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Number of items: 32.

B

Beard, David Jason 2005. Meta-narratives and multidimensional opera: Harrison Birtwistle's 'The Mask of Orpheus'. In: Markovic, Tatjana and Mikic, Vesna eds. Music and Networking: The seventh international conference, Department of Musicology and Ethnomusicology, Faculty of Music, University of Arts, Belgrade., Beograd: Fakultet Muzicke Umetnosti, pp. 143-153.

Beard, David Jason 2005. Review: Analyzing Popular Music [Book Review]. Music & Letters 86 (2) , pp. 325-328. 10.1093/ml/gci057

Beard, David Jason 2005. The shadow of opera: Dramatic narrative and musical discourse in Gawain. twentieth-century music 2 (2) , pp. 159-195. 10.1017/S1478572206000259
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Beard, David Jason and Gloag, Kenneth 2005. Musicology: the key concepts. Routledge Key Guides, London: Routledge.

Bickerton, Daniel 2005. Genesis. Daniel Bickerton.

Bickerton, Daniel 2005. Woodpeckers. Daniel Bickerton.

C

Carew, Derek 2005. Hummel's Op. 81: a paradigm for Brahms's Op.2? Ad Parnassum 3 (6) , pp. 133-156.

F

Faria Gomes, Pedro 2005. À Memória de Anarda. [Score]. Pedro Faria Gomes.

Faria Gomes, Pedro 2005. Romanza e Rondo. [Score]. Pedro Faria Gomes.

Faria Gomes, Pedro 2005. Uma Cantata Portuguesa. [Score]. Pedro Faria Gomes.

H

Hemsley, J. D. C. 2005. Henry Bryceson (1832-1909) organ-builder and early work in the application of electricity to organ actions. PhD Thesis, Cardiff University.
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Hill, Sarah and Dai, Griffiths 2005. Postcolonial music in contemporary Wales: hybridities and weird geographies. In: Jane, Aaron and Chris, Williams eds. Postcolonial Wales, Cardiff: University of Wales Press, pp. 215-233.

J

Jones, David Wyn 2005. First among equals: Haydn and his fellow composers. In: Clark, C. ed. The Cambridge Companion to Haydn, Cambridge Collections Online, Cambridge: Cambridge University Press, pp. 45-57. (10.1017/CCOL9780521833479.005)

Jones, David Wyn 2005. 'What do surviving copies of early printed music tell us?'. In: Rudolf, Rasch ed. Music Publishing in Europe 1600-1900. Concepts and Issues. Bibliography, Berliner Wissenschafts-Verlag, pp. 140-58.

Jones, Nicholas 2005. The music of Peter Maxwell Davies: An introduction. Presented at: Cardiff Recorded Music Society Lecture Series, Cardiff, UK, 30 November 2005.

Jones, Nicholas 2005. 'Playing the Great Game'? Peter Maxwell Davies, Sonata form, and the Naxos Quartet no. 1. Musical Times 146 , pp. 71-81. 10.2307/30044107

O

O'Connell, John Morgan 2005. The 15th ICTM colloquium: identifying conflict in music, resolving conflict through music. Bulletin of the International Council for Traditional Music 106 , pp. 55-57.

O'Connell, John Morgan 2005. The Edvâr of Demetrius Cantemir: recent publications. Ethnomusicology Forum 14 (2) , pp. 235-239. 10.1080/17411910500415887

O'Connell, John Morgan 2005. In the time of Alaturka: Identifying difference in musical discourse. Ethnomusicology 49 (2) , pp. 177-205.

O'Connell, John Morgan 2005. 'Sound sense: mediterranean music from a Turkish perspective'. In: Cooper, David and Dawe, Kevin eds. The Mediterranean in Music, Scarecrow Press, pp. 3-25.

O'Connell, John Morgan and Smith, Thérèse 2005. Liaison officer report: Ireland. Bulletin of the International Council for Traditional Music 106 , pp. 65-67.

P

Parsons, John Lewis 2005. Stylistic change in violin performance 1900-1960: with special reference to recordings of the Hungarian violin school. PhD Thesis, Cardiff University.
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Ponsford, David Stewart 2005. Parthenia. [CD].

Powers, Anthony 2005. STRING QUARTET No 4 (27 minutes). [Published score].

R

Rae, Caroline 2005. Alexandre Tansman and his Symphonies. Chandos.

Rae, Caroline 2005. Maurice Ohana: From the Garden of the Hesperides. Warner Classics.

Reyland, Nicholas 2005. 'Akcja' and narrativity in the music of Witold Lutosławski. PhD Thesis, Cardiff University.
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S

Sierra, Arlene Elizabeth 2005. A conflict of opposites. [Score]. Cecilian Music.

Sierra, Arlene Elizabeth 2005. Neruda settings. [Score]. Cecilian Music.

Stowell, Robin 2005. 'Performance practice in the eighteenth-century concerto'. In: Simon, P Keefe ed. The Cambridge Companion to the Concerto, Cambridge University Press, pp. 192-226.

T

Thomas, Adrian Tregerthen 2005. Polish music since Szymanowski. Music in the Twentieth Century, Cambridge: Cambridge University Press.

W

Weir, Judith 2005. Armida (50 minutes). [Published score].

This list was generated on Mon Dec 6 20:50:04 2021 GMT.