Beard, David Jason ORCID: https://orcid.org/0000-0003-3892-843X
2005.
Meta-narratives and multidimensional opera: Harrison Birtwistle's 'The Mask of Orpheus'.
Markovic, Tatjana and Mikic, Vesna, eds.
Music and Networking: The seventh international conference, Department of Musicology and Ethnomusicology, Faculty of Music, University of Arts, Belgrade.,
Beograd:
Fakultet Muzicke Umetnosti,
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Beard, David Jason ORCID: https://orcid.org/0000-0003-3892-843X
2005.
Review: Analyzing Popular Music [Book Review].
Music & Letters
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Beard, David Jason ORCID: https://orcid.org/0000-0003-3892-843X
2005.
The shadow of opera: Dramatic narrative and musical discourse in Gawain.
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Beard, David Jason ORCID: https://orcid.org/0000-0003-3892-843X and Gloag, Kenneth
2005.
Musicology: the key concepts.
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Bickerton, Daniel ORCID: https://orcid.org/0000-0003-1997-5847
2005.
Genesis.
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Bickerton, Daniel ORCID: https://orcid.org/0000-0003-1997-5847
2005.
Woodpeckers.
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| Carew, Derek 2005. Hummel's Op. 81: a paradigm for Brahms's Op.2? Ad Parnassum 3 (6) , pp. 133-156. |
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Faria Gomes, Pedro ORCID: https://orcid.org/0000-0001-9978-659X
2005.
À Memória de Anarda.
[Score].
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Faria Gomes, Pedro ORCID: https://orcid.org/0000-0001-9978-659X
2005.
Romanza e Rondo.
[Score].
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Faria Gomes, Pedro ORCID: https://orcid.org/0000-0001-9978-659X
2005.
Uma Cantata Portuguesa.
[Score].
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| Hemsley, J. D. C. 2005. Henry Bryceson (1832-1909) organ-builder and early work in the application of electricity to organ actions. PhD Thesis, Cardiff University. |
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Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818 and Dai, Griffiths
2005.
Postcolonial music in contemporary Wales: hybridities and weird geographies.
Jane, Aaron and Chris, Williams, eds.
Postcolonial Wales,
Cardiff:
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Jones, David Wyn ORCID: https://orcid.org/0000-0003-3185-9195
2005.
First among equals: Haydn and his fellow composers.
Clark, C., ed.
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Cambridge Collections Online,
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Jones, David Wyn ORCID: https://orcid.org/0000-0003-3185-9195
2005.
'What do surviving copies of early printed music tell us?'.
Rudolf, Rasch, ed.
Music Publishing in Europe 1600-1900. Concepts and Issues. Bibliography,
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Jones, Nicholas ORCID: https://orcid.org/0000-0002-7098-6114
2005.
The music of Peter Maxwell Davies: An introduction.
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Cardiff, UK,
30 November 2005.
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O'Connell, John Morgan ORCID: https://orcid.org/0000-0002-9035-4843
2005.
The 15th ICTM colloquium: identifying conflict in music, resolving conflict through music.
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O'Connell, John Morgan ORCID: https://orcid.org/0000-0002-9035-4843
2005.
The Edvâr of Demetrius Cantemir: recent publications.
Ethnomusicology Forum
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O'Connell, John Morgan ORCID: https://orcid.org/0000-0002-9035-4843
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In the time of Alaturka: Identifying difference in musical discourse.
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O'Connell, John Morgan ORCID: https://orcid.org/0000-0002-9035-4843
2005.
'Sound sense: mediterranean music from a Turkish perspective'.
Cooper, David and Dawe, Kevin, eds.
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O'Connell, John Morgan ORCID: https://orcid.org/0000-0002-9035-4843 and Smith, Thérèse
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Liaison officer report: Ireland.
Bulletin of the International Council for Traditional Music
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| Parsons, John Lewis 2005. Stylistic change in violin performance 1900-1960: with special reference to recordings of the Hungarian violin school. PhD Thesis, Cardiff University. |
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| Ponsford, David Stewart 2005. Parthenia. [CD]. |
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Powers, Anthony
2005.
STRING QUARTET No 4 (27 minutes).
[Published score].
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Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264
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Alexandre Tansman and his Symphonies [CD booklet article].
Chandos.
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Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264
2005.
Maurice Ohana: From the Garden of the Hesperides [CD booklet article].
Warner Classics.
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| Reyland, Nicholas 2005. 'Akcja' and narrativity in the music of Witold Lutosławski. PhD Thesis, Cardiff University. |
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Sierra, Arlene Elizabeth ORCID: https://orcid.org/0000-0003-3067-7533
2005.
A conflict of opposites.
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Sierra, Arlene Elizabeth ORCID: https://orcid.org/0000-0003-3067-7533
2005.
Neruda settings.
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| Stowell, Robin 2005. 'Performance practice in the eighteenth-century concerto'. Simon, P Keefe, ed. The Cambridge Companion to the Concerto, Cambridge University Press, pp. 192-226. |
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| Thomas, Adrian Tregerthen 2005. Polish music since Szymanowski. Music in the Twentieth Century, Cambridge: Cambridge University Press. |
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Weir, Judith
2005.
Armida (50 minutes).
[Published score].
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