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Number of items: 38.

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 and Potter, Caroline, eds. 2014. City of light: Paris 1900-1950. London: Philharmonia Orchestra, Philharmonia Limited.

Bickerton, Daniel ORCID: https://orcid.org/0000-0003-1997-5847 2014. The Cause. Daniel Bickerton.

Bickerton, Daniel ORCID: https://orcid.org/0000-0003-1997-5847 2014. Evening Dew. Daniel Bickerton.

Bickerton, Daniel ORCID: https://orcid.org/0000-0003-1997-5847 2014. Inward Thinking. Daniel Bickerton.

Bickerton, Daniel ORCID: https://orcid.org/0000-0003-1997-5847 2014. Let's Do It Again. Composer.
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Bickerton, Daniel ORCID: https://orcid.org/0000-0003-1997-5847 2014. Redux Shone Through Time. Daniel Bickerton.

Bizet, George 2014. Carmen. [Musical Score: Vocal Score]. Edited by Langham Smith, R. and Rowden, Clair Sophie ORCID: https://orcid.org/0000-0002-0148-7864. London: Edition Peters.

Cenciarelli, Carlo ORCID: https://orcid.org/0000-0001-7162-9509 2014. Lucrezia in 3D: il fallimento di critica, gli scollamenti formali e le epistemologie web della prima opera in tridimensione. Presented at: Convegno internazionale di studi: Donizetti in scena. Vedere l’opera, Bergamo, 12-14 October 2012. Published in: Fornoni, Federico ed. Donizetti in scena : attualità det testo-spettacolo : atti del Convegno internazionale, Bergamo, 12-14 ottobre 2012. Bergamo: Fondazione Donizetti,

Chapin, Keith ORCID: https://orcid.org/0000-0001-8220-7344 2014. Classicism/neo-classicism. Downes, Stephen, ed. Aesthetics of Music: Musicological Perspectives, Abingdon and New York: Routledge, pp. 144-169.

Chapin, Keith ORCID: https://orcid.org/0000-0001-8220-7344 2014. Learned style and learned styles. Mirka, Danuta, ed. The Oxford Handbook of Topic Theory, Oxford Handbooks Online, Oxford University Press, (10.1093/oxfordhb/9780199841578.013.0012)

Chapin, Keith ORCID: https://orcid.org/0000-0001-8220-7344 2014. Temporal modes and symbolic stakes: strict composition in early Nineteenth-Century Europe. Musurgia 21 (1) , pp. 29-41. 10.3917/musur.141.0029

Devaux, Vanessa 2014. Joseph Mayseder (1789-1863): A Viennese violinist and composer. PhD Thesis, Cardiff University.
Item availability restricted.
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Faria Gomes, Pedro ORCID: https://orcid.org/0000-0001-9978-659X 2014. Creating harmonic functionality in post-tonal music: a composer's perspective. Royal College of Music.

Faria Gomes, Pedro ORCID: https://orcid.org/0000-0001-9978-659X 2014. Function and meaning: the influence of Kundera's 'Ignorance' on 'Returning' for violin, clarinet and piano. Presented at: Music Literature, Historiography and Aesthetics, Institute of Musical Research, London, UK, 17-18 July 2014.

Faria Gomes, Pedro ORCID: https://orcid.org/0000-0001-9978-659X 2014. How beastly the bourgeois is. [Score]. Pedro Faria Gomes.

Fokkens, Robert ORCID: https://orcid.org/0000-0003-4645-0616 2014. Mzansi nights. [Performance AND Published score]. Composers Edition.

Fokkens, Robert ORCID: https://orcid.org/0000-0003-4645-0616 2014. Worry/Don't Worry. [Performances and Published score]. Composers Edition.

Gloag, Kenneth 2014. Jazz-avant-garde-tradition. Downes, Stephen, ed. Aesthetics of Music: Musicological Perspectives, London: Routledge, pp. 188-202.

Hamilton, Kenneth ORCID: https://orcid.org/0000-0001-9831-4849 2014. "Nach persönlichen Erinnerungen": Liszt's long-ignored legacy to his students. Deaville, James and Saffle, Michael, eds. Liszt's Legacies, Franz Liszt Studies, Hillsdale, NY: Pendragon Press, pp. 83-96.

Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818 2014. Psychedelic aesthetic and progressive impulse: A Tale of Two Cities. Presented at: First International Conference of the ACADPROG Network, Dijon, France, 10-12 December 2014.

Kostka, Magdalena 2014. Sonatas for violin and basso continuo written by British composers in the first half of the eighteenth century. PhD Thesis, Cardiff University.
Item availability restricted.
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Leech, Peter 2014. Princely splendour - choral works from 18th century Rome. [CD]. 2014. ID number: NI 6273. Available at: https://www.wyastone.co.uk/princely-splendour-chor...

Moore, Rachel ORCID: https://orcid.org/0000-0002-9016-8047 2014. 'A ne pas ouvrir pendant la guerre': l'union sacrée et la mobilisation de l'édition musicale, 1914-1918. de Maindreville, Florence Doé and Etcharry, Stéphan, eds. La Grande Guerre en musique: Vie et création musicales en France pendant la Première Guerre mondiale, Peter Lang,

O'Connell, Joseph ORCID: https://orcid.org/0000-0002-1306-8456 2014. 'Better Decide Which Side You're On': Authenticity, politics and post-punk in Thatcherite Britain. PhD Thesis, Cardiff University.
Item availability restricted.
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Pluta, Agnieszka 2014. The pianism of Paderewski. PhD Thesis, Cardiff University.
Item availability restricted.
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Ponsford, David Stewart 2014. Andre Raison & Louis-Nicolas Clerambault. [CD]. 2014. ID number: NI 6268.

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2014. BBC Symphony Orchestra rehearsal performance of Ravel's Bolero, conducted by Lionel Bringuier, with commentary by Dr Caroline Rae. [Film video]. London: BBC Radio 3. Available at: https://www.bbc.co.uk/programmes/p01t693d

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2014. Dr. Caroline Rae discusses the War of the Romantics. [Website (BBC Radio 3)]. BBC iWonder Guide-Brahms: BBC. Available at: https://www.bbc.co.uk/programmes/p0282nxf

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2014. The magic of timbre: French orchestral sound. Rae, Caroline and Potter, Caroline, eds. City of Light: Paris 1900-1950 Festival Programme Book, London: Philharmonia Orchestra, pp. 23-26.

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 and Potter, Caroline 2014. City of light: the French musical milieu. Rae, Caroline and Potter, Caroline, eds. City of Light: Paris 1900-1950 Festival Programme Book, London: Philharmonia Orchestra, pp. 12-19.

Rowden, Clair Sophie ORCID: https://orcid.org/0000-0002-0148-7864 2014. La Dramaturgie de Gustave Charpentier. By Michela Niccolai. Music and Letters 95 (2) , pp. 299-302. 10.1093/ml/gcu025

Rowden, Clair Sophie ORCID: https://orcid.org/0000-0002-0148-7864 2014. Memorialisation, commemoration et commercialisation: Massenet et la caricature. Branger, Jean-Christophe and Giroud, Vincent, eds. Massenet aujourd’hui : Héritage et postérité, Publications de l'Universite de Saint-Etienne, pp. 39-64.

Rowden, Clair Sophie ORCID: https://orcid.org/0000-0002-0148-7864 2014. The other 'Salome'. Opera , pp. 1234-1241.

Rowden, Clair Sophie ORCID: https://orcid.org/0000-0002-0148-7864 2014. 'Thais': adaptation, degeneration and intermediality. Dix-Neuf 18 (2) , pp. 134-149. 10.1179/1478731814Z.00000000049

Rowden, Clair Sophie ORCID: https://orcid.org/0000-0002-0148-7864 2014. Wilde's 'Salome': a very modern French affair. Wexford Festival Opera.

Sierra, Arlene ORCID: https://orcid.org/0000-0003-3067-7533 2014. Urban birds. [Score]. Cecilian Music.

Villepastour, Amanda ORCID: https://orcid.org/0000-0003-1600-3313 2014. Afro-Cuban music: a bibliographic guide by John Gray [Book Review]. Latin American Music Review 35 (2) , pp. 315-318.

Villepastour, Amanda ORCID: https://orcid.org/0000-0003-1600-3313 2014. Talking tones and singing speech among the Yorùbá of Southwest Nigeria. Jahrbuch des Phonogrammarchivs der Österreichischen Akademie der Wissenschaften 44 , pp. 29-47.

This list was generated on Mon Feb 10 11:29:18 2025 GMT.


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