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Number of items: 33.

Hamilton, Kenneth ORCID: https://orcid.org/0000-0001-9831-4849, ed. 2005. The Cambridge Companion to Liszt. Cambridge Companions to Music, Cambridge: Cambridge University Press. 10.1017/CCOL9780521622042

Beard, David Jason ORCID: https://orcid.org/0000-0003-3892-843X 2005. Meta-narratives and multidimensional opera: Harrison Birtwistle's 'The Mask of Orpheus'. Markovic, Tatjana and Mikic, Vesna, eds. Music and Networking: The seventh international conference, Department of Musicology and Ethnomusicology, Faculty of Music, University of Arts, Belgrade., Beograd: Fakultet Muzicke Umetnosti, pp. 143-153.

Beard, David Jason ORCID: https://orcid.org/0000-0003-3892-843X 2005. Review: Analyzing Popular Music [Book Review]. Music & Letters 86 (2) , pp. 325-328. 10.1093/ml/gci057

Beard, David Jason ORCID: https://orcid.org/0000-0003-3892-843X 2005. The shadow of opera: Dramatic narrative and musical discourse in Gawain. twentieth-century music 2 (2) , pp. 159-195. 10.1017/S1478572206000259
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Beard, David Jason ORCID: https://orcid.org/0000-0003-3892-843X and Gloag, Kenneth 2005. Musicology: the key concepts. Routledge Key Guides, London: Routledge.

Bickerton, Daniel ORCID: https://orcid.org/0000-0003-1997-5847 2005. Genesis. Daniel Bickerton.

Bickerton, Daniel ORCID: https://orcid.org/0000-0003-1997-5847 2005. Woodpeckers. Daniel Bickerton.

Carew, Derek 2005. Hummel's Op. 81: a paradigm for Brahms's Op.2? Ad Parnassum 3 (6) , pp. 133-156.

Faria Gomes, Pedro ORCID: https://orcid.org/0000-0001-9978-659X 2005. À Memória de Anarda. [Score]. Pedro Faria Gomes.

Faria Gomes, Pedro ORCID: https://orcid.org/0000-0001-9978-659X 2005. Romanza e Rondo. [Score]. Pedro Faria Gomes.

Faria Gomes, Pedro ORCID: https://orcid.org/0000-0001-9978-659X 2005. Uma Cantata Portuguesa. [Score]. Pedro Faria Gomes.

Hemsley, J. D. C. 2005. Henry Bryceson (1832-1909) organ-builder and early work in the application of electricity to organ actions. PhD Thesis, Cardiff University.
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Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818 and Dai, Griffiths 2005. Postcolonial music in contemporary Wales: hybridities and weird geographies. Jane, Aaron and Chris, Williams, eds. Postcolonial Wales, Cardiff: University of Wales Press, pp. 215-233.

Jones, David Wyn ORCID: https://orcid.org/0000-0003-3185-9195 2005. First among equals: Haydn and his fellow composers. Clark, C., ed. The Cambridge Companion to Haydn, Cambridge Collections Online, Cambridge: Cambridge University Press, pp. 45-57. (10.1017/CCOL9780521833479.005)

Jones, David Wyn ORCID: https://orcid.org/0000-0003-3185-9195 2005. 'What do surviving copies of early printed music tell us?'. Rudolf, Rasch, ed. Music Publishing in Europe 1600-1900. Concepts and Issues. Bibliography, Berliner Wissenschafts-Verlag, pp. 140-58.

Jones, Nicholas ORCID: https://orcid.org/0000-0002-7098-6114 2005. The music of Peter Maxwell Davies: An introduction. Presented at: Cardiff Recorded Music Society Lecture Series, Cardiff, UK, 30 November 2005.

Jones, Nicholas ORCID: https://orcid.org/0000-0002-7098-6114 2005. 'Playing the Great Game'? Peter Maxwell Davies, Sonata form, and the Naxos Quartet no. 1. Musical Times 146 , pp. 71-81. 10.2307/30044107

O'Connell, John Morgan ORCID: https://orcid.org/0000-0002-9035-4843 2005. The 15th ICTM colloquium: identifying conflict in music, resolving conflict through music. Bulletin of the International Council for Traditional Music 106 , pp. 55-57.

O'Connell, John Morgan ORCID: https://orcid.org/0000-0002-9035-4843 2005. The Edvâr of Demetrius Cantemir: recent publications. Ethnomusicology Forum 14 (2) , pp. 235-239. 10.1080/17411910500415887

O'Connell, John Morgan ORCID: https://orcid.org/0000-0002-9035-4843 2005. In the time of Alaturka: Identifying difference in musical discourse. Ethnomusicology 49 (2) , pp. 177-205.

O'Connell, John Morgan ORCID: https://orcid.org/0000-0002-9035-4843 2005. 'Sound sense: mediterranean music from a Turkish perspective'. Cooper, David and Dawe, Kevin, eds. The Mediterranean in Music, Scarecrow Press, pp. 3-25.

O'Connell, John Morgan ORCID: https://orcid.org/0000-0002-9035-4843 and Smith, Thérèse 2005. Liaison officer report: Ireland. Bulletin of the International Council for Traditional Music 106 , pp. 65-67.

Parsons, John Lewis 2005. Stylistic change in violin performance 1900-1960: with special reference to recordings of the Hungarian violin school. PhD Thesis, Cardiff University.
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Ponsford, David Stewart 2005. Parthenia. [CD].

Powers, Anthony 2005. STRING QUARTET No 4 (27 minutes). [Published score].

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2005. Alexandre Tansman and his Symphonies [CD booklet article]. Chandos.

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2005. Maurice Ohana: From the Garden of the Hesperides [CD booklet article]. Warner Classics.

Reyland, Nicholas 2005. 'Akcja' and narrativity in the music of Witold Lutosławski. PhD Thesis, Cardiff University.
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Sierra, Arlene Elizabeth ORCID: https://orcid.org/0000-0003-3067-7533 2005. A conflict of opposites. [Score]. Cecilian Music.

Sierra, Arlene Elizabeth ORCID: https://orcid.org/0000-0003-3067-7533 2005. Neruda settings. [Score]. Cecilian Music.

Stowell, Robin 2005. 'Performance practice in the eighteenth-century concerto'. Simon, P Keefe, ed. The Cambridge Companion to the Concerto, Cambridge University Press, pp. 192-226.

Thomas, Adrian Tregerthen 2005. Polish music since Szymanowski. Music in the Twentieth Century, Cambridge: Cambridge University Press.

Weir, Judith 2005. Armida (50 minutes). [Published score].

This list was generated on Mon Feb 10 11:29:22 2025 GMT.


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