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Number of items: 44.

A

Ayangbekun, Kawoleyin and Villepastour, Amanda ORCID: https://orcid.org/0000-0003-1600-3313 2015. Divining Ayan: an Orisa priest from Ogbomoso speaks. Villepastour, Amanda ORCID: https://orcid.org/0000-0003-1600-3313, ed. The Yorùbá God of Drumming: Transatlantic Perspectives on the Wood That Talks, University Press of Mississippi, pp. 51-73.

B

Barlow, Rachelle Louise 2015. The 'Land of Song': gender and identity in Welsh choral music, 1872-1918. PhD Thesis, Cardiff University.
Item availability restricted.
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Beard, David ORCID: https://orcid.org/0000-0003-3892-843X 2015. 'The life of my music': What the sketches tell us. Beard, David, Gloag, Kenneth and Jones, Nicholas, eds. Harrison Birtwistle Studies, Cambridge Composer Studies, Cambridge: Cambridge University Press, pp. 120-174. (10.1017/CBO9781316145326.007)

Beard, David Jason ORCID: https://orcid.org/0000-0003-3892-843X 2015. A selected inventory of Birtwistle manuscripts acquired by the British Library in 2013. Harrison Birtwistle Studies, Cambridge Composer Series, Cambridge: Cambridge University Press, pp. 304-309.

Bickerton, Daniel ORCID: https://orcid.org/0000-0003-1997-5847 2015. Ballad. Daniel Bickerton.

Bickerton, Daniel ORCID: https://orcid.org/0000-0003-1997-5847 2015. Eclipse. Edited by Davis, Alexander. Composer.
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Bickerton, Daniel ORCID: https://orcid.org/0000-0003-1997-5847 2015. Invictus. Daniel Bickerton.

Bickerton, Daniel ORCID: https://orcid.org/0000-0003-1997-5847 2015. Textbook. Composer.
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Bickerton, Daniel ORCID: https://orcid.org/0000-0003-1997-5847 2015. Two mourning angels [Tyne Cot Sketches: I]. Daniel Bickerton.

Bickerton, Daniel ORCID: https://orcid.org/0000-0003-1997-5847 2015. Weather By Funk. Composer.
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C

Cenciarelli, Carlo ORCID: https://orcid.org/0000-0001-7162-9509 2015. 'Warped singing': opera from cinema to YouTube. Vincent, Delphine, ed. Verdi on Screen, Lausanne: L'Age d'Homme, pp. 251-267.

Chapin, Keith ORCID: https://orcid.org/0000-0001-8220-7344 2015. Antoine Reicha and the three identities of the learned musician. Raymond, Louise Bernard de, Bartoli, Jean-Pierre and Schneider, Herbert, eds. Antoine Reicha, compositeur et theoricien: Actes du colloque international tenu à Paris du 18 au 20 avril 2013, George Olms Verlag, pp. 109-118.

Chapin, Keith ORCID: https://orcid.org/0000-0001-8220-7344 2015. Sublime néoclassique et sublime rhétorique: La réception musicale des Odes et mélodies spirituelles (1757) de Christian Fürchtegott Gellert. Hachie, Sophie and Favier, Thierry, eds. À la croisée des arts: Sublime et musique religieuse en Europe (XVIIe-XVIIIe siècles), Paris: Classiques Garnier, pp. 165-185.

F

Faria Gomes, Pedro ORCID: https://orcid.org/0000-0001-9978-659X 2015. Canções do Quadrante. [Score]. Pedro Faria Gomes.

Fokkens, Rob ORCID: https://orcid.org/0000-0003-4645-0616 2015. The Application.

Fokkens, Rob ORCID: https://orcid.org/0000-0003-4645-0616 2015. Hoerikwaggo.

G

Gloag, Kenneth 2015. Birtwistle's eloquently gestural music. Beard, David Jason, Gloag, Kenneth and Jones, Nicholas, eds. Harrison Birtwistle Studies, Cambridge Composer Studies, Cambridge: Cambridge University Press, pp. 95-119.

Gloag, Kenneth 2015. 'A thing of the past': Canon formation and the postmodern condition. Kurkela, Vesa and Mantere, Markus, eds. Critical Music Historiography: Probing Canons, Ideologies and Institutions, Aldershot: Ashgate, pp. 227-237.

Goodall, Kay, Hopkins, Peter, McKerrell, Simon, Markey, John, Millar, Stephen R. ORCID: https://orcid.org/0000-0002-8247-0529, Richardson, John and Richardson, Michael J. 2015. Community experiences of sectarianism. [Project Report]. London: Scottish Government Social Research. Available at: https://www.gov.scot/Resource/0047/00470344.pdf
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Goodall, Kay, McKerrell, Simon, Markey, John, Millar, Stephen R. ORCID: https://orcid.org/0000-0002-8247-0529 and Richardson, Michael J. 2015. Sectarianism in Scotland: A 'West of Scotland' problem, a patchwork or a cobweb? Scottish Affairs 24 (3) , pp. 288-307. 10.3366/scot.2015.0079
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H

Hamilton, Kenneth ORCID: https://orcid.org/0000-0001-9831-4849 2015. Franz Liszt: Totentanz for Piano and Orchestra. 2015.

Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818 2015. Connecting the dots: pop historiography since one chord wonders. Presented at: 30 Years of One Chord Wonders, Sellis Benney Theatre, Brighton, UK, 17 Oct 2015.

J

Jones, David Wyn ORCID: https://orcid.org/0000-0003-3185-9195 2015. Introduction. Jones, David Wyn, ed. Haydn, The Late Eighteenth-Century Composers, Surrey: Ashgate, xi-xxv.

Jones, David Wyn ORCID: https://orcid.org/0000-0003-3185-9195 2015. Mozart's spirit from Seyfried's hands. Keefe, Simon P., ed. Mozart Studies 2, Cambridge Composer Studies, Cambridge: Cambridge University Press, pp. 195-228. (10.1017/CBO9781107360051.009)

Jones, Nicholas ORCID: https://orcid.org/0000-0002-7098-6114 2015. Das Land ohne Musik? British classical music, from Elgar to the Cultural Olympiad. Presented at: Exploring the Past Lecture Series, Cardiff University, Cardiff, UK, 20 May 2015.

Jones, Nicholas ORCID: https://orcid.org/0000-0002-7098-6114 2015. The sound of Raasay: Birtwistle's Hebridean experience. Beard, David, Gloag, Kenneth and Jones, Nicholas, eds. Harrison Birtwistle Studies, Cambridge Composer Studies, Cambridge: Cambridge University Press, pp. 175-205. (10.1017/CBO9781316145326.008)

L

Leech, Peter 2015. Princely splendour: Cardinal Henry Stuart and music patronage in 18th-century Rome. The Consort 71 , pp. 51-73.

M

Millar, Stephen R. ORCID: https://orcid.org/0000-0002-8247-0529 2015. 'I Forbid You To Like It:' The Smiths, David Cameron, and the politics of (mis)appropriating popular culture. Echo: A Music-Centered Journal 13 (1)

Millar, Stephen R. ORCID: https://orcid.org/0000-0002-8247-0529 2015. Musically consonant, socially dissonant: orange walks and Catholic interpretation in West-Central Scotland. Music and Politics 9 (1) 10.3998/mp.9460447.0009.102
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Moore, Rachel ORCID: https://orcid.org/0000-0002-9016-8047 2015. Coles, Cecil Frederick Gottlie (1888–1918). Oxford Dictionary of National Biography, Oxford University Press, (10.1093/ref:odnb/76798)

O

O'Connell, John Morgan ORCID: https://orcid.org/0000-0002-9035-4843 2015. The classical style: modal analysis of vocal improvisation in Turkey. Agayeva, Suraya, ed. Space of Maugham, Şerq-Qerb, pp. 124-139.

O'Connell, John Morgan ORCID: https://orcid.org/0000-0002-9035-4843 2015. Gazel. Jankowsky, Richard C., ed. Bloomsbury Encyclopedia of Popular Music of the World, Vol. 10. Encyclopedia of Popular Music of the World, Bloomsbury Academic, pp. 35-37.

O'Connell, John Morgan ORCID: https://orcid.org/0000-0002-9035-4843 2015. Iranian classical music: the discourse and practice of creativity. By Laudan Nooshin [Book Review]. Music and Letters 96 (4) , pp. 677-679. 10.1093/ml/gcv080

O'Connell, John Morgan ORCID: https://orcid.org/0000-0002-9035-4843 2015. Modal trails, model trials: Musical migrants and mystical critics in Turkey. Davis, Ruth, ed. Musical Exodus: Al-Andalus and its Jewish Diasporas, Europea: Ethnomusicologies and Modernities, Lanham, MD: Rowman & Littlefield Publishers, pp. 101-124.

O'Connell, John Morgan ORCID: https://orcid.org/0000-0002-9035-4843 2015. Music and humanism in the Aga Khan Humanities Project. Pettan, Svanibor and Titon, Jeff Todd, eds. The Oxford Handbook of Applied Ethnomusicology, Oxford Handbooks, Oxford University Press, pp. 602-638.

P

Ponsford, David Stewart 2015. Guillaume-Gabriel Nivers & Nicolas-Antoine Lebegue. [CD]. French Organ Music from the Golden Age. Volume 4 2015. ID number: NI6292.

Ponsford, David Stewart 2015. Instrumental performance in the seventeenth century. Lawson, Colin and Stowell, Robin, eds. The Cambridge History of Musical Performance, Cambridge University Press, pp. 421-447.

R

Ross, Jaqueline and Ponsford, David Stewart 2015. Johann Sebastian Bach Violin Sonatas. [CD]. 2015. ID number: GAU 228.

Rowden, Clair Sophie ORCID: https://orcid.org/0000-0002-0148-7864 2015. Loie Fuller and Salome: The unveiling of a myth. Lee, Hyunseon and Segal, Naomi, eds. Opera, Exoticism and Visual Culture, Cultural Interactions: Studies in the Relationship between the Arts, vol. 34. Peter Lang, pp. 93-110.

Rowden, Clair ORCID: https://orcid.org/0000-0002-0148-7864 2015. ‘From the fairground to the heights of French art : Opéra comiqueand Le Pré aux clercs’, 64th Wexford Festival Opera 2015 Season programme [Programme notes]. 64th Wexford Festival Opera 2015 Season programme.

S

Sierra, Arlene Elizabeth ORCID: https://orcid.org/0000-0003-3067-7533 2015. Birds and insects, Book 2. [Score]. Cecilian Music.

V

Villepastour, Amanda ORCID: https://orcid.org/0000-0003-1600-3313 2015. Anthropomorphizing Ayan in transatlantic gender narratives. Villepastour, Amanda, ed. The Yorùbá God of Drumming: Transatlantic Perspectives on the Wood That Talks, University Press of Mississippi, pp. 125-146.

Villepastour, Amanda ORCID: https://orcid.org/0000-0003-1600-3313 2015. Introduction: Asoro Igi (Wood That Talks). Villepastour, Amanda ORCID: https://orcid.org/0000-0003-1600-3313, ed. The Yorùbá God of Drumming: Transatlantic Perspectives on the Wood That Talks, University Press of Mississippi, pp. 3-32.

Villepastour, Amanda ORCID: https://orcid.org/0000-0003-1600-3313 2015. "Orin Ibeji": (songs for the twins): sounding the sacred twins of the Yorùbá. Harris, Rachel and Pease, Rowan, eds. Pieces of the Musical World: Sounds and Cultures, Routledge, pp. 169-188.

This list was generated on Fri Jan 17 09:27:26 2025 GMT.


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