red wedge and the British State. Presented at: Music, Political Activism and the State, University of Southampton, 13 April 2016. -.

Rae, Caroline 2016. Celebrating the Dutilleux centenary. Presented at: International Dutilleux Symposium, Cardiff University, Cardiff, UK, 28 January 2016.

Rae, Caroline 2016. Innovation and invention in Ohana’s Si le jour paraît for 10-string guitar. Presented at: International Guitar Research Conference (IGRC), University of Surrey, 18-23 March 2016.

Rae, Caroline 2016. Musical revolutions: The promotion of new music in Machado’s Cuba. Presented at: Music and Nation 1918-1945 – Europe-Americas (II), Royal Northern College of Music, Manchester, UK, 23-24 November 2016.


Cox, Owen 2016. The interpretation of unusual dynamic markings in Beethoven’s string quartet in Bb Major, Op. 130: a study of selected twentieth-century recordings. PhD Thesis, Cardiff University.
Item availability restricted.

Hughes, Gareth Olubunmi 2016. A portfolio of acoustic/electroacoustic music compositions & computer algorithms that investigate the development of polymodality, polyharmony, chromaticism & extended timbre in my musical language. PhD Thesis, Cardiff University.
Item availability restricted.

Llewelyn-Jones, Iwan 2016. Studies in pianistic sonority, nuance and expression: French performance practices in the piano works of Maurice Ravel. PhD Thesis, Cardiff University.
Item availability restricted.


Hamilton, Kenneth 2016. Kenneth Hamilton plays Ronald Stevenson, Volume 1. 2016.

Leech, Peter 2016. The Cardinal King - Music for Henry Benedict Stuart in Rome, 1740-91. [CD]. 2016. ID number: TOCC 0300.


Bickerton, Daniel 2016. #CONNECT. Daniel Bickerton.

Bickerton, Daniel 2016. Even though it's breaking, imagine! [Score].

Faria Gomes, Pedro 2016. ELA. [Score]. Pedro Faria Gomes.

Faria Gomes, Pedro 2016. Pinguins. [Score]. Pedro Faria Gomes.

Fokkens, Rob 2016. On quietude and dancing.

Fokkens, Robert 2016. Reaching, falling.

Fokkens, Robert 2016. Two songs.

Sierra, Arlene Elizabeth 2016. Ritual in transfigured time. [Score]. Cecilian Music.


Rowden, Clair 2016. In the power of Venus, yet in union with Christ: Jules Massenet’s ‘comédie lyrique’ Thaïs’, Salzburger Festspiele programme (Austria) [Programme note]. Salzburger Festspiele programme.

This list was generated on Tue Jan 25 08:34:34 2022 GMT.