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Number of items: 29.

B

Beard, David ORCID: https://orcid.org/0000-0003-3892-843X 2021. Musicology's crises of identity. Radovanovic, Bojana, Bralovic, Milos, Radivojevic, Maja, Lajic Mihajlovic, Danka and Medic, Ivana, eds. Shaping the Present through the Future: Musicology, Ethnomusicology, and Contemporaneity, Institute of Musicology SASA, pp. 13-36.

Bickerton, Daniel ORCID: https://orcid.org/0000-0003-1997-5847 2021. Into the rare: for two clarinets. Daniel Bickerton.

Bickerton, Daniel ORCID: https://orcid.org/0000-0003-1997-5847 2021. Sinuous grace: for solo piano. Daniel Bickerton.

Bickerton, Daniel ORCID: https://orcid.org/0000-0003-1997-5847 2021. "the women danced but the king was afraid" (2021) for baroque violin and cello. Daniel Bickerton.

Bray, Fleur 2021. Vocal composition from a singer’s point of view. PhD Thesis, Cardiff University.
Item availability restricted.
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C

Cenciarelli, Carlo ORCID: https://orcid.org/0000-0001-7162-9509 2021. iPod listening as an I-voice: solitary listeners and imagined interlocutors across cinema and personal stereos. Cenciarelli, Carlo, ed. The Oxford Handbook of Cinematic Listening, Oxford Handbooks, Oxford: Oxford University Press, pp. 669-689. (10.1093/oxfordhb/9780190853617.013.35)
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Cenciarelli, Carlo ORCID: https://orcid.org/0000-0001-7162-9509 2021. The possibilities of cinematic listening - an introduction. Cenciarelli, Carlo, ed. The Oxford Handbook of Cinematic Listening, Oxford University Press, pp. 1-26. (10.1093/oxfordhb/9780190853617.013.1)
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Chapin, Keith ORCID: https://orcid.org/0000-0001-8220-7344 2021. The emergence of musical romanticism. Taylor, Benedict, ed. The Cambridge Companion to Music and Romanticism, Cambridge Companions to Music, Cambridge University Press, pp. 17-34. (10.1017/9781108647342.004)

F

Faria Gomes, Pedro ORCID: https://orcid.org/0000-0001-9978-659X 2021. Partita. [Score]. Pedro Faria Gomes.

Faria Gomes, Pedro ORCID: https://orcid.org/0000-0001-9978-659X 2021. Suite J. [Score]. Pedro Faria Gomes.

Faria Gomes, Pedro ORCID: https://orcid.org/0000-0001-9978-659X 2021. The Ways of Time. [Score]. Pedro Faria Gomes.

Fokkens, Robert ORCID: https://orcid.org/0000-0003-4645-0616 2021. Bhekizizwe. [Score]. Composers Edition.

G

Gemolo, Matteo 2021. Affect is no crime – Technical and aesthetic perspectives on the contemporary traverso repertoire. PhD Thesis, Cardiff University.
Item availability restricted.
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Gentili, Barbara 2021. The birth of 'modern' vocalism: The paradigmatic case of Enrico Caruso. Journal of the Royal Musical Association 146 (2) , pp. 425-453. 10.1017/rma.2021.11
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Gentili, Barbara 2021. The changing aesthetics of vocal registration in the age of versimo. Music and Letters 102 , pp. 54-79. 10.1093/ml/gcaa029
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Gentili, Barbara 2021. The modern soprano: Performing the Donna Nova in Early Twentieth-Century Italy. Papers of the British School at Rome 89 , pp. 365-366. 10.1017/S0068246221000179

H

Hamilton, Kenneth ORCID: https://orcid.org/0000-0001-9831-4849 2021. Kenneth Hamilton plays Liszt, volume 1: Death and Transfiguration. [Audio CD]. 26 November 2021. ID number: PFCD167/168.

Hamilton, Kenneth ORCID: https://orcid.org/0000-0001-9831-4849 2021. Romantic piano encores: Grainger, Godowsky, Mendelssohn and more. [Audio CD and Online Recording]. 28 May 2021. ID number: PFCD160.

J

Jones, Nicholas ORCID: https://orcid.org/0000-0002-7098-6114 2021. Composing Cymru: Welsh identity and British art music since 1945. Presented at: John Bird Research Lectures 2021-22, School of Music, Cardiff University, 13 October 2021.

Jones, Nicholas ORCID: https://orcid.org/0000-0002-7098-6114 2021. Incantations: early chamber works of Peter Maxwell Davies. Performed at Unmasking Max: Peter Maxwell Davies Study Day [School of Music, Cardiff University, 4 December 2021].
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Jones, Nicholas ORCID: https://orcid.org/0000-0002-7098-6114 2021. Peter Maxwell Davies’s The Doctor of Myddfai: Using the sketches and other primary source material to unveil the creative process. Presented at: Peter Maxwell Davies Research Network Friday Forum, Online, 12 November 2021.

M

Millar, Stephen R. ORCID: https://orcid.org/0000-0002-8247-0529, Power, Martin J., Parnell, Daniel, Widdop, Paul and Carr, James 2021. Football and popular culture [Introduction]. Football and Popular Culture: Singing Out from the Stands, Routledge, pp. 1-8.

Millar, Stephen ORCID: https://orcid.org/0000-0002-8247-0529 and Chatzipanagiotidou, Evropi 2021. From Belfast to the Somme (and back again): loyalist paramilitaries, political song, and reverberations of violence. Ethnomusicology Forum 30 (2) , pp. 246-265. 10.1080/17411912.2020.1865178
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O

O'Connell, John M. ORCID: https://orcid.org/0000-0002-9035-4843 2021. Free radical: music, violence and radicalism. Journal of Popular Music Studies 33 (1) , pp. 155-162. 10.1525/jpms.2021.33.1.155
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O'Connell, John Morgan ORCID: https://orcid.org/0000-0002-9035-4843 2021. Conflict after conflict: music in the memorialisation of the Gallipoli Campaign. Ethnomusicology Forum 30 (2) , pp. 283-301. 10.1080/17411912.2021.1957700
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O'Connell, John ORCID: https://orcid.org/0000-0002-9035-4843 2021. Sir William Jones: Welsh Orientalist and comparative Musicologist. Morgan, William J, Bowie, Fiona and O'Connell, John, eds. Social Anthropologies of the Welsh: Past and Present, The Royal Anthropological Institute's Country Series, Sean Kingston Publishing, pp. 56-79.

R

Rowden, Clair ORCID: https://orcid.org/0000-0002-0148-7864 2021. Catholicism and moral philosophy in nineteenth-century France. Dufetel, Nicolas, ed. Religious Music in Ninteenth-Century France, Turnhout: Brepols,

S

Sierra, Arlene ORCID: https://orcid.org/0000-0003-3067-7533 2021. Bird Symphony. Cecilian Music.

V

Villepastour, Amanda V. ORCID: https://orcid.org/0000-0003-1600-3313 2021. The legacy of Ortiz’s Yorubization of Lucumí: translation as transculturation. HAU: Journal of Ethnographic Theory 11 (1) , pp. 153-173. 10.1086/714380
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This list was generated on Tue Apr 23 17:24:15 2024 BST.


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