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Number of items: 40.

Cowgill, Rachel ORCID: https://orcid.org/0000-0002-9835-4039 and Poriss, Hilary, eds. 2012. The arts of the prima donna in the long nineteenth century. New York: Oxford University Press.

Lawson, Colin and Stowell, Robin, eds. 2012. The Cambridge history of musical performance. The Cambridge History of Music, Cambridge: Cambridge University Press.

Beard, David Jason ORCID: https://orcid.org/0000-0003-3892-843X 2012. Harrison Birtwistle's operas and music theatre. Music Since 1900, Cambridge: Cambridge University Press.

Bickerton, Daniel ORCID: https://orcid.org/0000-0003-1997-5847 2012. Blaenwern. Daniel Bickerton.

Bickerton, Daniel ORCID: https://orcid.org/0000-0003-1997-5847 2012. Garuda. Composer.
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Bickerton, Daniel ORCID: https://orcid.org/0000-0003-1997-5847 2012. Save Our Chariots. Daniel Bickerton.

Bickerton, Daniel ORCID: https://orcid.org/0000-0003-1997-5847 2012. Three Children's pieces. Daniel Bickerton.

Cenciarelli, Carlo ORCID: https://orcid.org/0000-0001-7162-9509 2012. Dr Lecter’s taste for 'Goldberg', or: the horror of Bach in the Hannibal franchise. Journal of the Royal Musical Association 137 (1) , pp. 107-134. 10.1080/02690403.2012.669929

Cowgill, Rachel ORCID: https://orcid.org/0000-0002-9835-4039 2012. 'Attitudes with a shawl': performance, femininity, and spectatorship at the Italian opera in early nineteenth-century London. Cowgill, Rachel and Poriss, Hilary, eds. The Arts of the Prima Donna in the Long Nineteenth Century, New York: Oxford University Press, pp. 217-251.

Cowgill, Rachel ORCID: https://orcid.org/0000-0002-9835-4039 2012. Performance alfresco: Music-making in English pleasure gardens. Conlin, Jonathan, ed. The Pleasure Garden: From Vauxhall to Coney Island, Penn Studies in Landscape Architecture, Philadephia, PA: University of Pennsylvania Press, pp. 100-126.

Cowgill, Rachel ORCID: https://orcid.org/0000-0002-9835-4039 and Poriss, Hilary 2012. Introduction. Cowgill, Rachel and Poriss, Hilary, eds. The Arts of the Prima Donna in the Long Nineteenth Century, New York: Oxford University Press, xxvii-xlvi.

Faria Gomes, Pedro ORCID: https://orcid.org/0000-0001-9978-659X 2012. Contraluz. [Score]. Pedro Faria Gomes.

Faria Gomes, Pedro ORCID: https://orcid.org/0000-0001-9978-659X 2012. Dual. [Score]. Pedro Faria Gomes.

Faria Gomes, Pedro ORCID: https://orcid.org/0000-0001-9978-659X 2012. Memória. [Score]. Pedro Faria Gomes.

Faria Gomes, Pedro ORCID: https://orcid.org/0000-0001-9978-659X 2012. Toys and Games. [Score]. Pedro Faria Gomes.

Fokkens, Robert ORCID: https://orcid.org/0000-0003-4645-0616 2012. "Flytrap" for SSA vocal trio. [Score (hard copy, PDF and Sibelius files) and performances]. Composer.

Fokkens, Robert ORCID: https://orcid.org/0000-0003-4645-0616 2012. Pentecost for soprano, baritone and recorders. [Score].

Gloag, Kenneth 2012. Postmodernism in music. Cambridge Introductions to Music, Cambridge: Cambridge University Press.

Hamilton, Kenneth ORCID: https://orcid.org/0000-0001-9831-4849 2012. Os alunos de Liszt tocando Liszt - o que nos dizem gravações históricas [A Dance around Liszt's Totentanz]. Presented at: GuimaraMUS – Congresso Musical de Guimarães, Guimarães, Portugal, 23-25 March 2012.

Hamilton, Kenneth ORCID: https://orcid.org/0000-0001-9831-4849 2012. The sufferings and greatness of Franz Liszt. Saffle, M., Tibbetts, J. C. and McKinney, C., eds. Liszt: A Chorus of Voices, Franz Liszt Studies, vol. 13. Hillsdale, NY: Pendragon Press, pp. 141-149.

Hill, Sarah Susan ORCID: https://orcid.org/0000-0002-6738-8818 2012. From the new Jerusalem to the secret world: Peter Gabriel and the shifting self. Drewett, Michael, Hill, Sarah Susan and Kärki, Kimi, eds. Peter Gabriel: From Genesis to Growing Up, Ashgate Popular and Folk Music Series, Farnham: Ashgate, pp. 15-30.

Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818 2012. Mapio Canu Pop Cymraeg / Mapping Welsh Pop. Presented at: 11th Conference of the Centre for Advanced Welsh Musical Studies, Aberystwyth, UK, February 2012.

Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818 2012. Minority language, majority canon. Popular Music History 7 (3) , pp. 283-300.

Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818 2012. A Night at the Avalon. Presented at: Imagining Communities Musically: Putting Popular Music in its Place: IASPM-UK/Ireland Conference, Salford, UK, 5-7 September 2012.

Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818 2012. A night at the Avalon. Presented at: Biennial IASPM-UK/Ireland conference: Imagining Communities Musically: Putting Popular Music in its Place, Salford, Manchester, UK, 5-7 September 2012.

Holden, Claire 2012. Recreating early 19th- century style in a 21st-century marketplace: An orchestral violinist’s perspective. Presented at: Institute of Musical Research DeNote Seminar, Senate House, London, 30 January 2012.
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Jones, Nicholas ORCID: https://orcid.org/0000-0002-7098-6114 2012. Being British: Issues of national identity in classical music, from Edward Elgar to Peter Maxwell Davies. Presented at: Creative Minds Festival of Ideas, Cardiff University, Cardiff, UK, 13 November 2012.

Jones, Nicholas ORCID: https://orcid.org/0000-0002-7098-6114 2012. Interlacings: Reflections on issues of autobiography in two works of Peter Maxwell Davies. Presented at: New Music in Britain, Canterbury Christ Church University, UK, 10-12 May 2012.

Lawson, Colin and Stowell, Robin 2012. The Future? Lawson, Colin and Stowell, Robin, eds. The Cambridge History of Musical Performance, The Cambridge History of Music, Cambridge: Cambridge University Press, pp. 817-833.

Leech, Peter 2012. Cherubim & seraphim - Russian Orthodox choral works from the reigns of Catherine the Great to Nicholas II. [CD]. 2012. ID number: NI 6187. Available at: https://www.wyastone.co.uk/cherubim-seraphim-russi...

Neff, Eoghan 2012. At the vanguard of antiquity: seeking the avant-garde of the Irish Fiddle in C20th performance practices. PhD Thesis, Cardiff University.
Item availability restricted.
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Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2012. Marius-François Gaillard’s Debussy: performances and recordings – controversy and legacy. Presented at: L'héritage de Claude Debussy: du rêve pour les générations futures, Université de Montréal, Canada, 29 February - 3 March 2012.

Rowden, Clair Sophie ORCID: https://orcid.org/0000-0002-0148-7864 2012. The Choral Music of Félicien David, Charles Gounod, and Jules Massenet. Di Grazia, Donna M., ed. Nineteenth-Century Choral Music, Routledge Studies in Musical Genres, London: Routledge,

Rowden, Clair Sophie ORCID: https://orcid.org/0000-0002-0148-7864 2012. La Reception des Pecheurs de Perles [Programme note]. Opera Comique, Paris , pp. 71-76.

Sierra, Arlene Elizabeth ORCID: https://orcid.org/0000-0003-3067-7533 2012. Meditation on violence. [Score]. Cecilian Music.

Sierra, Arlene Elizabeth ORCID: https://orcid.org/0000-0003-3067-7533 2012. Moler for Symphony Orchestra. [Score]. Cecilian Music.

Stowell, Robin 2012. Case study: Richard Wagner, Tristan und Isolde. Lawson, Colin and Stowell, Robin, eds. The Cambridge History of Musical Performance, The Cambridge History of Music, Cambridge: Cambridge University Press, pp. 696-722.

Stowell, Robin 2012. The Evidence. Lawson, Colin and Stowell, Robin, eds. The Cambridge History of Musical Performance, The Cambridge History of Music, Cambridge: Cambridge University Press, pp. 63-104.

Stowell, Robin 2012. Mozart’s 'Viennese' Sonatas for Keyboard and Violin according to Ferdinand David: A survey of editorial and violin performance practices. Harlow, Martin, ed. Mozart's Chamber Music with Keyboard, Cambridge: Cambridge University Press, pp. 69-103.

Villepastour, Amanda ORCID: https://orcid.org/0000-0003-1600-3313 2012. Theory of African Music by Gerhard Kubik [Book Review]. Ethnomusicology 56 (2) , pp. 334-340. 10.5406/ethnomusicology.56.2.0334

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