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Number of items: 27.

B

Bennett, Emily 2022. Diagnosing Lucia: The representation of female madness in nineteenth-century Italian opera. PhD Thesis, Cardiff University.
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Bickerton, Daniel ORCID: https://orcid.org/0000-0003-1997-5847 2022. Challenging tradition: Transforming assessment in higher education music. Presented at: MusicHE Annual Conference, Online, 3 May 2022.

Bickerton, Daniel ORCID: https://orcid.org/0000-0003-1997-5847 2022. Composing music in Wales: Sound and style. Presented at: International Lecture, Jagiellonian University, Krakòw, Poland, 14 June 2022.

Bickerton, Daniel ORCID: https://orcid.org/0000-0003-1997-5847 2022. Confremant Saecula Studentum, Evans (1909) arr. Bickerton (2022). Cardiff University.

Bickerton, Daniel ORCID: https://orcid.org/0000-0003-1997-5847 2022. Consolation: for soprano saxophone and piano. Daniel Bickerton.

Bickerton, Daniel ORCID: https://orcid.org/0000-0003-1997-5847 2022. Fogbow for two pianos. Daniel Bickerton.

Bickerton, Daniel ORCID: https://orcid.org/0000-0003-1997-5847 2022. Nothing new here! Composing with counterpoint: Challenge and freedom. Presented at: International Lecture, Jagiellonian University, Krakòw, Poland, 13 June 2022.

Bickerton, Daniel ORCID: https://orcid.org/0000-0003-1997-5847 2022. Together again: for orchestra. Cardiff University.

Bickerton, Daniel ORCID: https://orcid.org/0000-0003-1997-5847 2022. Weather By Funk II (2022) for big band. Daniel Bickerton.

C

Chapin, Keith ORCID: https://orcid.org/0000-0001-8220-7344 2022. 'Heinrich Christoph Koch: Musikalisches Lexikon'. Wörner, Felix and Wald-Fuhrmann, Melanie, eds. Lexikon Schriften über Musik. Band 2: Musikästhetik in Europa und Nordamerika, Kassel and Berlin: Bärenreiter/Metzler, pp. 444-447.

F

Ferreira, Ana Beatriz 2022. The Joly Braga Santos Piano Concerto (1973) and its pivotal role in the evolution of his pianism. PhD Thesis, Cardiff University.
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H

Hamilton, Kenneth ORCID: https://orcid.org/0000-0001-9831-4849 2022. Busoni, Schoenberg et Gottfried Galston : perspectives sur la pratique d’interprétation pianistique au début du xxe siècle. Rieben, Nancy, ed. Quelles sources pour l'analyse d'un choix interprétatif ?, Chateau-Gontier: Éditions Aedam Musicae, pp. 161-189.

Hamilton, Kenneth ORCID: https://orcid.org/0000-0001-9831-4849 2022. Chopin-Liszt: Paradoxes of reception and performance history in the Polonaise op.53 and Funérailles. Samson, Jim and Chechlińska, Zofia, eds. The Integration of a Work: From Miniature to Large Scale, Warsaw: Fryderyk Chopin Institute, pp. 241-269.

Hamilton, Kenneth ORCID: https://orcid.org/0000-0001-9831-4849 2022. Do They Still Hate Horowitz? The Last Romantic Revisited. Seskir, Sezi and Kim, David Hyun-su, eds. Topics in Musical Interpretation, New York: Routledge, pp. 172-197.

J

Jones, Nicholas ORCID: https://orcid.org/0000-0002-7098-6114 2022. Art music and Welsh identity. Presented at: 58th Annual Conference of the Royal Musical Association, Durham, UK, 8-10 September 2022.

Jones, Nicholas ORCID: https://orcid.org/0000-0002-7098-6114 2022. Composing Cymru: Art music since 1940. Herbert, Trevor, Clarke, Martin V. and Barlow, Helen, eds. Cambridge History of Welsh Music, Cambridge University Press, pp. 264-290. (10.1017/9781009036511.015)

Jones, Nicholas ORCID: https://orcid.org/0000-0002-7098-6114 2022. ‘The northern night-fire calls us to our sleep’: Peter Maxwell Davies’s The Hogboon and the Dynamics of Late Style. Presented at: Music Since 1900 Twelfth Biennial International Conference, Birmingham Conservatoire, 17-20 June 2022.

K

Kouyaté, Zé Aruanã 2022. The tradition of invention: The Kamalengoni Harp in Mali and Burkina Faso. PhD Thesis, Cardiff University.
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M

McPhee, Lucy 2022. Herstory: A study into the representation of women, explored through composition. PhD Thesis, Cardiff University.
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O

O'Connell, John M. ORCID: https://orcid.org/0000-0002-9035-4843 2022. Folklore in stages: theorising tradition. O'Connell, John M., ed. Staged Folklore: The National Folk Theatre of Ireland 1968-1998, Cork: Cork University Press, pp. 81-96.

O'Connell, John M. ORCID: https://orcid.org/0000-0002-9035-4843 2022. From stage to page: Fadó Fadó and the Kerry tradition. O'Connell, John M., ed. Staged Folklore: The National Folk Theatre of Ireland 1968-1998, Cork: Cork University Press, pp. 155-170.

O'Connell, John ORCID: https://orcid.org/0000-0002-9035-4843 2022. Sik bir gazel oldu: Style and taste in Turkish classical music under Atatürk. Turkish Area Studies Review 40 , pp. 3-8.

R

Rowden, Clair ORCID: https://orcid.org/0000-0002-0148-7864 2022. Hérodias et les Salomé des scènes parisiennes. Reynaud, Cecile and Séginger, Gisele, eds. Berlioz, Flaubert et l’Orient, Paris: Le Passage, pp. 226-237.

Rowden, Clair ORCID: https://orcid.org/0000-0002-0148-7864 2022. Hugh Macdonald, Saint-Saëns and the stage: Operas, plays, pageants, a ballet and a film [Book Review]. Fontes Artis Musicae 69 (1) , pp. 59-63. 10.1353/fam.2022.0002

Rowden, Clair ORCID: https://orcid.org/0000-0002-0148-7864 2022. Stéphane Leteuré, Croquer Saint-Saëns: Une histoire de la représentation du musicien par la caricature [Book Review]. La Revue de Musicologie 108 (2) , pp. 505-507.

S

Sierra, Arlene ORCID: https://orcid.org/0000-0003-3067-7533 2022. Butterfly House. Cecilian Music.

Z

Zhuo, Yue 2022. Experiencing identity, forming poetic space: Expression and interaction in a portfolio of original compositions. PhD Thesis, Cardiff University.
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This list was generated on Tue Apr 23 17:24:19 2024 BST.


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