Browse by Schools (by year)

Article

Chapin, Keith ORCID: https://orcid.org/0000-0001-8220-7344 2014. Temporal modes and symbolic stakes: strict composition in early Nineteenth-Century Europe. Musurgia 21 (1) , pp. 29-41. 10.3917/musur.141.0029

Rowden, Clair Sophie ORCID: https://orcid.org/0000-0002-0148-7864 2014. La Dramaturgie de Gustave Charpentier. By Michela Niccolai. Music and Letters 95 (2) , pp. 299-302. 10.1093/ml/gcu025

Rowden, Clair Sophie ORCID: https://orcid.org/0000-0002-0148-7864 2014. The other 'Salome'. Opera , pp. 1234-1241.

Rowden, Clair Sophie ORCID: https://orcid.org/0000-0002-0148-7864 2014. 'Thais': adaptation, degeneration and intermediality. Dix-Neuf 18 (2) , pp. 134-149. 10.1179/1478731814Z.00000000049

Villepastour, Amanda ORCID: https://orcid.org/0000-0003-1600-3313 2014. Afro-Cuban music: a bibliographic guide by John Gray [Book Review]. Latin American Music Review 35 (2) , pp. 315-318.

Villepastour, Amanda ORCID: https://orcid.org/0000-0003-1600-3313 2014. Talking tones and singing speech among the Yorùbá of Southwest Nigeria. Jahrbuch des Phonogrammarchivs der Österreichischen Akademie der Wissenschaften 44 , pp. 29-47.

Book

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 and Potter, Caroline, eds. 2014. City of light: Paris 1900-1950. London: Philharmonia Orchestra, Philharmonia Limited.

Book Section

Chapin, Keith ORCID: https://orcid.org/0000-0001-8220-7344 2014. Classicism/neo-classicism. Downes, Stephen, ed. Aesthetics of Music: Musicological Perspectives, Abingdon and New York: Routledge, pp. 144-169.

Chapin, Keith ORCID: https://orcid.org/0000-0001-8220-7344 2014. Learned style and learned styles. Mirka, Danuta, ed. The Oxford Handbook of Topic Theory, Oxford Handbooks Online, Oxford University Press, (10.1093/oxfordhb/9780199841578.013.0012)

Gloag, Kenneth 2014. Jazz-avant-garde-tradition. Downes, Stephen, ed. Aesthetics of Music: Musicological Perspectives, London: Routledge, pp. 188-202.

Hamilton, Kenneth ORCID: https://orcid.org/0000-0001-9831-4849 2014. "Nach persönlichen Erinnerungen": Liszt's long-ignored legacy to his students. Deaville, James and Saffle, Michael, eds. Liszt's Legacies, Franz Liszt Studies, Hillsdale, NY: Pendragon Press, pp. 83-96.

Moore, Rachel ORCID: https://orcid.org/0000-0002-9016-8047 2014. 'A ne pas ouvrir pendant la guerre': l'union sacrée et la mobilisation de l'édition musicale, 1914-1918. de Maindreville, Florence Doé and Etcharry, Stéphan, eds. La Grande Guerre en musique: Vie et création musicales en France pendant la Première Guerre mondiale, Peter Lang,

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2014. The magic of timbre: French orchestral sound. Rae, Caroline and Potter, Caroline, eds. City of Light: Paris 1900-1950 Festival Programme Book, London: Philharmonia Orchestra, pp. 23-26.

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 and Potter, Caroline 2014. City of light: the French musical milieu. Rae, Caroline and Potter, Caroline, eds. City of Light: Paris 1900-1950 Festival Programme Book, London: Philharmonia Orchestra, pp. 12-19.

Rowden, Clair Sophie ORCID: https://orcid.org/0000-0002-0148-7864 2014. Memorialisation, commemoration et commercialisation: Massenet et la caricature. Branger, Jean-Christophe and Giroud, Vincent, eds. Massenet aujourd’hui : Héritage et postérité, Publications de l'Universite de Saint-Etienne, pp. 39-64.

Conference or Workshop Item

Cenciarelli, Carlo ORCID: https://orcid.org/0000-0001-7162-9509 2014. Lucrezia in 3D: il fallimento di critica, gli scollamenti formali e le epistemologie web della prima opera in tridimensione. Presented at: Convegno internazionale di studi: Donizetti in scena. Vedere l’opera, Bergamo, 12-14 October 2012. Published in: Fornoni, Federico ed. Donizetti in scena : attualità det testo-spettacolo : atti del Convegno internazionale, Bergamo, 12-14 ottobre 2012. Bergamo: Fondazione Donizetti,

Faria Gomes, Pedro ORCID: https://orcid.org/0000-0001-9978-659X 2014. Function and meaning: the influence of Kundera's 'Ignorance' on 'Returning' for violin, clarinet and piano. Presented at: Music Literature, Historiography and Aesthetics, Institute of Musical Research, London, UK, 17-18 July 2014.

Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818 2014. Psychedelic aesthetic and progressive impulse: A Tale of Two Cities. Presented at: First International Conference of the ACADPROG Network, Dijon, France, 10-12 December 2014.

Thesis

Devaux, Vanessa 2014. Joseph Mayseder (1789-1863): A Viennese violinist and composer. PhD Thesis, Cardiff University. Item availability restricted.

Faria Gomes, Pedro ORCID: https://orcid.org/0000-0001-9978-659X 2014. Creating harmonic functionality in post-tonal music: a composer's perspective. Royal College of Music.

Kostka, Magdalena 2014. Sonatas for violin and basso continuo written by British composers in the first half of the eighteenth century. PhD Thesis, Cardiff University. Item availability restricted.

O'Connell, Joseph ORCID: https://orcid.org/0000-0002-1306-8456 2014. 'Better Decide Which Side You're On': Authenticity, politics and post-punk in Thatcherite Britain. PhD Thesis, Cardiff University. Item availability restricted.

Pluta, Agnieszka 2014. The pianism of Paderewski. PhD Thesis, Cardiff University. Item availability restricted.

Audio

Leech, Peter 2014. Princely splendour - choral works from 18th century Rome. [CD]. 2014. ID number: NI 6273. Available at: https://www.wyastone.co.uk/princely-splendour-chor...

Ponsford, David Stewart 2014. Andre Raison & Louis-Nicolas Clerambault. [CD]. 2014. ID number: NI 6268.

Composition

Bickerton, Daniel ORCID: https://orcid.org/0000-0003-1997-5847 2014. The Cause. Daniel Bickerton.

Bickerton, Daniel ORCID: https://orcid.org/0000-0003-1997-5847 2014. Evening Dew. Daniel Bickerton.

Bickerton, Daniel ORCID: https://orcid.org/0000-0003-1997-5847 2014. Inward Thinking. Daniel Bickerton.

Bickerton, Daniel ORCID: https://orcid.org/0000-0003-1997-5847 2014. Let's Do It Again. Composer.

Bickerton, Daniel ORCID: https://orcid.org/0000-0003-1997-5847 2014. Redux Shone Through Time. Daniel Bickerton.

Bizet, George 2014. Carmen. [Musical Score: Vocal Score]. Edited by Langham Smith, R. and Rowden, Clair Sophie ORCID: https://orcid.org/0000-0002-0148-7864. London: Edition Peters.

Faria Gomes, Pedro ORCID: https://orcid.org/0000-0001-9978-659X 2014. How beastly the bourgeois is. [Score]. Pedro Faria Gomes.

Fokkens, Robert ORCID: https://orcid.org/0000-0003-4645-0616 2014. Mzansi nights. [Performance AND Published score]. Composers Edition.

Fokkens, Robert ORCID: https://orcid.org/0000-0003-4645-0616 2014. Worry/Don't Worry. [Performances and Published score]. Composers Edition.

Sierra, Arlene ORCID: https://orcid.org/0000-0003-3067-7533 2014. Urban birds. [Score]. Cecilian Music.

Video

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2014. BBC Symphony Orchestra rehearsal performance of Ravel's Bolero, conducted by Lionel Bringuier, with commentary by Dr Caroline Rae. [Film video]. London: BBC Radio 3. Available at: https://www.bbc.co.uk/programmes/p01t693d

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2014. Dr. Caroline Rae discusses the War of the Romantics. [Website (BBC Radio 3)]. BBC iWonder Guide-Brahms: BBC. Available at: https://www.bbc.co.uk/programmes/p0282nxf

Other

Rowden, Clair Sophie ORCID: https://orcid.org/0000-0002-0148-7864 2014. Wilde's 'Salome': a very modern French affair. Wexford Festival Opera.