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Number of items: 39.

B

Beard, David ORCID: https://orcid.org/0000-0003-3892-843X 2019. 'Out of the air': Judith Weir's emergence in 1970s Britain, or interpreting creative self-censorship. Music and Letters 100 (3) , pp. 481-528. 10.1093/ml/gcz002
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Beard, David ORCID: https://orcid.org/0000-0003-3892-843X 2019. Reconceptualising the performer in new music theatre: collaborations with actors, mimes and musicians. Adlington, Robert, ed. New Music Theatre in Europe: Transformations Between 1955–1975, Musical Cultures of the Twentieth Century, Abingdon and New York: Routledge, pp. 227-254. (10.4324/9780429451669-11)

Bickerton, Daniel ORCID: https://orcid.org/0000-0003-1997-5847 2019. By Gosh, By Golly. [Score]. Daniel Bickerton.

Bickerton, Daniel ORCID: https://orcid.org/0000-0003-1997-5847 2019. nighTrain. Orchestras for All.

Bickerton, Daniel ORCID: https://orcid.org/0000-0003-1997-5847 2019. Smile. Daniel Bickerton.

Boyd, Blair Elizabeth 2019. Temporal structuring in a portfolio of original compositions. Volume 2 of 2: Academic commentary. PhD Thesis, Cardiff University.
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C

Chapin, Keith ORCID: https://orcid.org/0000-0001-8220-7344 2019. Nid darbwyllo ond llesmeirio: Yr aruchel yn ei gyd-destun Cymreig. O'r Pedwar Gwynt
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Charest, Jeffrey Paul 2019. The long necked lute’s eternal return: Mythology, morphology, iconography of the Tanbūr Lute family from Ancient Mesopotamia to Ottoman Albania. PhD Thesis, Cardiff University.
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D

Davis, Benjamin 2019. ‘Performing realism’: A practice-led study of contemporary realism in the staging of opera. PhD Thesis, Cardiff University.
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H

Hamilton, Kenneth ORCID: https://orcid.org/0000-0001-9831-4849 2019. John Casken: Six Wooded Pieces (on CD Stolen Airs). [CD]. 2019.

Hamilton, Kenneth ORCID: https://orcid.org/0000-0001-9831-4849 2019. Kenneth Hamilton plays Ronald Stevenson Volume 2. [CD]. 12 July 2019. ID number: PFCD107.

Hamilton, Kenneth ORCID: https://orcid.org/0000-0001-9831-4849 2019. Kenneth Hamilton plays Ronald Stevenson, volume 2. 12 July 2019.

Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818 2019. 1968: Mythology matters. Twentieth-Century Music 16 (1) , pp. 165-168. 10.1017/S147857221900015X

J

Jassey, Victoria Rosemary 2019. Tambor reverberations: Gender, sexuality and change in Cuban Batá performance. PhD Thesis, Cardiff University.
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Jones, David ORCID: https://orcid.org/0000-0003-3185-9195 2019. Institutions. Clark, Caryl and Day-O'Connell, Sarah, eds. The Cambridge Haydn Encyclopedia, Cambridge: Cambridge University Press, pp. 167-177.

Jones, David ORCID: https://orcid.org/0000-0003-3185-9195 2019. Religious views. Keefe, Simon, ed. Mozart in Context, Composers in Context, Cambridge: Cambridge University Press, pp. 27-33.

Jones, David ORCID: https://orcid.org/0000-0003-3185-9195 2019. Vienna. Keefe, Simon, ed. Mozart in Context, Composers in Context, Cambridge: Cambridge University Press, pp. 88-96.

Jones, Nicholas ORCID: https://orcid.org/0000-0002-7098-6114 2019. Sir Peter Maxwell Davies: the man and the music. [Online]. themaxtrust.org: The Peter Maxwell Davies Trust. Available at: https://www.themaxtrust.org/about.html

L

Leech, Peter 2019. In dulci jubilo - choral music for Advent and Christmas - Harmonia Sacra. [CD]. 2019. ID number: NI 6391. Available at: https://www.wyastone.co.uk/in-dulci-jubilo-choral-...

Leech, Peter 2019. Jean-Paul Montagnier, The Polyphonic Mass in France, 1600-1780: The Evidence of the Printed Choirbooks. Cambridge: Cambridge University Press, 2017 [Book Review]. H-France 19 , pp. 1-5.

Loten, Nicola Jayne 2019. The solo sonatas of George Frideric Handel, with particular reference to the sonatas for flute and recorder. PhD Thesis, Cardiff University.
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M

Maher, Nicola 2019. The crying clarinet: Emotion and music in Parakalamos. PhD Thesis, Cardiff University.
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McReynolds, Richard 2019. An exploration of the influence of technology upon the composer’s process. PhD Thesis, Cardiff University.
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Millar, Stephen ORCID: https://orcid.org/0000-0002-8247-0529, Steiner, Artur, Caló, Francesca and Teasdale, Simon 2019. COOL Music: a ‘bottom-up’ music intervention for hard-to-reach young people in Scotland. British Journal of Music Education , pp. 1-12. 10.1017/S0265051719000226
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O

O'Connell, Joseph ORCID: https://orcid.org/0000-0002-1306-8456 2019. 'The undiluted squash of UK math rock': the performer's view of ArcTanGent festival. Riffs 3 (2)
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R

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2019. Catalysing Latin American identities: Alejo Carpentier’s music criticism as a Cuban case study. Dingle, Christopher, ed. The Cambridge History of Music Criticism, The Cambridge History of Music, Cambridge: Cambridge University Press, pp. 484-501.

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2019. Chronology of Jolivet’s life and works. Rae, Caroline, ed. André Jolivet: Music, Art and Literature, Music and Literature, Abingdon: Routledge, xxii-xxxix.

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2019. Expressing the incantatory: performing Jolivet's Cinq églogues (1967) for solo viola. Presented at: Public Research Seminar, Royal Birmingham Conservatoire, 29 October 2019.

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2019. Introduction: Jolivet in context. Rae, Caroline, ed. André Jolivet: Music, Art and Literature, Music and Literature, Abingdon: Routledge, pp. 1-12.

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2019. Jolivet and the visual arts: Interactions and influences. Rae, Caroline, ed. André Jolivet: Music, Art and Literature, Music and Literature, Abingdon and New York: Routledge, pp. 107-131.

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2019. Mussorgsky and his French compositional descendants. London: Signum Classics, SIGCD-566.

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2019. Poulenc at the BBC: composer of the month. BBC Music Magazine Novemb , pp. 66-70.

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2019. Proportioning the divine: Jolivet and the golden section. Presented at: Public Research Seminar, University of Aberdeen, 24 October 2019.

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2019. Sourcing Jolivet’s compositional aesthetic: Literary influences and his library. Rae, Caroline, ed. André Jolivet: Music, Art and Literature, Music and Literature, Abingdon: Routledge, pp. 194-213.

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264, Anderson, Julian and Potter, Caroline 2019. The incantatory and the divine: new perspectives on the music of André Jolivet. Presented at: Guildhall School of Music and Drama Research Seminar (ResearchWorks series), Guildhall School of Music and Drama, 18 November 2019.

Rowden, Clair ORCID: https://orcid.org/0000-0002-0148-7864 2019. Carmen: Life and death on stage in the 21st century. Cardiff: Welsh National Opera.

Rowden, Clair ORCID: https://orcid.org/0000-0002-0148-7864 2019. “Le Tétraque se perdait dans un rêve”: concordance between Flaubert’s Hérodias and Hérodiade by Milliet, Grémont and Massenet. Flaubert: Revue Critique et Génétique 21

S

Sierra, Arlene ORCID: https://orcid.org/0000-0003-3067-7533 2019. Studies in choreography. [Score]. Cecilian Music.

V

Villepastour, Amanda ORCID: https://orcid.org/0000-0003-1600-3313 2019. The Cuban lexicon Lucumí and African language Yorùbá: musical and historical connections. Brunn, Stanley D. and Kehrein, Roland, eds. Handbook of the Changing World Language Map, Vol. 4. Dordrecht: Springer, pp. 2575-2602. (10.1007/978-3-030-02438-3_183)

This list was generated on Thu Feb 13 11:59:00 2025 GMT.


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