| Millar, Stephen R.  ORCID: https://orcid.org/0000-0002-8247-0529, Power, Martin J., Widdop, Paul, Parnell, Daniel and Carr, James, eds.
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| Carr, James, Parnell, Daniel, Widdop, Paul, Power, Martin J. and Millar, Stephen R.  ORCID: https://orcid.org/0000-0002-8247-0529, eds.
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| Cenciarelli, Carlo  ORCID: https://orcid.org/0000-0001-7162-9509, ed.
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| Beard, David  ORCID: https://orcid.org/0000-0003-3892-843X
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      Musicology's crises of identity.
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| Bickerton, Daniel  ORCID: https://orcid.org/0000-0003-1997-5847
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      Into the rare: for two clarinets. | 
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| Bickerton, Daniel  ORCID: https://orcid.org/0000-0003-1997-5847
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      Sinuous grace: for solo piano. | 
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| Bickerton, Daniel  ORCID: https://orcid.org/0000-0003-1997-5847
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      "the women danced but the king was afraid" (2021) for baroque violin and cello. | 
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| Bray, Fleur
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      Vocal composition from a singer’s point of view.
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| Cenciarelli, Carlo  ORCID: https://orcid.org/0000-0001-7162-9509
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| Cenciarelli, Carlo  ORCID: https://orcid.org/0000-0001-7162-9509
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      The possibilities of cinematic listening - an introduction.
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| Chapin, Keith  ORCID: https://orcid.org/0000-0001-8220-7344
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      The emergence of musical romanticism.
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| Faria Gomes, Pedro  ORCID: https://orcid.org/0000-0001-9978-659X
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      Partita.
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| Faria Gomes, Pedro  ORCID: https://orcid.org/0000-0001-9978-659X
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      Suite J.
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| Faria Gomes, Pedro  ORCID: https://orcid.org/0000-0001-9978-659X
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      The Ways of Time.
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| Fokkens, Robert  ORCID: https://orcid.org/0000-0003-4645-0616
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      Pier Music.
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| Fokkens, Robert  ORCID: https://orcid.org/0000-0003-4645-0616
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| Gemolo, Matteo
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      Affect is no crime – Technical and aesthetic perspectives on the contemporary traverso repertoire.
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| Gentili, Barbara
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      The birth of 'modern' vocalism: The paradigmatic case of Enrico Caruso.
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| Gentili, Barbara 2021. The changing aesthetics of vocal registration in the age of versimo. Music and Letters 102 , pp. 54-79. 10.1093/ml/gcaa029 | 
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| Gentili, Barbara 2021. The modern soprano: Performing the Donna Nova in Early Twentieth-Century Italy. Papers of the British School at Rome 89 , pp. 365-366. 10.1017/S0068246221000179 | 
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| Hamilton, Kenneth  ORCID: https://orcid.org/0000-0001-9831-4849
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      Kenneth Hamilton plays Liszt, volume 1: Death and Transfiguration.
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      26 November 2021.
      ID number: PFCD167/168. | 
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| Hamilton, Kenneth  ORCID: https://orcid.org/0000-0001-9831-4849
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      Romantic piano encores: Grainger, Godowsky, Mendelssohn and more.
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| Jones, Nicholas  ORCID: https://orcid.org/0000-0002-7098-6114
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      Composing Cymru: Welsh identity and British art music since 1945.
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| Jones, Nicholas  ORCID: https://orcid.org/0000-0002-7098-6114
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      Incantations: early chamber works of Peter Maxwell Davies.
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| Jones, Nicholas  ORCID: https://orcid.org/0000-0002-7098-6114
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      Peter Maxwell Davies’s The Doctor of Myddfai: Using the sketches and other primary source material to unveil the creative process.
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| Millar, Stephen R.  ORCID: https://orcid.org/0000-0002-8247-0529, Power, Martin J., Parnell, Daniel, Widdop, Paul and Carr, James
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| Millar, Stephen  ORCID: https://orcid.org/0000-0002-8247-0529 and Chatzipanagiotidou, Evropi
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      From Belfast to the Somme (and back again): loyalist paramilitaries, political song, and reverberations of violence.
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| O'Connell, John M.  ORCID: https://orcid.org/0000-0002-9035-4843
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| O'Connell, John Morgan  ORCID: https://orcid.org/0000-0002-9035-4843
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      Conflict after conflict: music in the memorialisation of the Gallipoli Campaign.
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      10.1080/17411912.2021.1957700   | 
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| O'Connell, John  ORCID: https://orcid.org/0000-0002-9035-4843
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      Sir William Jones: Welsh Orientalist and comparative Musicologist.
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| Sierra, Arlene  ORCID: https://orcid.org/0000-0003-3067-7533
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| Villepastour, Amanda V.  ORCID: https://orcid.org/0000-0003-1600-3313
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      The legacy of Ortiz’s Yorubization of Lucumí: translation as transculturation.
      HAU: Journal of Ethnographic Theory
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      10.1086/714380   | 
|  |