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Number of items: 38.

B

Beard, David Jason 2012. Harrison Birtwistle's operas and music theatre. Music Since 1900, Cambridge: Cambridge University Press.

Bickerton, Daniel 2012. Blaenwern. Daniel Bickerton.

Bickerton, Daniel 2012. Garuda. Composer.
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Bickerton, Daniel 2012. Save Our Chariots. Daniel Bickerton.

Bickerton, Daniel 2012. Three Children's pieces. Daniel Bickerton.

C

Cenciarelli, Carlo 2012. Dr Lecter’s taste for 'Goldberg', or: the horror of Bach in the Hannibal franchise. Journal of the Royal Musical Association 137 (1) , pp. 107-134. 10.1080/02690403.2012.669929

Cowgill, Rachel 2012. 'Attitudes with a shawl': performance, femininity, and spectatorship at the Italian opera in early nineteenth-century London. In: Cowgill, Rachel and Poriss, Hilary eds. The Arts of the Prima Donna in the Long Nineteenth Century, New York: Oxford University Press, pp. 217-251.

Cowgill, Rachel 2012. Performance alfresco: Music-making in English pleasure gardens. In: Conlin, Jonathan ed. The Pleasure Garden: From Vauxhall to Coney Island, Penn Studies in Landscape Architecture, Philadephia, PA: University of Pennsylvania Press, pp. 100-126.

Cowgill, Rachel and Poriss, Hilary 2012. Introduction. In: Cowgill, Rachel and Poriss, Hilary eds. The Arts of the Prima Donna in the Long Nineteenth Century, New York: Oxford University Press, xxvii-xlvi.

F

Faria Gomes, Pedro 2012. Contraluz. [Score]. Pedro Faria Gomes.

Faria Gomes, Pedro 2012. Dual. [Score]. Pedro Faria Gomes.

Faria Gomes, Pedro 2012. Memória. [Score]. Pedro Faria Gomes.

Faria Gomes, Pedro 2012. Toys and Games. [Score]. Pedro Faria Gomes.

Fokkens, Robert 2012. "Flytrap" for SSA vocal trio. [Score (hard copy, PDF and Sibelius files) and performances]. Composer.

Fokkens, Robert 2012. Pentecost for soprano, baritone and recorders. [Score].

G

Gloag, Kenneth 2012. Postmodernism in music. Cambridge Introductions to Music, Cambridge: Cambridge University Press.

H

Hamilton, Kenneth 2012. Os alunos de Liszt tocando Liszt - o que nos dizem gravações históricas [A Dance around Liszt's Totentanz]. Presented at: GuimaraMUS – Congresso Musical de Guimarães, Guimarães, Portugal, 23-25 March 2012.

Hamilton, Kenneth 2012. The sufferings and greatness of Franz Liszt. In: Saffle, M., Tibbetts, J. C. and McKinney, C. eds. Liszt: A Chorus of Voices, Franz Liszt Studies, vol. 13. Hillsdale, NY: Pendragon Press, pp. 141-149.

Hill, Sarah 2012. Mapio Canu Pop Cymraeg / Mapping Welsh Pop. Presented at: 11th Conference of the Centre for Advanced Welsh Musical Studies, Aberystwyth, UK, February 2012.

Hill, Sarah 2012. Minority language, majority canon. Popular Music History 7 (3) , pp. 283-300.

Hill, Sarah 2012. A Night at the Avalon. Presented at: Imagining Communities Musically: Putting Popular Music in its Place: IASPM-UK/Ireland Conference, Salford, UK, 5-7 September 2012.

Hill, Sarah 2012. A night at the Avalon. Presented at: Biennial IASPM-UK/Ireland conference: Imagining Communities Musically: Putting Popular Music in its Place, Salford, Manchester, UK, 5-7 September 2012.

Hill, Sarah Susan 2012. From the new Jerusalem to the secret world: Peter Gabriel and the shifting self. In: Drewett, Michael, Hill, Sarah Susan and Kärki, Kimi eds. Peter Gabriel: From Genesis to Growing Up, Ashgate Popular and Folk Music Series, Farnham: Ashgate, pp. 15-30.

Holden, Claire 2012. Recreating early 19th- century style in a 21st-century marketplace: An orchestral violinist’s perspective. Presented at: Institute of Musical Research DeNote Seminar, Senate House, London, 30 January 2012.
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J

Jones, Nicholas 2012. Being British: Issues of national identity in classical music, from Edward Elgar to Peter Maxwell Davies. Presented at: Creative Minds Festival of Ideas, Cardiff University, Cardiff, UK, 13 November 2012.

Jones, Nicholas 2012. Interlacings: Reflections on issues of autobiography in two works of Peter Maxwell Davies. Presented at: New Music in Britain, Canterbury Christ Church University, UK, 10-12 May 2012.

L

Lawson, Colin and Stowell, Robin 2012. The Future? In: Lawson, Colin and Stowell, Robin eds. The Cambridge History of Musical Performance, The Cambridge History of Music, Cambridge: Cambridge University Press, pp. 817-833.

Leech, Peter 2012. Cherubim & seraphim - Russian Orthodox choral works from the reigns of Catherine the Great to Nicholas II. [CD]. 2012. ID number: NI 6187. Available at: https://www.wyastone.co.uk/cherubim-seraphim-russi...

N

Neff, Eoghan 2012. At the vanguard of antiquity: seeking the avant-garde of the Irish Fiddle in C20th performance practices. PhD Thesis, Cardiff University.
Item availability restricted.
filefile

R

Rae, Caroline 2012. Marius-François Gaillard’s Debussy: performances and recordings – controversy and legacy. Presented at: L'héritage de Claude Debussy: du rêve pour les générations futures, Université de Montréal, Canada, 29 February - 3 March 2012.

Rowden, Clair Sophie 2012. The Choral Music of Félicien David, Charles Gounod, and Jules Massenet. In: Di Grazia, Donna M. ed. Nineteenth-Century Choral Music, Routledge Studies in Musical Genres, London: Routledge,

Rowden, Clair Sophie 2012. La Reception des Pecheurs de Perles [Programme note]. Opera Comique, Paris , pp. 71-76.

S

Sierra, Arlene Elizabeth 2012. Meditation on violence. [Score]. Cecilian Music.

Sierra, Arlene Elizabeth 2012. Moler for Symphony Orchestra. [Score]. Cecilian Music.

Stowell, Robin 2012. Case study: Richard Wagner, Tristan und Isolde. In: Lawson, Colin and Stowell, Robin eds. The Cambridge History of Musical Performance, The Cambridge History of Music, Cambridge: Cambridge University Press, pp. 696-722.

Stowell, Robin 2012. The Evidence. In: Lawson, Colin and Stowell, Robin eds. The Cambridge History of Musical Performance, The Cambridge History of Music, Cambridge: Cambridge University Press, pp. 63-104.

Stowell, Robin 2012. Mozart’s 'Viennese' Sonatas for Keyboard and Violin according to Ferdinand David: A survey of editorial and violin performance practices. In: Harlow, Martin ed. Mozart's Chamber Music with Keyboard, Cambridge: Cambridge University Press, pp. 69-103.

V

Villepastour, Amanda 2012. Theory of African Music by Gerhard Kubik [Book Review]. Ethnomusicology 56 (2) , pp. 334-340. 10.5406/ethnomusicology.56.2.0334

This list was generated on Wed Dec 1 08:23:15 2021 GMT.