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Jump to: B | C | F | G | H | J | L | O | P | R | S | V
Number of items: 40.

B

Beard, David Jason 2009. Birtwistle at 75: a continuing radical. BBC Proms Festival: Prom 27, London: BBC, pp. 3-5.

Beard, David Jason 2009. Blurring the boundaries. Geschlechterbeziehungen und Körperbilder in Harrison Birtwistle's The Corridor und Semper Dowland, semper dolens. In: Berman, Laura ed. Klang zu Gang Gedanken zur Musik in heutigen Theaterformen, Recherchen 73, Berlin: Theater der Zeit, pp. 37-48.

Beard, David Jason 2009. Carmen Arcadiae Mechanicae Perpetuum, Silbury Air and Verses for Ensembles (Prom 27). BBC Proms, London: BBC, pp. 6-11.

Beard, David Jason 2009. From "Heroische Bogenstriche" to "Waldeinsamkeit": Gender and genre in Judith Weir's 'Heroic Strokes of the Bow'. Dichotonies. Gender and Music., American Studies - A Monograph Series, Heidelberg: Univesitatsverlag, Winter, pp. 77-96.

Beard, David Jason 2009. Taverner: An interpretation. In: Gloag, Kenneth and Jones, Nicholas eds. Peter Maxwell Davies Studies, Cambridge Composer Studies, Cambridge: Cambridge University Press, pp. 79-105.

Bickerton, Daniel 2009. Epiphany. Daniel Bickerton.

Bickerton, Daniel 2009. Lunarscape. Daniel Bickerton.

Bickerton, Daniel 2009. Nocturne. Daniel Bickerton.

Boleslawska-Lewandowska, Beata 2009. Symphony and symphonic thinking in Polish music after 1956. PhD Thesis, Cardiff University.
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C

Cenciarelli, Carlo 2009. Off key: when film and music won't work together. By Kay Dickinson [Book Review]. Music and Letters 90 (2) , pp. 320-322. 10.1093/ml/gcn123

Chapin, Keith 2009. Alexandre Pierre François Boëly (1785-1858), ses contemporains et le style sévère, conservatoire à rayonnement régional de Paris, 4-5 décembre 2008 [Conference report]. Eighteenth-Century Music 6 (2) , pp. 306-309. 10.1017/S1478570609990340
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Chapin, Keith 2009. Sublime experience and ironic action: E. T. A. Hoffmann and the use of music for life. In: Chapin, Keith and Kramer, Lawrence eds. Musical Meaning and Human Values, New York: Fordham University Press, pp. 32-58.

F

Faria Gomes, Pedro 2009. Espera. [Score]. Pedro Faria Gomes.

Faria Gomes, Pedro 2009. Sleeping. [Score]. Pedro Faria Gomes.

Faria Gomes, Pedro 2009. Three Pieces for Wind Quintet. [Score]. Pedro Faria Gomes.

Fokkens, Robert 2009. "Glimpses of a half-forgotten future" for clarinet quartet. [Score (hard copy, PDF and Sibelius files) and performance]. Composer.

G

Gloag, Kenneth 2009. Questions of form and genre in Peter Maxwell Davies's First Symphony. In: Gloag, Kenneth and Jones, Nicholas eds. Peter Maxwell Davies Studies, Cambridge Composer Studies, Cambridge: Cambridge University Press, pp. 129-150.

H

Hamer, Laura Ann 2009. Musiciennes : Women musicians in France during the interwar years, 1919-1939. PhD Thesis, Cardiff University.
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Hamilton, Kenneth 2009. Beethoven's 'Tempest' sonata in performance. In: Bergé, Pieter, D'Hoe, Jeroen and Caplin, William E. eds. Beethoven's 'Tempest' Sonata: Perspectives of Analysis and Performance, Analysis in Context. Leuven Studies in Musicology, vol. 2. Leuven: Peeters, pp. 127-163.

Hamilton, Kenneth 2009. Wagner and Liszt: Elective affinities. In: Grey, Thomas S. ed. Richard Wagner and His World, Princeton, NJ: Princeton University Press, pp. 27-64.

Hill, Sarah 2009. Book Review. David W. Bernstein, ed., The San Francisco Tape Music Center: 1960s Counterculture and the Avant-Garde. Popular Music 28/3 , pp. 433-434. 10.1017/S026114300999016X

Hill, Sarah 2009. Book Review. Olivier Julien, ed., Sgt Pepper and the Beatles: It was forty years ago today. Ethnomusicology 53 (2) , pp. 329-331. 10.2307/25653072

Hill, Sarah 2009. Hippies Inc.: San Francisco and the commodification of the 60s. Presented at: Popular Music Worlds, Popular Music Histories: 15th Biennial IASPM Conference, Liverpool, UK, 13-17 July 2009.

Hill, Sarah 2009. Hippies, Inc.: San Francisco and the commodification of the 60s. Presented at: 15th Biennial IASPM Conference: Popular Music Worlds, Popular Music Histories, Liverpool, UK, 13-17 July 2009.

J

Jones, David Wyn 2009. The life of Haydn. Musical Lives, Cambridge: Cambridge University Press.

Jones, Nicholas 2009. The music of Hugh Wood. By Edward Venn. [Book review]. Music and Letters 90 (3) , pp. 514-516. 10.1093/ml/gcp016

Jones, Nicholas 2009. Peter Maxwell Davies's articles, lectures, interviews and radio broadcasts. In: Gloag, Kenneth and Jones, Nicholas eds. Peter Maxwell Davies Studies, Cambridge Composer Studies, Cambridge: Cambridge University Press, pp. 231-241.

Jones, Nicholas 2009. Review: Law & Order. Serialism by Arnold Whittall. Musical Times 150 (1906) , pp. 100-103.

Jones, Nicholas 2009. The writings of a young British composer: Peter Maxwell Davies in the 1950s. Peter Maxwell Davies Studies, Cambridge: Cambridge University Press, pp. 21-44.

L

Lane, Liz. 2009. Commentary on a portfolio of original compositions. PhD Thesis, Cardiff University.
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Leech, Peter 2009. Handel's legacy [Book Reviews]. Early Music 37 (4) , pp. 657-660. 10.1093/em/cap089

Leech, Peter 2009. Recusant song? Early Music 37 (3) , pp. 485-487. 10.1093/em/cap049

O

O'Connell, John Morgan 2009. Ayin. In: Fleet, Kate, Krämer, Gudrun, Matringe, Denis, Nawas, John and Rowson, Everett eds. Encyclopaedia of Islam, Three, Brill, pp. 86-87. (10.1163/1573-3912_ei3_COM_23036)

P

Ponsford, David Stewart 2009. A Question of Genre: Charpentier's Messe pour plusieurs Instruments au lieu des orgues (H513). In: Thompson, Shirley ed. New Perspectives on Marc-Antoine Charpentier, Ashgate, pp. 105-131.

R

Rae, Caroline 2009. Piano music of Africa and the African Diaspora. Ethnomusicology 53 (1) , pp. 146-151.

Rowden, Clair Sophie 2009. Alexandra Wilson, The Puccini Problem: Opera, Nationalism and Modernity (Cambridge: Cambridge University Press, 2007), ISBN 978-0-521-85688-1 (hb) [Book Review]. twentieth-century music 6 (1) , pp. 115-118. 10.1017/S1478572210000083
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Rowden, Clair Sophie 2009. Opera, caricature and the unconscious: Massenet’s 'Thaïs', a case study. Music in Art: International Journal for Music Iconography XXXIV (1-2) , pp. 274-289.

S

Sierra, Arlene Elizabeth 2009. Game of attrition for chamber orchestra. [Score]. Cecilian Music.

V

Villepastour, Amanda 2009. Fiddling in West Africa: Touching the spirit in Fulbe, Hausa, and Dagbamba cultures [Book Review]. Notes 66 (2) , pp. 284-286.

Villepastour, Amanda 2009. Two heads of the same drum? Musical narratives within a transatlantic religion. Journal of Transatlantic Studies 7 (3) , pp. 343-362. 10.1080/14794010903069185

This list was generated on Tue Dec 7 02:00:02 2021 GMT.