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Number of items: 44.

A

Ayangbekun, Kawoleyin and Villepastour, Amanda 2015. Divining Ayan: an Orisa priest from Ogbomoso speaks. In: Villepastour, Amanda ed. The Yorùbá God of Drumming: Transatlantic Perspectives on the Wood That Talks, University Press of Mississippi, pp. 51-73.

B

Barlow, Rachelle Louise 2015. The 'Land of Song': gender and identity in Welsh choral music, 1872-1918. PhD Thesis, Cardiff University.
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Beard, David 2015. 'The life of my music': What the sketches tell us. In: Beard, David, Gloag, Kenneth and Jones, Nicholas eds. Harrison Birtwistle Studies, Cambridge Composer Studies, Cambridge: Cambridge University Press, pp. 120-174. (10.1017/CBO9781316145326.007)

Beard, David Jason 2015. A selected inventory of Birtwistle manuscripts acquired by the British Library in 2013. Harrison Birtwistle Studies, Cambridge Composer Series, Cambridge: Cambridge University Press, pp. 304-309.

Bickerton, Daniel 2015. Ballad. Daniel Bickerton.

Bickerton, Daniel 2015. Eclipse. Edited by Davis, Alexander. Composer.
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Bickerton, Daniel 2015. Invictus. Daniel Bickerton.

Bickerton, Daniel 2015. Textbook. Composer.
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Bickerton, Daniel 2015. Two mourning angels [Tyne Cot Sketches: I]. Daniel Bickerton.

Bickerton, Daniel 2015. Weather By Funk. Composer.
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C

Cenciarelli, Carlo 2015. 'Warped singing': opera from cinema to YouTube. In: Vincent, Delphine ed. Verdi on Screen, Lausanne: L'Age d'Homme, pp. 251-267.

Chapin, Keith 2015. Antoine Reicha and the three identities of the learned musician. In: Raymond, Louise Bernard de, Bartoli, Jean-Pierre and Schneider, Herbert eds. Antoine Reicha, compositeur et theoricien: Actes du colloque international tenu à Paris du 18 au 20 avril 2013, George Olms Verlag, pp. 109-118.

Chapin, Keith 2015. Sublime néoclassique et sublime rhétorique: La réception musicale des Odes et mélodies spirituelles (1757) de Christian Fürchtegott Gellert. In: Hachie, Sophie and Favier, Thierry eds. À la croisée des arts: Sublime et musique religieuse en Europe (XVIIe-XVIIIe siècles), Paris: Classiques Garnier, pp. 165-185.

F

Faria Gomes, Pedro 2015. Canções do Quadrante. [Score]. Pedro Faria Gomes.

Fokkens, Rob 2015. The Application.

Fokkens, Rob 2015. Hoerikwaggo.

G

Gloag, Kenneth 2015. Birtwistle's eloquently gestural music. In: Beard, David Jason, Gloag, Kenneth and Jones, Nicholas eds. Harrison Birtwistle Studies, Cambridge Composer Studies, Cambridge: Cambridge University Press, pp. 95-119.

Gloag, Kenneth 2015. 'A thing of the past': Canon formation and the postmodern condition. In: Kurkela, Vesa and Mantere, Markus eds. Critical Music Historiography: Probing Canons, Ideologies and Institutions, Aldershot: Ashgate, pp. 227-237.

Goodall, Kay, Hopkins, Peter, McKerrell, Simon, Markey, John, Millar, Stephen R., Richardson, John and Richardson, Michael J. 2015. Community experiences of sectarianism. [Project Report]. London: Scottish Government Social Research. Available at: https://www.gov.scot/Resource/0047/00470344.pdf
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Goodall, Kay, McKerrell, Simon, Markey, John, Millar, Stephen R. and Richardson, Michael J. 2015. Sectarianism in Scotland: A 'West of Scotland' problem, a patchwork or a cobweb? Scottish Affairs 24 (3) , pp. 288-307. 10.3366/scot.2015.0079
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H

Hamilton, Kenneth 2015. Franz Liszt: Totentanz for Piano and Orchestra. 2015.

Hill, Sarah 2015. Connecting the dots: pop historiography since one chord wonders. Presented at: 30 Years of One Chord Wonders, Sellis Benney Theatre, Brighton, UK, 17 Oct 2015.

J

Jones, David Wyn 2015. Introduction. In: Jones, David Wyn ed. Haydn, The Late Eighteenth-Century Composers, Surrey: Ashgate, xi-xxv.

Jones, David Wyn 2015. Mozart's spirit from Seyfried's hands. In: Keefe, Simon P. ed. Mozart Studies 2, Cambridge Composer Studies, Cambridge: Cambridge University Press, pp. 195-228. (10.1017/CBO9781107360051.009)

Jones, Nicholas 2015. Das Land ohne Musik? British classical music, from Elgar to the Cultural Olympiad. Presented at: Exploring the Past Lecture Series, Cardiff University, Cardiff, UK, 20 May 2015.

Jones, Nicholas 2015. The sound of Raasay: Birtwistle's Hebridean experience. In: Beard, David, Gloag, Kenneth and Jones, Nicholas eds. Harrison Birtwistle Studies, Cambridge Composer Studies, Cambridge: Cambridge University Press, pp. 175-205. (10.1017/CBO9781316145326.008)

L

Leech, Peter 2015. Princely splendour: Cardinal Henry Stuart and music patronage in 18th-century Rome. The Consort 71 , pp. 51-73.

M

Millar, Stephen R. 2015. 'I Forbid You To Like It:' The Smiths, David Cameron, and the politics of (mis)appropriating popular culture. Echo: A Music-Centered Journal 13 (1)

Millar, Stephen R. 2015. Musically consonant, socially dissonant: orange walks and Catholic interpretation in West-Central Scotland. Music and Politics 9 (1) 10.3998/mp.9460447.0009.102
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Moore, Rachel 2015. Coles, Cecil Frederick Gottlie (1888–1918). Oxford Dictionary of National Biography, Oxford University Press, (10.1093/ref:odnb/76798)

O

O'Connell, John Morgan 2015. The classical style: modal analysis of vocal improvisation in Turkey. In: Agayeva, Suraya ed. Space of Maugham, Şerq-Qerb, pp. 124-139.

O'Connell, John Morgan 2015. Gazel. In: Jankowsky, Richard C. ed. Bloomsbury Encyclopedia of Popular Music of the World, Vol. 10. Encyclopedia of Popular Music of the World, Bloomsbury Academic, pp. 35-37.

O'Connell, John Morgan 2015. Iranian classical music: the discourse and practice of creativity. By Laudan Nooshin [Book Review]. Music and Letters 96 (4) , pp. 677-679. 10.1093/ml/gcv080

O'Connell, John Morgan 2015. Modal trails, model trials: Musical migrants and mystical critics in Turkey. In: Davis, Ruth ed. Musical Exodus: Al-Andalus and its Jewish Diasporas, Europea: Ethnomusicologies and Modernities, Lanham, MD: Rowman & Littlefield Publishers, pp. 101-124.

O'Connell, John Morgan 2015. Music and humanism in the Aga Khan Humanities Project. In: Pettan, Svanibor and Titon, Jeff Todd eds. The Oxford Handbook of Applied Ethnomusicology, Oxford Handbooks, Oxford University Press, pp. 602-638.

P

Ponsford, David Stewart 2015. Guillaume-Gabriel Nivers & Nicolas-Antoine Lebegue. [CD]. French Organ Music from the Golden Age. Volume 4 2015. ID number: NI6292.

Ponsford, David Stewart 2015. Instrumental performance in the seventeenth century. In: Lawson, Colin and Stowell, Robin eds. The Cambridge History of Musical Performance, Cambridge University Press, pp. 421-447.

R

Ross, Jaqueline and Ponsford, David Stewart 2015. Johann Sebastian Bach Violin Sonatas. [CD]. 2015. ID number: GAU 228.

Rowden, Clair 2015. ‘From the fairground to the heights of French art : Opéra comiqueand Le Pré aux clercs’, 64th Wexford Festival Opera 2015 Season programme [Programme notes]. 64th Wexford Festival Opera 2015 Season programme.

Rowden, Clair Sophie 2015. Loie Fuller and Salome: The unveiling of a myth. In: Lee, Hyunseon and Segal, Naomi eds. Opera, Exoticism and Visual Culture, Cultural Interactions: Studies in the Relationship between the Arts, vol. 34. Peter Lang, pp. 93-110.

S

Sierra, Arlene Elizabeth 2015. Birds and insects, Book 2. [Score]. Cecilian Music.

V

Villepastour, Amanda 2015. Anthropomorphizing Ayan in transatlantic gender narratives. In: Villepastour, Amanda ed. The Yorùbá God of Drumming: Transatlantic Perspectives on the Wood That Talks, University Press of Mississippi, pp. 125-146.

Villepastour, Amanda 2015. Introduction: Asoro Igi (Wood That Talks). In: Villepastour, Amanda ed. The Yorùbá God of Drumming: Transatlantic Perspectives on the Wood That Talks, University Press of Mississippi, pp. 3-32.

Villepastour, Amanda 2015. "Orin Ibeji": (songs for the twins): sounding the sacred twins of the Yorùbá. In: Harris, Rachel and Pease, Rowan eds. Pieces of the Musical World: Sounds and Cultures, Routledge, pp. 169-188.

This list was generated on Tue Dec 7 02:49:30 2021 GMT.