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Number of items: 27.

B

Beard, David Jason ORCID: https://orcid.org/0000-0003-3892-843X 2004. Britten's ambiguities; Tippett's times; Metzer's borrowings. Journal of the Royal Musical Association 129 (2) , pp. 305-323. 10.1093/jrma/129.2.305

Beard, David Jason ORCID: https://orcid.org/0000-0003-3892-843X 2004. The endless parade: competing narratives in recent Birtwistle studies. Music Analysis 23 (1) , pp. 89-127. 10.1111/j.0262-5245.2004.00196.x

Beard, David Jason ORCID: https://orcid.org/0000-0003-3892-843X 2004. Refrains and choruses [works by Davies and Birtwistle]. Bellingham, Jane, ed. Aldeburgh Music Festival 2004, Aldeburgh: Aldeburgh Productions, pp. 48-50.

Bickerton, Daniel ORCID: https://orcid.org/0000-0003-1997-5847 2004. Foreboding. Daniel Bickerton.

Bickerton, Daniel ORCID: https://orcid.org/0000-0003-1997-5847 2004. Through Their Eyes. Daniel Bickerton.

F

Faria Gomes, Pedro ORCID: https://orcid.org/0000-0001-9978-659X 2004. Cinco Canções Breves. [Score]. Pedro Faria Gomes.

H

Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818 2004. Ending it all: Genesis and Revelation. Presented at: SIMS 2004: Symposium of the International Musicological Society, Melbourne, Australia, 11-16 July 2004.

J

Jones, Nicholas ORCID: https://orcid.org/0000-0002-7098-6114 2004. Peter Maxwell Davies and sonata form. Presented at: Peter Maxwell Davies One-Day Conference, Canterbury Christ Church University, Canterbury, UK, 16 October 2004.

O

O'Connell, John Morgan ORCID: https://orcid.org/0000-0002-9035-4843 2004. Liaison officer report: Ireland. Bulletin of the International Council for Traditional Music 105 , pp. 24-27.

O'Connell, John Morgan ORCID: https://orcid.org/0000-0002-9035-4843 2004. Sustaining difference: theorizing minority musics in Badakhshan. Hemetek, Ursula, Lechleitner, Gerda, Naroditskaya, Inna and Czekanowska, Anna, eds. Manifold Identites, Cambridge Scholars Press, pp. 1-19.

O'Connell, John Morgan ORCID: https://orcid.org/0000-0002-9035-4843 2004. The tale of Crazy Harman: the musician and the concept of music in the Türkmen epic tale, Harman Däli by Sławomira Żerańska-Kominek [Book Review]. Yearbook for Traditional Music 36 , pp. 171-175.

P

Ponsford, David Stewart 2004. Charpentier's Messe pour plusieurs instruments au lieu des orgues (H513). Williams, Peter and Donati, Pier Paolo, eds. The Organ Yearbook, Vol. 33. Laabar-Verlag, pp. 63-72.

R

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2004. Alejo Carpentier and the magic of music: a Centenary retrospective. Presented at: Alejo Carpentier Centenary Lecture, Taylor Institution, Oxford University, 23 November 2004.

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2004. André Jolivet: The Erato recordings [CD booklet article]. Warner Classics.

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2004. Irish Music in the Twentieth Century [Book Review]. Music and Letters 85 (4) , pp. 666-669. 10.1093/ml/85.4.666

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2004. Lutoslawski Studies [Book Review]. Music and Letters 85 (1) , pp. 127-132. 10.1093/ml/85.1.127

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2004. Maurice Ohana and the Debussyian descendency: an exploration of the music for piano. Performed at Lecture-Recital [Elder Conservatorium University of Adelaide, 28 July 2004].

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2004. Myth and mysticism in Jolivet: musical magic realism? Cahiers rémois de musicologie 2 , pp. 139-171.

Rowden, Clair Sophie ORCID: https://orcid.org/0000-0002-0148-7864 2004. 'The island’s full of noises, sounds and voices': l’écriture vocale de Thomas Adès [Programme note]. Avant-Scène Opéra: Thomas Adès 'The Tempest', vol. 222. Paris: Avant-Scène Opéra, pp. 80-83.

Rowden, Clair Sophie ORCID: https://orcid.org/0000-0002-0148-7864 2004. Julian Rushton, The Music of Berlioz (Oxford: Oxford University Press, 2001). xv + 363pp. £50 (hb) £21.99 (pb) [Book Review]. Nineteenth-Century Music Review 1 (2) , pp. 112-115. 10.1017/S1479409800001415
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Rowden, Clair Sophie ORCID: https://orcid.org/0000-0002-0148-7864 2004. Meyerbeer [Book Review]. Nineteenth-Century Music Review 1 (2) , pp. 139-141. 10.1017/S1479409800001506
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Rowden, Clair Sophie ORCID: https://orcid.org/0000-0002-0148-7864 2004. Paris – Londres : 'La Navarraise' face à la presse. Branger, Jean-Christophe and Ramaut, Alban, eds. Le Naturalisme sur la scène lyrique, Musicologie - Cahiers de L'Esplanade, vol. 3. Saint-Etienne: Publications de l’Université de Saint-Etienne, pp. 106-128.

Rowden, Clair Sophie ORCID: https://orcid.org/0000-0002-0148-7864 2004. Republican morality and Catholic tradition in opera: Massenet's Hérodïade and Thaïs. Etudes sur l'opéra français du XIXème siècle, vol. 6. Weinsberg: Musik-Edition Lucie Galland.

Rowden, Clair Sophie ORCID: https://orcid.org/0000-0002-0148-7864 2004. 'Werther' at home and abroad [programme note]. Werther, London: Royal Opera House, pp. 43-48.

S

Sierra, Arlene Elizabeth ORCID: https://orcid.org/0000-0003-3067-7533 2004. Two Neruda odes. [Score]. Cecilian Music.

T

Tyrrell, John 2004. Janάček and programme music. Ad Parnassum 2 (3) , pp. 61-102.

W

Walsh, Stephen 2004. Mark Carroll, Music and Ideology in Cold War Europe [Book Review]. twentieth-century music 1 (2) , pp. 308-314. 10.1017/S147857220525017X
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