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Number of items: 25.

de Médicis, François, Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 and Trottier, Danick, eds. 2024. Stravinsky and France: Reception, interactions and legacy. University of Rochester Press.

Beard, David ORCID: https://orcid.org/0000-0003-3892-843X 2024. BBC Singers and Castalian String Quartet - Programme Essay. Programme Book for the 75th Aldeburgh Festival of Music and the Arts, 2024, UK: Britten Pears Arts, pp. 147-150.
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Beard, David ORCID: https://orcid.org/0000-0003-3892-843X 2024. Blond Eckbert - Programme Essay. Programme Book for the 75th Aldeburgh Festival of Music and the Arts, 2024, UK: Britten Pears Arts, pp. 42-46.
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Beard, David ORCID: https://orcid.org/0000-0003-3892-843X 2024. '"Elective Affinities": Found objects, musical repurposing and concealed meanings in music by Judith Weir'. Presented at: John Bird Music Research Seminar, School of Music, Cardiff University, Cardiff, UK, 11 October 2023.

Campbell, Edward and Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2024. Debussy’s influence since 1945: French compositional descendancies. Code, David and Kelly, Barbara L., eds. Debussy Studies 2, Cambridge: Cambridge University Press,

Faria Gomes, Pedro ORCID: https://orcid.org/0000-0001-9978-659X 2024. Composição em Diálogo: Citação e Paráfrase em Suite J e Sonatina. Presented at: Composition Seminar, University of São Paulo, São Paulo, Brazil, 23 Apr 2024.

Faria Gomes, Pedro ORCID: https://orcid.org/0000-0001-9978-659X 2024. Composição em Diálogo: Citação, Paráfrase e Transformação de Idiomas em Obras de Pedro Faria Gomes. Presented at: Composition Seminar, State University of Campinas (UNICAMP), Barão Geraldo, SP, Brazil, 25 Apr 2024.

Faria Gomes, Pedro ORCID: https://orcid.org/0000-0001-9978-659X 2024. Composing in dialogue: Quotation, paraphrase and transformation of idioms in works by Pedro Faria Gomes. Presented at: Composition Forum, University of Illinois, Urbana, IL, USA, 27 Feb 2024.

Faria Gomes, Pedro ORCID: https://orcid.org/0000-0001-9978-659X 2024. Dialogues in composition: Engaging with the ‘great conversation’ in new music. Presented at: Composition Forum, University of Bristol, Bristol, UK, 6 Feb 2024.

Faria Gomes, Pedro ORCID: https://orcid.org/0000-0001-9978-659X 2024. Scenes from childhood: Piano works by Pedro Faria Gomes. [CD]. 26 January 2024. ID number: PFCD224. Available at: https://primafacie.ascrecords.com/scenes_childhood...

Gentili, Barbara 2024. A project of her own: Emma Carelli's enactment of femininity in early twentieth-century Italy. Cambridge Opera Journal 36 (1) , pp. 53-68. 10.1017/S0954586723000228
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Hamilton, Kenneth ORCID: https://orcid.org/0000-0001-9831-4849 2024. Handel remembered (Beethoven, Brahms, Mozart and more). [Audio CD]. 21 June 2024. ID number: PFCD235. Available at: https://www.prestomusic.com/classical/products/962...

Hamilton, Kenneth ORCID: https://orcid.org/0000-0001-9831-4849 2024. Scenes from childhood: Piano works by Pedro Faria Gomes – Kenneth Hamilton, piano. [Audio CD]. 26 January 2024. ID number: PFCD224. Available at: https://primafacie.ascrecords.com/scenes_childhood...

Hamilton, Kenneth ORCID: https://orcid.org/0000-0001-9831-4849 2024. Schoenberg-Busoni: The strange case of Op.11 no.2. Flamm, Christoph, ed. Ost-West-Kontakte: Festschrift für Dorothea Redepenning zum 70.Geburtstag, Heidelberg: Universitätsverlag Winter, pp. 87-101.

Hennemann, Monika ORCID: https://orcid.org/0000-0002-4683-1497 2024. Die 'Nichtdeutsche Schule': Franz Liszt und die Zensur an der Metropolitan Opera im Ersten Weltkrieg. Flamm, Christoph, ed. Ost-West-Kontakte: Festschrift fur Dorothea Redepenning zum 70. Geburtstag, Heidelberg: Universitätsverlag Winter, pp. 121-136.

Hennemann, Monika ORCID: https://orcid.org/0000-0002-4683-1497 2024. “The woman for the new era?”: Johanna Kinkel’s musical exile in London. Celenza, Anna and Uhde, Katharina, eds. Unity in Variety Essays in Musicology for R. Larry Todd, Hollitzer, pp. 189-200.

Jones, Nicholas ORCID: https://orcid.org/0000-0002-7098-6114 2024. Argraffiadau Cymraeg: Exploring Welsh identity in the music of three ‘Cardiff Group’ composers. Presented at: North American British Music Studies Association Conference 2024, Oberlin College and Conservatory, Ohio, USA, 25–29 July 2024.
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Jones, Nicholas ORCID: https://orcid.org/0000-0002-7098-6114 2024. Art Music and 'Welshness': Perspectives from Cardiff. Presented at: 5th Silpakorn Conference on Sound and Music 2024 (SICSAM), Bangkok Art and Culture Centre (BACC), Thailand, 7-8 June 2024.
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Leech, Peter 2024. Maria Rosa Coccia - sacred music from eighteenth-century Rome [Booklet Essay]. Toccata Classica.
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Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2024. Echoes of the rite: Jolivet, Ohana and the style incantatoire. de Médicis, François, Rae, Caroline and Trottier, Danick, eds. Stravinsky and France: Reception, interactions and legacy, Rochester NY: University of Rochester Press,

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2024. Fanny Waterman. Cannadine, David, ed. Oxford Dictionary of National Biography, Oxford University Press,

Shipsey, Laura 2024. Composing network forms: an evolving artistic practice. PhD Thesis, Cardiff University.
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Sierra, Arlene ORCID: https://orcid.org/0000-0003-3067-7533 2024. Cristo no tiene cuerpo. [Print]. Cecilian Music.

Sierra, Arlene ORCID: https://orcid.org/0000-0003-3067-7533 2024. Whitman Fragment for solo cello. [Score]. Cecilian Music.

Wang, Xiaoqing 2024. The secret of difference: A technical and cultural investigation and comparison of Western classical singing methods for beginners and early stage singers in China. PhD Thesis, Cardiff University.
Item availability restricted.
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