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Number of items: 40.

B

Beard, David Jason ORCID: https://orcid.org/0000-0003-3892-843X 2009. Birtwistle at 75: a continuing radical. BBC Proms Festival: Prom 27, London: BBC, pp. 3-5.

Beard, David Jason ORCID: https://orcid.org/0000-0003-3892-843X 2009. Blurring the boundaries. Geschlechterbeziehungen und Körperbilder in Harrison Birtwistle's The Corridor und Semper Dowland, semper dolens. Berman, Laura, ed. Klang zu Gang Gedanken zur Musik in heutigen Theaterformen, Recherchen 73, Berlin: Theater der Zeit, pp. 37-48.

Beard, David Jason ORCID: https://orcid.org/0000-0003-3892-843X 2009. Carmen Arcadiae Mechanicae Perpetuum, Silbury Air and Verses for Ensembles (Prom 27). BBC Proms, London: BBC, pp. 6-11.

Beard, David Jason ORCID: https://orcid.org/0000-0003-3892-843X 2009. From "Heroische Bogenstriche" to "Waldeinsamkeit": Gender and genre in Judith Weir's 'Heroic Strokes of the Bow'. Dichotonies. Gender and Music., American Studies - A Monograph Series, Heidelberg: Univesitatsverlag, Winter, pp. 77-96.

Beard, David Jason ORCID: https://orcid.org/0000-0003-3892-843X 2009. Taverner: An interpretation. Gloag, Kenneth and Jones, Nicholas, eds. Peter Maxwell Davies Studies, Cambridge Composer Studies, Cambridge: Cambridge University Press, pp. 79-105.

Bickerton, Daniel ORCID: https://orcid.org/0000-0003-1997-5847 2009. Epiphany. Daniel Bickerton.

Bickerton, Daniel ORCID: https://orcid.org/0000-0003-1997-5847 2009. Lunarscape. Daniel Bickerton.

Bickerton, Daniel ORCID: https://orcid.org/0000-0003-1997-5847 2009. Nocturne. Daniel Bickerton.

Boleslawska-Lewandowska, Beata 2009. Symphony and symphonic thinking in Polish music after 1956. PhD Thesis, Cardiff University.
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C

Cenciarelli, Carlo ORCID: https://orcid.org/0000-0001-7162-9509 2009. Off key: when film and music won't work together. By Kay Dickinson [Book Review]. Music and Letters 90 (2) , pp. 320-322. 10.1093/ml/gcn123

Chapin, Keith ORCID: https://orcid.org/0000-0001-8220-7344 2009. Alexandre Pierre François Boëly (1785-1858), ses contemporains et le style sévère, conservatoire à rayonnement régional de Paris, 4-5 décembre 2008 [Conference report]. Eighteenth-Century Music 6 (2) , pp. 306-309. 10.1017/S1478570609990340
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Chapin, Keith ORCID: https://orcid.org/0000-0001-8220-7344 2009. Sublime experience and ironic action: E. T. A. Hoffmann and the use of music for life. Chapin, Keith and Kramer, Lawrence, eds. Musical Meaning and Human Values, New York: Fordham University Press, pp. 32-58.

F

Faria Gomes, Pedro ORCID: https://orcid.org/0000-0001-9978-659X 2009. Espera. [Score]. Pedro Faria Gomes.

Faria Gomes, Pedro ORCID: https://orcid.org/0000-0001-9978-659X 2009. Sleeping. [Score]. Pedro Faria Gomes.

Faria Gomes, Pedro ORCID: https://orcid.org/0000-0001-9978-659X 2009. Three Pieces for Wind Quintet. [Score]. Pedro Faria Gomes.

Fokkens, Robert ORCID: https://orcid.org/0000-0003-4645-0616 2009. "Glimpses of a half-forgotten future" for clarinet quartet. [Score (hard copy, PDF and Sibelius files) and performance]. Composer.

G

Gloag, Kenneth 2009. Questions of form and genre in Peter Maxwell Davies's First Symphony. Gloag, Kenneth and Jones, Nicholas, eds. Peter Maxwell Davies Studies, Cambridge Composer Studies, Cambridge: Cambridge University Press, pp. 129-150.

H

Hamer, Laura Ann 2009. Musiciennes : Women musicians in France during the interwar years, 1919-1939. PhD Thesis, Cardiff University.
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Hamilton, Kenneth ORCID: https://orcid.org/0000-0001-9831-4849 2009. Beethoven's 'Tempest' sonata in performance. Bergé, Pieter, D'Hoe, Jeroen and Caplin, William E., eds. Beethoven's 'Tempest' Sonata: Perspectives of Analysis and Performance, Analysis in Context. Leuven Studies in Musicology, vol. 2. Leuven: Peeters, pp. 127-163.

Hamilton, Kenneth ORCID: https://orcid.org/0000-0001-9831-4849 2009. Wagner and Liszt: Elective affinities. Grey, Thomas S., ed. Richard Wagner and His World, Princeton, NJ: Princeton University Press, pp. 27-64.

Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818 2009. Book Review. David W. Bernstein, ed., The San Francisco Tape Music Center: 1960s Counterculture and the Avant-Garde. Popular Music 28/3 , pp. 433-434. 10.1017/S026114300999016X

Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818 2009. Book Review. Olivier Julien, ed., Sgt Pepper and the Beatles: It was forty years ago today. Ethnomusicology 53 (2) , pp. 329-331. 10.2307/25653072

Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818 2009. Hippies Inc.: San Francisco and the commodification of the 60s. Presented at: Popular Music Worlds, Popular Music Histories: 15th Biennial IASPM Conference, Liverpool, UK, 13-17 July 2009.

Hill, Sarah ORCID: https://orcid.org/0000-0002-6738-8818 2009. Hippies, Inc.: San Francisco and the commodification of the 60s. Presented at: 15th Biennial IASPM Conference: Popular Music Worlds, Popular Music Histories, Liverpool, UK, 13-17 July 2009.

J

Jones, David Wyn ORCID: https://orcid.org/0000-0003-3185-9195 2009. The life of Haydn. Musical Lives, Cambridge: Cambridge University Press.

Jones, Nicholas ORCID: https://orcid.org/0000-0002-7098-6114 2009. The music of Hugh Wood. By Edward Venn. [Book review]. Music and Letters 90 (3) , pp. 514-516. 10.1093/ml/gcp016

Jones, Nicholas ORCID: https://orcid.org/0000-0002-7098-6114 2009. Peter Maxwell Davies's articles, lectures, interviews and radio broadcasts. Gloag, Kenneth and Jones, Nicholas, eds. Peter Maxwell Davies Studies, Cambridge Composer Studies, Cambridge: Cambridge University Press, pp. 231-241.

Jones, Nicholas ORCID: https://orcid.org/0000-0002-7098-6114 2009. Review: Law & Order. Serialism by Arnold Whittall. Musical Times 150 (1906) , pp. 100-103.

Jones, Nicholas ORCID: https://orcid.org/0000-0002-7098-6114 2009. The writings of a young British composer: Peter Maxwell Davies in the 1950s. Peter Maxwell Davies Studies, Cambridge: Cambridge University Press, pp. 21-44.

L

Lane, Liz. 2009. Commentary on a portfolio of original compositions. PhD Thesis, Cardiff University.
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Leech, Peter 2009. Handel's legacy [Book Reviews]. Early Music 37 (4) , pp. 657-660. 10.1093/em/cap089

Leech, Peter 2009. Recusant song? Early Music 37 (3) , pp. 485-487. 10.1093/em/cap049

O

O'Connell, John Morgan ORCID: https://orcid.org/0000-0002-9035-4843 2009. Ayin. Fleet, Kate, Krämer, Gudrun, Matringe, Denis, Nawas, John and Rowson, Everett, eds. Encyclopaedia of Islam, Three, Brill, pp. 86-87. (10.1163/1573-3912_ei3_COM_23036)

P

Ponsford, David Stewart 2009. A Question of Genre: Charpentier's Messe pour plusieurs Instruments au lieu des orgues (H513). Thompson, Shirley, ed. New Perspectives on Marc-Antoine Charpentier, Ashgate, pp. 105-131.

R

Rae, Caroline ORCID: https://orcid.org/0000-0002-6941-7264 2009. Piano music of Africa and the African Diaspora. Ethnomusicology 53 (1) , pp. 146-151.

Rowden, Clair Sophie ORCID: https://orcid.org/0000-0002-0148-7864 2009. Alexandra Wilson, The Puccini Problem: Opera, Nationalism and Modernity (Cambridge: Cambridge University Press, 2007), ISBN 978-0-521-85688-1 (hb) [Book Review]. twentieth-century music 6 (1) , pp. 115-118. 10.1017/S1478572210000083
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Rowden, Clair Sophie ORCID: https://orcid.org/0000-0002-0148-7864 2009. Opera, caricature and the unconscious: Massenet’s 'Thaïs', a case study. Music in Art: International Journal for Music Iconography XXXIV (1-2) , pp. 274-289.

S

Sierra, Arlene Elizabeth ORCID: https://orcid.org/0000-0003-3067-7533 2009. Game of attrition for chamber orchestra. [Score]. Cecilian Music.

V

Villepastour, Amanda ORCID: https://orcid.org/0000-0003-1600-3313 2009. Fiddling in West Africa: Touching the spirit in Fulbe, Hausa, and Dagbamba cultures [Book Review]. Notes 66 (2) , pp. 284-286.

Villepastour, Amanda ORCID: https://orcid.org/0000-0003-1600-3313 2009. Two heads of the same drum? Musical narratives within a transatlantic religion. Journal of Transatlantic Studies 7 (3) , pp. 343-362. 10.1080/14794010903069185

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