Gentili, Barbara
2021.
The birth of 'modern' vocalism: The paradigmatic case of Enrico Caruso.
Journal of the Royal Musical Association
146
(2)
, pp. 425-453.
10.1017/rma.2021.11
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| Gentili, Barbara 2021. The changing aesthetics of vocal registration in the age of versimo. Music and Letters 102 , pp. 54-79. 10.1093/ml/gcaa029 |
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| Gentili, Barbara 2021. The modern soprano: Performing the Donna Nova in Early Twentieth-Century Italy. Papers of the British School at Rome 89 , pp. 365-366. 10.1017/S0068246221000179 |
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Millar, Stephen ORCID: https://orcid.org/0000-0002-8247-0529 and Chatzipanagiotidou, Evropi
2021.
From Belfast to the Somme (and back again): loyalist paramilitaries, political song, and reverberations of violence.
Ethnomusicology Forum
30
(2)
, pp. 246-265.
10.1080/17411912.2020.1865178
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O'Connell, John M. ORCID: https://orcid.org/0000-0002-9035-4843
2021.
Free radical: music, violence and radicalism.
Journal of Popular Music Studies
33
(1)
, pp. 155-162.
10.1525/jpms.2021.33.1.155
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O'Connell, John Morgan ORCID: https://orcid.org/0000-0002-9035-4843
2021.
Conflict after conflict: music in the memorialisation of the Gallipoli Campaign.
Ethnomusicology Forum
30
(2)
, pp. 283-301.
10.1080/17411912.2021.1957700
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Villepastour, Amanda V. ORCID: https://orcid.org/0000-0003-1600-3313
2021.
The legacy of Ortiz’s Yorubization of Lucumí: translation as transculturation.
HAU: Journal of Ethnographic Theory
11
(1)
, pp. 153-173.
10.1086/714380
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Millar, Stephen R. ORCID: https://orcid.org/0000-0002-8247-0529, Power, Martin J., Widdop, Paul, Parnell, Daniel and Carr, James, eds.
2021.
Football and popular culture: singing out from the stands.
Abingdon and New York:
Routledge.
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Carr, James, Parnell, Daniel, Widdop, Paul, Power, Martin J. and Millar, Stephen R. ORCID: https://orcid.org/0000-0002-8247-0529, eds.
2021.
Football, politics and identity.
Abingdon and New York:
Routledge.
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Cenciarelli, Carlo ORCID: https://orcid.org/0000-0001-7162-9509, ed.
2021.
The Oxford handbook of cinematic listening.
Oxford Handbooks,
Oxford:
Oxford University Press.
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Beard, David ORCID: https://orcid.org/0000-0003-3892-843X
2021.
Musicology's crises of identity.
Radovanovic, Bojana, Bralovic, Milos, Radivojevic, Maja, Lajic Mihajlovic, Danka and Medic, Ivana, eds.
Shaping the Present through the Future: Musicology, Ethnomusicology, and Contemporaneity,
Institute of Musicology SASA,
pp. 13-36.
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Cenciarelli, Carlo ORCID: https://orcid.org/0000-0001-7162-9509
2021.
iPod listening as an I-voice: solitary listeners and imagined interlocutors across cinema and personal stereos.
Cenciarelli, Carlo, ed.
The Oxford Handbook of Cinematic Listening,
Oxford Handbooks,
Oxford:
Oxford University Press,
pp. 669-689.
(10.1093/oxfordhb/9780190853617.013.35)
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Cenciarelli, Carlo ORCID: https://orcid.org/0000-0001-7162-9509
2021.
The possibilities of cinematic listening - an introduction.
Cenciarelli, Carlo, ed.
The Oxford Handbook of Cinematic Listening,
Oxford University Press,
pp. 1-26.
(10.1093/oxfordhb/9780190853617.013.1)
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Chapin, Keith ORCID: https://orcid.org/0000-0001-8220-7344
2021.
The emergence of musical romanticism.
Taylor, Benedict, ed.
The Cambridge Companion to Music and Romanticism,
Cambridge Companions to Music,
Cambridge University Press,
pp. 17-34.
(10.1017/9781108647342.004)
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Millar, Stephen R. ORCID: https://orcid.org/0000-0002-8247-0529, Power, Martin J., Parnell, Daniel, Widdop, Paul and Carr, James
2021.
Football and popular culture [Introduction].
Football and Popular Culture: Singing Out from the Stands,
Routledge,
pp. 1-8.
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O'Connell, John ORCID: https://orcid.org/0000-0002-9035-4843
2021.
Sir William Jones: Welsh Orientalist and comparative Musicologist.
Morgan, William J, Bowie, Fiona and O'Connell, John, eds.
Social Anthropologies of the Welsh: Past and Present,
The Royal Anthropological Institute's Country Series,
Sean Kingston Publishing,
pp. 56-79.
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Jones, Nicholas ORCID: https://orcid.org/0000-0002-7098-6114
2021.
Composing Cymru: Welsh identity and British art music since 1945.
Presented at: John Bird Research Lectures 2021-22,
School of Music, Cardiff University,
13 October 2021.
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Jones, Nicholas ORCID: https://orcid.org/0000-0002-7098-6114
2021.
Peter Maxwell Davies’s The Doctor of Myddfai: Using the sketches and other primary source material to unveil the creative process.
Presented at: Peter Maxwell Davies Research Network Friday Forum,
Online,
12 November 2021.
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Bray, Fleur
2021.
Vocal composition from a singer’s point of view.
PhD Thesis,
Cardiff University.
Item availability restricted. |
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Gemolo, Matteo
2021.
Affect is no crime – Technical and aesthetic perspectives on the contemporary traverso repertoire.
PhD Thesis,
Cardiff University.
Item availability restricted. |
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Hamilton, Kenneth ORCID: https://orcid.org/0000-0001-9831-4849
2021.
Kenneth Hamilton plays Liszt, volume 1: Death and Transfiguration.
[Audio CD].
26 November 2021.
ID number: PFCD167/168.
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Hamilton, Kenneth ORCID: https://orcid.org/0000-0001-9831-4849
2021.
Romantic piano encores: Grainger, Godowsky, Mendelssohn and more.
[Audio CD and Online Recording].
28 May 2021.
ID number: PFCD160.
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Bickerton, Daniel ORCID: https://orcid.org/0000-0003-1997-5847
2021.
Into the rare: for two clarinets.
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Bickerton, Daniel ORCID: https://orcid.org/0000-0003-1997-5847
2021.
Sinuous grace: for solo piano.
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Bickerton, Daniel ORCID: https://orcid.org/0000-0003-1997-5847
2021.
"the women danced but the king was afraid" (2021) for baroque violin and cello.
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Faria Gomes, Pedro ORCID: https://orcid.org/0000-0001-9978-659X
2021.
Partita.
[Score].
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Faria Gomes, Pedro ORCID: https://orcid.org/0000-0001-9978-659X
2021.
Suite J.
[Score].
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Faria Gomes, Pedro ORCID: https://orcid.org/0000-0001-9978-659X
2021.
The Ways of Time.
[Score].
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Fokkens, Robert ORCID: https://orcid.org/0000-0003-4645-0616
2021.
Pier Music.
[Multiple performances (including live stream of premiere on Youtube) and Printed Score].
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Fokkens, Robert ORCID: https://orcid.org/0000-0003-4645-0616
2021.
Bhekizizwe.
[Score].
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Sierra, Arlene ORCID: https://orcid.org/0000-0003-3067-7533
2021.
Bird Symphony.
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Jones, Nicholas ORCID: https://orcid.org/0000-0002-7098-6114
2021.
Incantations: early chamber works of Peter Maxwell Davies.
Performed at Unmasking Max: Peter Maxwell Davies Study Day
[School of Music, Cardiff University,
4 December 2021].
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