ORCA
Online Research @ Cardiff
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Up a levelNumber of items: 21.
Branger, Jean-Christophe, Moron, Nicolas, Pimentel, Juliana and Rae, Caroline  ORCID: https://orcid.org/0000-0002-6941-7264, eds.
2024.
Claude Debussy, d’hier à aujourd’hui.
Paris:
Société française de musicologie.
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de Médicis, François, Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 and Trottier, Danick, eds.
2024.
Stravinsky and France: Reception, interactions and legacy.
University of Rochester Press.
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Beard, David ORCID: https://orcid.org/0000-0003-3892-843X
2024.
'"Elective Affinities": Found objects, musical repurposing and concealed meanings in music by Judith Weir'.
Presented at: John Bird Music Research Seminar, School of Music, Cardiff University,
Cardiff, UK,
11 October 2023.
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Campbell, Edward and Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264
2024.
Debussy’s influence since 1945: French compositional descendancies.
Code, David and Kelly, Barbara L., eds.
Debussy Studies 2,
Cambridge:
Cambridge University Press,
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Faria Gomes, Pedro ORCID: https://orcid.org/0000-0001-9978-659X
2024.
Composição em Diálogo: Citação e Paráfrase em Suite J e Sonatina.
Presented at: Composition Seminar, University of São Paulo,
São Paulo, Brazil,
23 Apr 2024.
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Faria Gomes, Pedro ORCID: https://orcid.org/0000-0001-9978-659X
2024.
Composição em Diálogo: Citação, Paráfrase e Transformação de Idiomas em Obras de Pedro Faria Gomes.
Presented at: Composition Seminar, State University of Campinas (UNICAMP),
Barão Geraldo, SP, Brazil,
25 Apr 2024.
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Faria Gomes, Pedro ORCID: https://orcid.org/0000-0001-9978-659X
2024.
Composing in dialogue: Quotation, paraphrase and transformation of idioms in works by Pedro Faria Gomes.
Presented at: Composition Forum, University of Illinois,
Urbana, IL, USA,
27 Feb 2024.
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Faria Gomes, Pedro ORCID: https://orcid.org/0000-0001-9978-659X
2024.
Dialogues in composition: Engaging with the ‘great conversation’ in new music.
Presented at: Composition Forum, University of Bristol,
Bristol, UK,
6 Feb 2024.
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Faria Gomes, Pedro ORCID: https://orcid.org/0000-0001-9978-659X
2024.
Scenes from childhood: Piano works by Pedro Faria Gomes.
[CD].
26 January 2024.
ID number: PFCD224.
Available at: https://primafacie.ascrecords.com/scenes_childhood...
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Hamilton, Kenneth ORCID: https://orcid.org/0000-0001-9831-4849
2024.
Handel remembered (Beethoven, Brahms, Mozart and more).
[Audio CD].
21 June 2024.
ID number: PFCD235.
Available at: https://www.prestomusic.com/classical/products/962...
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Hamilton, Kenneth ORCID: https://orcid.org/0000-0001-9831-4849
2024.
Scenes from childhood: Piano works by Pedro Faria Gomes – Kenneth Hamilton, piano.
[Audio CD].
26 January 2024.
ID number: PFCD224.
Available at: https://primafacie.ascrecords.com/scenes_childhood...
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Hamilton, Kenneth ORCID: https://orcid.org/0000-0001-9831-4849
2024.
Schoenberg-Busoni: The strange case of Op.11 no.2.
Flamm, Christoph, ed.
Ost-West-Kontakte: Festschrift für Dorothea Redepenning zum 70.Geburtstag,
Heidelberg:
Universitätsverlag Winter,
pp. 87-101.
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Hennemann, Monika ORCID: https://orcid.org/0000-0002-4683-1497
2024.
Die 'Nichtdeutsche Schule': Franz Liszt und die Zensur an der Metropolitan Opera im Ersten Weltkrieg.
Flamm, Christoph, ed.
Ost-West-Kontakte: Festschrift fur Dorothea Redepenning zum 70. Geburtstag,
Heidelberg:
Universitätsverlag Winter,
pp. 121-136.
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Hennemann, Monika ORCID: https://orcid.org/0000-0002-4683-1497
2024.
“The woman for the new era?”: Johanna Kinkel’s musical exile in London.
Celenza, Anna and Uhde, Katharina, eds.
Unity in Variety Essays in Musicology for R. Larry Todd,
Hollitzer,
pp. 189-200.
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Jones, Nicholas ORCID: https://orcid.org/0000-0002-7098-6114
2024.
Argraffiadau Cymraeg: Exploring Welsh identity in the music of three ‘Cardiff Group’ composers.
Presented at: North American British Music Studies Association Conference 2024,
Oberlin College and Conservatory, Ohio, USA,
25–29 July 2024.
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Jones, Nicholas ORCID: https://orcid.org/0000-0002-7098-6114
2024.
Art Music and 'Welshness': Perspectives from Cardiff.
Presented at: 5th Silpakorn Conference on Sound and Music 2024 (SICSAM),
Bangkok Art and Culture Centre (BACC), Thailand,
7-8 June 2024.
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Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264
2024.
Echoes of the rite: Jolivet, Ohana and the style incantatoire.
de Médicis, François, Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 and Trottier, Danick, eds.
Stravinsky and France: Reception, interactions and legacy,
Rochester NY:
University of Rochester Press,
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Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264
2024.
Fanny Waterman.
Cannadine, David, ed.
Oxford Dictionary of National Biography,
Oxford University Press,
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Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264
2024.
Marius-François Gaillard and his pianistic contemporaries: Interpretation and style in the 78-rpm recordings of Debussy’s piano works.
Branger, Jean-Christophe, Moron, Nicolas, Pimentel, Juliana and Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264, eds.
Claude Debussy, d'hier à aujourd'hui,
Paris:
Société française de musicologie,
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Sierra, Arlene ORCID: https://orcid.org/0000-0003-3067-7533
2024.
Whitman Fragment for solo cello.
[Score].
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Wang, Xiaoqing
2024.
The secret of difference: A technical and cultural investigation and comparison of Western classical singing methods for beginners and early stage singers in China.
PhD Thesis,
Cardiff University.
Item availability restricted. |
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